Saturday, June 27, 2009

We Manifest Our World


It came as a shock to hear that Michael Jackson (August 29, 1958 – June 25, 2009) died. Certainly, he was a giant among entertainers, and had millions of fans. Nonetheless, it is incredible the amount of attention that has been garnered by his death. It is as big a news event as any, and I dare say if a nuclear bomb went off somewhere in the world, it would not provoke any more news coverage.
Here is another story. Years ago, I was outdoors with my easel and paints, making a picture along a quiet road in Santa Fe when a man my age approached and struck up a conversation. He was an artist, and before he departed we arranged to see each other again and go painting together. Over time, we became good friends. Eventually he moved from Santa Fe with his young family and lived in Michigan before later moving to San Luis Obispo, California. Occasionally we met each other and always shared an easy ambience of artistic brotherhood.
Ken perhaps was the more bohemian, not caring much about money or fortune except for his family, enjoying good times when they came and indulging in marijuana and drink if it was available. The family seemed to live on the margins, but he remained a conscientious father and faithful husband. His daughters grew, while I lost my oldest, Naomi to cancer and eventually my second wife and I divorced when our daughter turned twenty.
Ken often confided his own discontent in marriage and ruminated about the life he wanted to live as a free spirit. Before he had married, he had led the life of a vagabond artist, bicycling around France, living in Paris and becoming fluent in French. In marriage, he barely managed to support the family from his meager earnings as a painter. In San Luis Obispo, his wife became the primary breadwinner as a school teacher.
About 1 week ago, Ken called and informed me that he and his wife was separating. I felt bad, but understood. He asked me for my new address and told me he wanted to send me a letter. A few days ago, I received a packet from Ken. I opened it and there were some newspaper clippings and his letter. I always enjoy Ken’s letters because he writes poignantly about his life and immediate experiences, and also adds a bit of philosophy.
He wrote about the difficulties of his separation, the family, his plan to go to France for a break, and then he wrote a sentence that did not make sense: “Naturally winning a million dollars is a good thing, but it has created a lot of headaches too.” I read on and he told me he hoped to relax and paint more in France, and that he had been playing golf. He closed by saying he hoped I was well and that maybe we could get together “one of these days.” I put the letter down and reached into the large envelope, pulling out the paper that was folded neatly in half. Imagine my shock when I saw that it was the front page of the San Luis Obispo newspaper with a picture of him beside the headline: LOCAL ARTIST WINS 1 MILLION DOLLARS. The article was titled, A Painterly Stroke of Luck, COLOR OSOS ARTIST RICH. The newspaper quoted Ken: "I think twice about going out to lunch. It's very rare that I spend money like that. I did not tell my wife because I didn't want her to know I had spent money on something so frivolous."
I am still incredulous. Of course I called Ken, and he explained that he had been reading a book called Ask And It Is Given, about how we manifest our world by the way we think, and around the same time, he saw an advertisement in the Los Angeles Times for a raffle to benefit a charitable arts organization. The price of a ticket was steep—one hundred and fifty dollars, but the prize was a house in Santa Barbara or 1 million dollars. Ken never gambled or entered lotteries, but for this time, he dug under his mattress and without telling his wife bought a ticket, thinking that he would win. And then a month later, he was announced the winner. “I was not surprised”, Ken told me.

Sunday, June 21, 2009

Not Burned By Fire,


I find it fascinating that people are so wrapped up in the material world. It is as if life and its meaning depends on being comfortable. Then, the more wealth a person has, the happier they will be. For me, this is illusion. THE DREAM is where my treasure exists, and it will never be exhausted.
This is not to say that the material world does not matter. Recently a friend in Nairobi, Kenya sent me a text message asking if I could send her some money to see a doctor, and mentioning that she and her daughter had no food in their house. In those situations, it is more difficult to be philosophical. I often wonder how I would face the world in similar circumstances.
I think that the death of my daughter Naomi brought me to the state I am in now. During her final days, I felt that all the wealth in the world was only dust scattering in the wind. Deep down, I knew how remarkable was THE DREAM that continually unfolded and that I am privileged to witness. I saw in Naomi a being that had surpassed the physical, and in my book, A Heart Traced in Sand, I quoted these words from the Bhagavad-Gita:
The bonds of his flesh are broken.
He is lucky, and does not rejoice:
He is unlucky, and does not weep.
I call him illumined.

Not wounded by weapons,
Not burned by fire,
Not dried by the wind,
Not wetted by water;
Such is the Atman,

Not dried, not wetted,
Not burned, not wounded,
Innermost element,
Everywhere, always,
Being of beings,
Changeless, eternal,
Forever and ever.

Sunday, June 14, 2009

Money


Last week I finished a painting and gave it the title, Hung up With Money. It seems that every human being on the planet is in relationship with money. Outwardly, money is simply paper or coins—not as attractive as nature, or useful as food or shelter, but money has perceived value that is trusted so that it can be bartered universally. In work, people provide services in exchange for money, and money can also be exchanged for gold. It has the perception of importance.
In THE DREAM, money has no importance. Experience is the only value and truth. I live in the THE DREAM, so money plays a secondary role. But I also live in society, and money is a primary component of almost all aspects of society. I feel compelled to be in relationship with money, and if not, then almost immediately, society exerts pressure to bring money to mind.
My painting represents the absurdity of money, society, human life and perceptions. The clothesline represents time and space, where everything hangs and is trapped. Flesh disintegrates and returns to dust after a century on "the timeline", but money does not. The newspaper is the Wall Street Journal, which is devoted to economics. The pen might be used for writing ideas related to money, and the half eaten apple represents feast or famine, opposite sides of one coin.
To see more of my HangUps, go to: http://www.stevenboone.com/main_pages/hangups.html

Sunday, June 07, 2009

War and Peace

When I was a teenager, I engrossed myself in reading many of the world’s finest novels, and this formed a greater part of my education. During the summer of my eighteenth year, I read Leo Tolstoy’s epic story, War and Peace. One episode has lasted with me through the years. It is when one of the main characters, called Prince Andrei Bolkonsky, a dashing young lieutenant in the Tsar's army, is severely wounded in a battle with the French. Amid the carnage of the battlefield, Andrei has fallen with an almost fatal wound to his stomach and as he is bleeding in the grass, he gazes upward into the blue sky and sees lazy clouds drifting serenely above him. Suddenly he is struck how incongruous it all is. Amidst the mayhem and violence all around, and facing his own death, he nonetheless sees that the day is beautiful, and also notices the irony. And this is life on earth—beautiful and terrible both. The task is to always be mindful of the existence of each aspect, and remain positive always.

Sunday, May 31, 2009

Success


“There is only one success - to be able to spend your life in your own way.”
Christopher Morley US author & journalist (1890 - 1957)
If this were a true statement, then some of the most inspiring people in history would have their accomplishments diminished. No, there is another, more important success: to overcome external circumstances through inner resourcefulness and the exercise of virtue. Would people know who Nelson Mandela is if he had not been a prisoner for 27 years and then emerged intact before becoming president of South Africa? Or what about the little man from India, Mahatma Gandhi, (2 October 1869 – 30 January 1948) who was the pioneer of satyagraha—resistance to tyranny through mass civil disobedience, firmly founded upon ahimsa or total non-violence—which led India to independence and inspired movements for civil rights and freedom across the world.
So we see that sometimes success is not about "spending life in your own way." Some souls prefer to be tested by external hardships so that they continue to grow from the inside, and thus prove that spirit can overcome matter.
A test for me these days has been my dearth of income. Yet I see it is what THE DREAM is giving me now, so I do not struggle so much as observe and take interest. I know that THE DREAM holds more than I can comprehend, and if I am faithful, I will be assisted and thrive. In fact my circumstances have been improving.

Sunday, May 24, 2009

A Dazzling Celebration


Lately, when I wake in the morning, often I feel like I need help facing the day, so I say a prayer for assistance. Then, more often than not, little struggles ensue throughout the sunlight hours. It is not physical, since I almost never fall sick and I am in good health. But emotionally, when I face tasks, I am soon encumbered by disinterest. I wonder if I have been spoiled by my year of living dangerously, trekking with abandon across the globe on adventure after adventure. Also, the USA is not the same as when I left, and I feel life is collapsed inward. The economy is in shambles . . . and I have no income, so to speak. I am considering selling my possessions again, and moving to Asia, where I have friends and I can live for a fraction of the cost I am faced with now.
This morning I took a walk and flowers are in bloom everywhere. Flowers struggle too! First they must emerge from their dark, hard surroundings underground in their shell. Then they need sunlight, water and nutrients to feed their roots. They must not be stepped on or crushed. They are on a mission to grow to their full potential and create the flowers that make seeds that insure the survival of the species. They struggle against elemental opposition and when they succeed and bloom, a dazzling celebration ensues.
So too, must we as human beings, struggle against everything that would keep us from blooming, so that we may reach our potential and display to the world our own accomplishment of intelligence, talent, and virtue. The difference for us is that we can have a long life of blooming, and human blooming can occur under almost any circumstance. Sometimes, nobility is most pronounced under cruel circumstances. I think of my precious Naomi, when she was in pain and slowly dying. It drove me crazy with distress too watch, and although it was not my custom, sometimes I would leave her for a few moments and smoke a cigarette to relax and distract myself. I prayed all the time for her healing, but conditions worsened. Anyway, once, when I returned to Naomi’s side, she knew I had gone out to smoke, and she gently chided me, saying, “Dad, if you are anxious, just pray. We are stronger when we are happy.” In moments like those, I knew Naomi was so much more than her withering body . . . she was blooming like the fairest rose and nothing would fade its magnificent splendor.

Sunday, May 17, 2009

Strange Scenario



This past week I traveled a road that I have never been on before. I printed one of my photographs on top of an abstract monoprint. (A monoprint is a painting that is made on plexiglass and then sent through a printing press. The pressure transfers the ink from the hard glass to the absorbent paper.) I then experimented with coatings and sent the print through my wide format ink jet printer and came up with something interesting that I can continue to work with.
Meanwhile, the economy is in such a slump that I have no income these days. My paintings, which usually sell briskly, are not selling, and my items brought back to the United States from abroad are only selling on the very low end; not enough to cover my expenses. I am in THE DREAM, and now it is presenting me with a strange scenario where I produce work but it goes unsold.
Another strange scenario is the plight of seven Baha’ís in Iran. They were arrested a year ago just for being Baha’ís, and have been imprisoned ever since. In the past, similar arrests have led to execution. There is so much that is dreadfully unfair about this. The seven have not been allowed to see lawyers and not been charged with any crime. An international protest is gaining momentum that certainly will eventually lead to changes for the betterment of Iran and the safeguarding of human rights everywhere else as well.

Sunday, May 10, 2009

Pavlov's Dog


I have always needed openness to feel good. When I feel closed in or surrounded, I tend to get uncomfortable. Certainly there are many people who are my opposite and tend to need the comfort of familiar surroundings, and like being enveloped—and this is the wonder of humanity, that each being is unique and has special qualities all their own.
When I was a young man, I did not want to have a tie around my neck because it felt constricting. The ocean makes me nervous because it can swallow and eat me. There have been times when I have been in groups that demanded my involvement and unconsciously my body rebelled so that I felt nauseous or had to frequent the bathroom.
In work too, I can feel trapped, even by success; in my case, landscape painting. Repeated success combined with financial reward can lead to what I call “Pavlov Dog Syndrome.” Ivan Pavlov, (1849-1936) was a Russian scientist that made his famous discovery that dogs salivate before food reaches their mouths and that they learn by association to salivate even when a lab technician comes into view if they expect that the technician is going to feed them. In Pavlov’s experiment, the technicians always wore white lab coats and the dogs learned that people who wore white lab coats would feed them, so after awhile, they associated white lab coated people with being fed, and just the sight of them would make them salivate. So too, after repeated success selling certain types of artwork, an artist can become conditioned to “being fed” and even salivate at the thought of the food that is to come to his table when he produces more of what people like and will buy. For me, this is claustrophobic because soon it can be like living in an artistic box of limited dimension. Like a prison cell. But some artists say that this cell is actually a finely decorated palace and they are quite comfortable doing what people like and to be paid handsomely.
Lately, I feel unsettled creatively. After being so free, traveling around the world, what am I going to do next? I cannot seem to attach myself, or be attached. I do not want to own anything and do not particularly care if what I have comes or goes. Just the ideas for projects make me restless and I fear being trapped. So this is what THE DREAM is presenting me with now and I am treading lightly, just observing where the flowing water wants to go as it makes its way through the landscape to the sea. Soon enough, the energy will gain strength to carry me into a new unknown.
"Good taste is the enemy of creativity." Pablo Picasso (1881-1973)

Saturday, May 02, 2009

You Smell Good


Today, I got in trouble with someone and I had to apologize for overstepping boundaries. I often allow my personality and temperament to flow unconstrained and exuberantly, like a journey on a free-spirited river that is sometimes placid and other times dashing against rocks and swirling in turbulence. For the most part I am along for the ride and call it THE DREAM. In this state I feel boundless and excited, and need to touch the world to unite with it and know where I am. For example, one evening last October, while sharing dinner with my fellow safari travelers in Tanzania, a man from South Africa stared at me from across the table and abruptly asked, “Why did you kiss that Masai woman today?” His direct query took me by surprise. Earlier, our vehicle had broken down on the bumpy dirt route out of the Serengeti, and we were stranded while one of the crew worked to fix the problem. I had gone out of the bus to stretch and met a Masai couple by the side of the road. I immediately felt attracted and so walked over to them. The man sized me up as I stood smiling, and I asked to take their picture. He nodded okay, and I took photos of them together, then each one alone, and finally just of their hands touching together. Afterwards, spontaneously and without thinking, I leaned over and kissed the woman’s cheek. She was highly amused and giggled. “But didn’t you see that the man was holding a club when you kissed his wife?” the South African asked. To be honest, I did not think that any of the interchange could end badly. That is my way. But today THE DREAM took a different twist.
Outside of Santa Fe there is an Indian tribe that controls an outdoor marketplace that is famous and where I have just begun selling my items from world travel. This morning, as I stood talking with my assistant, a young, very chubby, Indian woman who worked at the market came to speak with me. She was wearing nice perfume and in a moment, I was riding in the stream and going with the flow. “You smell good!” I beamed at her as I put my arm around her shoulder and sniffed her hair. A half hour later, I was summoned to the tribal office and severely reprimanded. Feeling a bit humiliated, I apologized profusely, but nonetheless received a warning. I felt like a school kid that had been scolded in the principles office.
For a while afterward, I questioned myself and even incriminated a little. But really, the stream that carries me is big and beautiful and my heart is full, so I imagine that someday again, I will stop in my tracks when I come to a fragrant rose and simply from exuberance, reach out and touch it.

Sunday, April 26, 2009

Chicago


This last week, I flew to Chicago, the place of my birth. My daughter Sarah is finishing her studies in dance at Columbia College, and as part of her senior project, choreographed and performed in a modern dance. Chicago is notorious for its bone chilling winters, and the trees are just beginning to show buds that will become the green leaves of summer, but the weather was surprisingly warm. Chicago is called “the windy city” because it rises from the shores of Lake Michigan where heady breezes blow.

Sarah called her dance Desert Skies, and used one of my paintings of a southwestern sunset as a backdrop. Six dancers performed to elegant music with flute, in flowing burnt-orange pastel dresses that harmonized with the sunset. The dancers entered the stage from both sides, seeming to arrive into the landscape of the setting sun. From there, the bodies often came together only to fly apart in patterned movement, coming together again . . . falling, rising, running, grasping the sky with arms like wings, twirling, spinning and finally becoming one pulsing circle that fell to the ground in ecstatic exhaustion. The evening included six performances, and afterwards, the students, their parents and admirers all gathered together for a social time. I found Sarah in the hall outside the auditorium and she was flushed from exercise and excitement. She said she felt happy to have accomplished her task but a bit sad too that it all was ended.

Big cities have wonderful resources to keep people informed and entertained, and whenever I arrive in Chicago I always visit the Art Institute of Chicago. It holds many masterpieces, and some I never tire of seeing, such as an exquisite small self-portrait by Vincent Van Gogh.
The institution is constantly providing the public with new features, and I was able to see a wonderful special exhibit about the famous Norwegian painter Edvard Munch who is best known for his iconic painting called The Scream.


My stay in Chicago lasted three days and when I boarded the airplane to travel 1125.18 miles (1810 kilometers) back to Santa Fe, New Mexico, I felt like Sarah did after her dance performance—satisfied but a bit sad that this wonderful sojourn had drawn to a close.

Sunday, April 19, 2009

Journey Around The World


I have made a movie. The name “movie” implies movement, and nowadays action movies are packed with so much movement and sound that they can make you dizzy. My film is more meditative, a sort of glorified slideshow that took me all week to make as I learned along the way. It is called, A Journey Around the World, and is comprised of the photographs I took while circling the globe, also including music reflective of each country I visited.
Eventually, I will edit down the size and upload a version to YouTube, but for now, you can see a more complete and entertaining original and share it with friends. Make sure you have your sound turned up, and then, enjoy! Click here: Steven Boone, Journey Around the World