Elements

The cold days of winter have wrapped their icy fingers around me. To step outside is to shiver against the elements. My girlfriend, Heidi of the Mountains, has escaped to a secluded beach in Costa Rica where she writes me love letters and describes long walks on beaches, swims in the sea, relaxing hours spent observing monkeys in the trees surrounding her deck, and adventures with her girlfriend exploring the surroundings.

Meanwhile, my daughter and ex-wife are in Hawaii, swimming in the ocean, snorkeling among sea turtles and hiking among wild orchids.

This is the time of my oldest daughter’s birthday. Naomi was born January 11, 1980 and since she died in 1999, I have always come a bit undone when her birthday comes around. In some ways, I lose my bearings and free-fall into a state of bewilderment. One year on her anniversary, I was in a car accident (my fault) and in 2008 while I was in New Zealand, on her birthday I slipped and fell down an embankment near a river, crashing down with my camera, hitting my head on a rock and briefly going unconscious. My camera lens smashed and I had to find a hospital to stitch me up.

In my last letter to Lori, (Heidi of the Mountains), I told her to have fun and bring me back good stories. I am not jealous because each moment life knocks on my door and offers surprise and revelation . . .  wherever I am, I do not need to be somewhere else. Yesterday, I was selling some imported things at an indoor flea market and met a man who had chiseled good looks—like an older Anthony Quinn. He tried on several sheepskin hats I was selling, and looked good in anything he tried. We spoke, and shared warmth between us. He bought the hat, and invited me to come visit his workplace. He is a hair stylist and artist. I said maybe I would see him. He turned and looked earnestly in my face and asked, “Just say yes or no. Are you going to come or not?” I was taken aback but realized the value of his directness. “I like to be positive” he said. I told him I would definitely come visit. After he left, other fascinating people arrived, and all this is to say, life is full and wonderful, whether in the cold of winter or a sunny tropical paradise.

In a couple weeks I will be driving with my art to Orlando, Florida for an exhibit, then on to Miami for the Coconut Grove Art Festival. I will be in warm, sunny Florida for almost three weeks.

Muse

What is a muse? Muse in Greek mythology, is one of the nine daughters of Zeus and Mnemosyne, goddess of memory. Muses inspired and presided over the different creative arts. Sometimes artists are well aware that something bigger than themselves has taken over their creativity. In these moments they become like a hollow reed upon which a mysterious wind blows a sublime and fathomless melody. Afterwards, the startled artist steps back and says, Wow! Where did that come from?

As William Blake so eloquently wrote, the muse allows us
To see a World in a Grain of Sand, 
And a Heaven in a Wild Flower, 
Hold Infinity in the palm of your hand 
And Eternity in an hour.


Thomas Edison was a great inventor, but I take issue with his statement, “Genius is one percent inspiration and ninety-nine percent perspiration.” I believe that when Michelangelo, at the age of twenty-four, produced his colossal sculpture, David, he was completely inspired by a force greater than himself that blew through his every fiber, giving him strength. Certainly he was a unique channel and his talents begged for inspiration that attracted Spirit.

One of the greatest minds of all time acknowledges as much. Albert Einstein said: “One of the most beautiful things we can experience is the mysterious. It is the source of all true art and all science. He to whom this emotion is a stranger, who can no longer pause to wonder and stand rapt in awe, is as good as dead: his eyes are closed. Imagination is more important than knowledge. For knowledge is limited to all we now know and understand, while imagination embraces the entire world, and all there ever will be to know and understand. 
” And he said, “To know is nothing at all; to imagine is everything.”

Imagination is the ability to dream while awake and in that heavenly state, be surprised by the “sirens songs,” blowing from across eternity. Walt Whitman knew this. The great American poet wrote:

As for me, I know nothing else but miracles,

Whether I walk the streets of Manhattan,

Or dart my sight over the roofs of houses toward the sky,

Or wade with naked feet along the beach just in the edge of the water,

Or stand under the trees in the woods,

Or talk by day with any one I love,

Or sleep in bed at night with any one I love,

Or watch honeybees busy around the hive of a summer forenoon...

Or the wonderfulness of the sundown, 

Or of stars shining so quiet and bright,

Or the exquisite delicate thin curve of the new moon in spring...

What stranger miracles are there?

The greatest artists, writers, inventors, et al. know that to truly be fulfilled is to actually lose oneself and wander in mystery . . . to be guided by strangeness and trust that a wild ride is towards the mystical ocean that is the beginning and end; both.

“I have no fear of making changes, destroying the image, etc., because the painting has a life of its own.” Jackson Pollock

When I was but a twenty-two year old art student, my homework was to do a self-portrait. Every night I stood in front of a mirror and painted. The task was arduous for I stared at myself for hours on end, trying to faithfully represent myself in oil paint on canvas. But something took over so that I became inspired to continue. In the end I produced a painting that went beyond myself and once I stepped outside of the creative reverie and brought my painting to class, I thought did I do that?  Well, I did, but my muse stood next to me, singing her siren songs.

Magical Territory

"Is not life a hundred times too short for us to bore ourselves?" Friedrich Nietzsche

“There is no end. There is no beginning. There is only the passion of life.” Fredrico Fellini

I live on a hillside in a home nestled among a cluster of dwellings. When Santa Fe had it’s big snowstorm last week, my vehicle was buried in snow and ice, so I decided to just wait until conditions improved before trying to drive. But I am not the type who can stay at home for long. While the snow came down one afternoon, I went for a walk and took my camera. Everything was a blur of white, and I had to be careful not to fall on the steep terrain. In the silence I walked, carefully choosing my steps. Soon, the poetry of nature was casting a spell and I became entranced by familiar surroundings that had drastically changed their countenance. Colors were subdued to tones of white, broken by objects not completely concealed in snow. Soon, I was covered with snow as well. I made my way to the small creek at the foot of the hill and though my feet were cold and fingers inside my gloves were chilled, I plunged down the snowy embankment to explore. I have written previously about this area, and you can read how only recently, it was ablaze in fall color: Stopped In My Tracks.  Now, whiteness prevailed. The beauty took me by storm, and I walked, stopping to take pictures.

There are times for artists during creative moments when an inner contentment is reached. Their passion is heightened and happiness is found—so that nothing else matters except being in the “zone”. Think of Michelangelo, working on his back for hours high upon scaffolding in the Sistine Chapel. Sometimes paint would drip in his face and his body ached, but he was ecstatic, oblivious to the outside. When he reached home, bone tired, the spell was still upon him and he slept in his clothes with his shoes on, only to go back again the next day.

How often the siren song of the creative muse drowns out everything else . . . so that time vanishes and hours fly away in moments. I have missed appointments because of being in the zone.

During the snowstorm, as I became more excited by the magical aspects of my surroundings, I entered the magical territory. Nothing else mattered . . . the cold or even the oddness of stepping in the creek while taking pictures. My muse stood by my side and I was happy as a lover with his beloved.

“Reverie is not a mind vacuum. It is rather the gift of an hour which knows the plenitude of the soul.”   Gaston Bachelard

Sweet Light

Oh, for sweet light! People around the world rejoice in and praise it. Light represents hope, sustenance, and illumination.

Into my heart's night

Along a narrow way
I groped; and lo! the light,

An infinite land of day.
 ~Rumi


In Santa Fe, New Mexico, USA, where I live, there is an annual tradition of giving light on Christmas Eve. Paper bags are weighted with a layer of sand and a candle is lit and placed inside, then, scores of these “farolitos” (Spanish for “little lights”) are placed along paths, streets, sidewalks, on walls and even rooftops. Streets are closed to vehicles in an old and historic part of town along Canyon Road, where the art galleries line both sides of the avenue. As night falls, people gather in masses to walk among the farolitos, or gather at luminarios (bonfires) to sing carols and be festive. The tradition lights up the heart and soul, as thousands of people stroll. Amid joyous sounds of Christmas music, the revelry of friends and families greeting each other fills the air.

The lights have their roots in the 1800's. Small bonfires were used to guide people to Christmas Mass. Quite often they were set out during the final night of Las Posadas, the symbolic representation of Mary and Joseph seeking shelter in Bethlehem walking from home to home before Jesus was born.

 In later days, children carried small farolitos as they reenacted Las Posadas.

This year as I walked among the darkened masses of people and flickering firelights, Heidi of the Mountains walked by my side. “This is my first time!” she exclaimed with glee.

No matter how fast light travels it finds the darkness has always got there first, and is waiting for it.  ~Terry Pratchett

Your life is something opaque, not transparent, as long as you look at it in an ordinary human way.  But if you hold it up against the light of God's goodness, it shines and turns transparent, radiant and bright.  And then you ask yourself in amazement:  Is this really my own life I see before me?  ~Albert Schweitzer


A couple years ago, during October, I arrived in Varanasi, India, just at the beginning of Devali, "festival of lights"; an important five-day festival in Hinduism, Jainism, and Sikhism. Mounds of marigold blossoms were heaped in the streets, to be gathered to make garlands. In the evening, a man rowed me on the Ganges River to see fireworks and watch the huge cremation fires on the riverbank. As night fell, little handmade boats were floating everywhere—set upon their voyage carrying flower petals and candle, lit with someone’s hope.

My mind withdrew its thoughts from experience, extracting itself from the contradictory throng of sensuous images, that it might find out what that light was wherein it was bathed... And thus, with the flash of one hurried glance, it attained to the vision of That Which Is.
Saint Augustine

After I left India, by chance I arrived in Chiang Mai, Thailand, at the beginning of Loi Krothon, a festival where firelight plays a central role. "Loi" means "to float" and a "krathong" is traditionally made from a section of banana tree trunk. A krathong will be decorated with elaborately folded banana leaves, flowers, candles and incense sticks. A low value coin is sometimes included as an offering to the river spirits.

During the night of the full moon, Thais will float their krathong on a river, canal or a pond lake. The festival is believed to originate in an ancient practice of paying respect to the spirit of the waters. In Chiang Mai, night parades wind through the streets, with many of the costumed participants marching with candles aglow. Also, candles are lit under canopies of paper and as the warm air rises and is trapped, the lit paper bags rise into the air—thousands through the night, glowing all the way. It is quite the sight.

And of all illumination which human reason can give, none is comparable to the discovery of what we are, our nature, our obligations, what happiness we are capable of, and what are the means of attaining it.
Adam Weishaupt

There is not enough darkness in the entire world to put out the light of even one small candle.  Robert Alden

Serendipity

There are always two people in every picture:  the photographer and the viewer.  ~Ansel Adams

When I was in Kashmir, India, I went on a trek in the Himalayan Mountains, and during the journey stopped in a tiny hamlet to paint. I set up my easel to get a view of houses with the mountains rising behind. Children were the first to arrive by my side, but before long adults too, came to watch. I was entertaining them. Fortunately, I had my camera, and occasionally turned and snapped pictures of the onlookers. That day was quite memorable, and I came away with a painting, wonderful experiences, and a trove of photographs. Many are favorites from among 30,000 pictures I took in 2008. One in particular is a photo that came when I had finished painting and stood to smile at the young people. I motioned to a group that I wanted to take their picture and without a word, they quickly gathered and focused all their attention to me. In a second I had taken a marvelous photo, and then, a few more in succession. I have printed it as large as 34 by 44 inches and lived with it for many months . . . and never tire looking at it. The children are present, free from confusion and gaze openly with candor. They are dressed nicely in mountain garb, and have chapped skin from the climate. In some of the pictures, the village children show clothes that are stained and faces with dirt . . . and it's understandable since they do not have washrooms or toilets, but live close to nature. In the above photo, I like that they stand shoulder to shoulder as comrades.

I had similar moments of serendipity when in the briefest of seconds an unlikely slice of time is captured forever. For instance when I was outside a mosque in Istanbul, Turkey, and noticed a big congregation of pigeons bustling about. A homely woman turned to me, and in a moment I had taken her picture as she offered me seed to throw to the birds. She is smiling bashfully and missing teeth.

Some photos can be planned. When I was driving on the island of Corfu, in Greece, I came to a place called Ipsos and spotted a rickety dock that jutted into a lake. I stopped and as the gentle waves lapped the shore at my feet, set up a tripod and leisurely snapped photos. The result is a picture that has fullness and emptiness both. I call it Zen Dock. 

Sometimes, I knew a picture was waiting for me, but I would need to make special effort to get it. When I was in Hoi An, Vietnam, I heard of a fish market that was especially lively at dawn, when the fishermen arrived at a dock amid a crowd of clamoring and bartering women. Several mornings I rose with the sun to ride my bicycle to the place. Sure enough, I got great pictures. Among them is this shot of a woman who was squatting on her haunches, smoking a cigar under her straw hat.

Photos can record in a moment a picture worth a thousand words. While in Africa in the Serengeti game preserve, I met a group of Masai boys and could not have made a painting of them. But my camera was with me, and my brief encounter is now more than an isolated memory in my head.

It's weird that photographers spend years or even a whole lifetime, trying to capture moments that added together, doesn’t even amount to a couple of hours.  ~James Lalropui Keivom

Photography records the gamut of feelings written on the human face, the beauty of the earth and skies that man has inherited, and the wealth and confusion man has created.  It is a major force in explaining man to man.  ~Edward Steichen

See more travel pictures:  Artistic photography by Steven Boone
Also my full website for photos: Graphixshoot

God Within It

 My mother, who lives in Santa Barbara, California, called and left a message on my phone the other day. Her voice was emotional as she spoke slowly and deliberately. “Hi Steven, it’s your mother. Our dog, Sarah, died December 1st. I put a sign out front for the neighbors—to tell them she had died . . . because everyone loved her. And I put on the sign a writing from Baha’u’llah that said, ‘Nothing do I perceive but I perceive God within it, God before it, and God after it.'  I wrote the name of Baha’u’llah on it, along with a picture of Sarah. Then everyone knew she had left us.” Her voice trembled and she cried a little as she spoke. I noticed the crying because my mother never cries.

They had brought Sarah home after a previous dog died. Sarah was already three or four years old. A German Shepherd, she had been abused by someone and was not trusting. Once she became a part of my parent’s household, she barked at anyone else who entered the house. I went to visit them a couple months ago and Sarah always barked at me when I came inside, even though she was deaf and too tired to stand. I noticed that she did the same with my brother who lives near my parents and has visited thousands of times. I had to laugh about that.

Sarah was treated with great kindness and even reverence. When she slowed down and could barely walk, my father cordially walked slowly by her side as she went out to do her duty every day. Both my parents, who are infirm themselves, would help her when she could only climb halfway into the car, and had to have her back legs lifted and then be scooted in. They said kind things to her every day, even after she had gone deaf. When my father noticed she was not eating, he'd get on his hands and knees and feed her. She ate the same food as my parents. I once joked with my mother that I was eating dog food when I noticed she had the same food in the dog dish as on my plate. She said resolutely, “Sarah gets the same food as we do.”

The dog lived much longer than perhaps possible, due to the love she received. My mother liked to say she was “the oldest German Shepherd in Santa Barbara.”

I spoke with mother after she left her message for me. She said many neighbors had seen the sign and come with flowers, or gifts, and to pay their sympathies. Surely, they had noticed a great love and now part of it had gone away.

"The one absolutely unselfish friend that man can have in this selfish world, the one that never deserts him, the one that never proves ungrateful or treacherous, is his dog. A man's dog stands by him in prosperity and poverty, in health and sickness. He will sleep on the cold ground where the wintry winds blow and the snow drives fiercely, if only he may be near his master's side. He will kiss the hand that has no food to offer, he will lick the wounds and sores that come in encounter with the roughness of the world. He guards the sleep of his pauper master as if he were a prince. When all other friends desert he remains. When riches take wings and reputation falls to pieces, he is as constant in his love as the sun in its journey through the heavens” ..... Unknown  (Possibly from an early American trial re: the killing of a neighbor's dog)

The Tightrope Walker

Being an artist is like being a tightrope walker, trying to keep balanced between creativity and staying in public favor. To lose either is to fall, but losing creativity is death, whereas public favor is capricious, not essential for life. Most artists depend upon public sanction and approval in order to provide for themselves and family. Everyone knows the tragic story of Vincent van Gogh (30 March 1853 – 29 July 1890). He passionately gave his talents to the world, but the public did not receive his gifts. Thus he was impoverished and depended upon the charity of his brother to survive. At the tender age of 37, he killed himself, and then some years later when public taste shifted, his work gained favor. Now, van Gogh is an icon and his work is among the most sought after in the world. And what if he had acknowledged and followed advice? We all would be poorer if he had conformed to the taste required by society and painted academic paintings with subdued tones and little flair or personality. Then, his unique and wondrous gift of authenticity would have been diminished and blighted and his greatest work would not have been achieved.

In contrast, Pablo Picasso (25 October 1881 – 8 April 1973) set the world on fire and after a brief initial struggle getting established, had the public eating out of his hand. Much of his work could not be understood, but perhaps because society was hungry for change and he was the man of the hour and capable of fantastic feats of creativity, his bold advances were met enthusiastically and he became very rich. His art is also among the most sought after in the world.

Common advice for an artist is to create a niche and be identified much as commercial brands are recognized. Then, grow the brand.  Most artists do this.  Norman Rockwell, Andrew Wyeth, or even Jackson Pollock, are painters who settled upon a technique and then harvested results. This practice extends to other art forms, such as poetry and writing, where some are haiku writers or fiction novelists, but not both. Very few are like Leonardo daVinci, a painter, inventor, sculptor, poet and scientist.

I admit that the public sometimes factors into my thoughts when I am in my studio. I have had success as a landscape painter, but other work has met with less enthusiasm. Some of my paintings, like the Hangup series, (faces hanging from clothespins on a line), have met with delight and wonder, but also revulsion and hatred. When I made the first, I was responding to a quirky inner vision, not public taste. I had decided to follow through with an odd momentary vision, and eventually produced thirty-five paintings. At one point I stopped painting, since I felt I was coming unglued, but now count the Hangup paintings as among my most important work. To prove the point, one of them, Van Gogh, All Hung Up is part of the permanent collection of the Foundation Vincent Van Gogh, in Arles, France, among paintings by luminaries of contemporary art.

Writing, photography, painting, drawing, making books, graphic design, public speaking, traveling, meditation, philosophy . . . the main thing is to follow the thread of the heart.

Visit the Steven Boone website.

Words

I use paint and brush to convey my artistic inspiration, but have also written a book and magazine articles and know the power and creativity of words. The Bible says, “In the beginning was the Word, and the Word was with God, and the Word was God.” John 1:1

Imagine! One word was the beginning of everything that is. That word might have been Be. With the word Be! everything was created in an instant. 

Words convey meaning. And this is why dictionaries are useful, since the dictionary contains the generally accepted meaning of words, so misunderstandings can be settled. Philosophers always establish definitions for the words they use before continuing with their thoughts. In the English language, there may be a quarter of a million words, but some words have multiple meanings. For instance the word can, means to be able to do something, but also signifies a sealed metal container, as when we say, a “can of beans.”

Poets use words to paint poetry. Politicians use words to convince. Enlightened beings use words to inspire and ennoble. A good string of words can become as iconic as the Mona Lisa.  Here are some famous quotes:

A thing of beauty is a joy forever. John Keats (31 October 1795 – 23 February 1821)

The Lord is My Shepherd. Bible, Psalm 23

Do unto others as you would have others do unto you.
 The Bible, Matthew 7:12

This above all: to thine own self be true. Shakespeare, Hamlet (Act I, Scene III)

An eye for eye only ends up making the whole world blind. M.K. Gandhi, (2 October 1869 – 30 January 1948)

Sometimes in my writing I have used phrases that are highly personal. I realize they might be hard for others to understand, for instance my expression, disappearing into the matrix of the earth. The word matrix I use in the sense of the womb of the earth; a place where life arises, but more, it is also where substance returns after death, to be renewed and reborn. So what I have sought is to be close to transformation, find the primitive beginning, and lose the normal boundaries that separate life forms. It is a mental exercise and emotional longing that has allowed me a greater feeling of oneness and unity with the universe and led to revelatory experience. The other phrase I have used frequently is THE DREAM. Everyone experiences moments when they do not know what is real and what is not. It may happen between sleep and waking, or during a slip of consciousness, or a moment of confusion, or during a disaster when the thought arises, “this cannot be real.”  I have taken these odd moments a step further and arrived at the determination that this world is really a dream and that at the moment of my death so much knowledge and truth will be revealed to me that only then will I see my life in the physical body as if I had been sleeping—but have now awakened. Also, THE DREAM allows my consciousness to flow, since it has a life of its own and I see I am watching my life unfold until that anticipated moment of my own death.


All the world's a stage,
And all the men and women merely players;
They have their exits and their entrances,
And one man in his time plays many parts...  William Shakespeare, ( 26 April 1564; died 23 April 1616)As You Like It

Finally, here is another beautiful string of words which is like a painted masterpiece:

“So powerful is the light of unity that it can illuminate the entire earth.” Baha’u’llah, (12 November 1817 – 29 May 1892)

Mystery

"The world is incomprehensible. We won't ever understand it; we won't ever unravel its secrets. Thus we must treat the world as it is: a sheer mystery." Carlos Castaneda (25 December 1925 – 27 April 1998)

"The job of the artist is always to deepen the mystery." Francis Bacon (28 October 1909 – 28 April 1992)

I rejoice in mystery because it holds possibility and surprise. The best way to embrace mystery is simply to not expect knowing the future, but simply let it unfold and watch. I know this practice goes against the teachings of most people . . . and that is to plan, plan, plan—so as to not be surprised by future events but rather to control the outcome.

Before I set out to travel around the world in 2008, I began anticipating the adventure. I told people that I wanted to disappear into the matrix of the world. One morning I awoke from a dream with a sentence I had heard fresh in my mind, (See my earlier blog, Grand Confusion). A voice had spoken for me to hear, and said, “The vessel he entered was a grand confusion between his world and the world outside of him.” I knew that “vessel” symbolized my being contained in travel, and furthermore the sentence referred to mind, because of the term “confusion.” I liked the thought of a “grand confusion” where the boundaries between my inner and outer worlds dissolved. This is the way I traveled and found many incredible experiences with people and places across the globe.
Yesterday, Heidi of the Mountains came to visit me, and in the late afternoon, as the sun was going down and the air chilled, we took a walk. I am new to this neighborhood and find that I like being elevated on a hillside so that I can easily see sunsets. As we began our sojourn, I noticed the western atmosphere changing, and the familiar colors of sunset coming on, but then, I made the mistake of slipping outside of mystery. After observing the sky, I confirmed mentally that this would be an ordinary sunset and not to expect any great surprise. We walked further, and the sky became more dramatic. Soon, I was giving myself entirely over to the mystery unfolding, and as darkness encroached and daylight ebbed away, the sky performed miraculous displays of color and it was if a great, unseen hand was painting a masterpiece before my astonished eyes. Without knowing what to expect from one moment to the next I frequently stopped walking to click pictures of the fabulous sight.

Surprise and Mystery

Recently, I went into the gallery that represents my work here in Santa Fe. The sales lady greeted me, and then she said, “Oh Steven, I need to ask you questions about a painting of yours." We walked into the room where my large mixed-media work, called Flying, hangs on a wall. This piece has been in the gallery a short while, and because I have been out of town, the saleswoman had not had an opportunity to speak with me about it. “People have made comments about this work . . . please tell me about the figure in the background.” Immediately I felt curious about what people had to say, so asked, “What comments have you heard?” She answered, “They like the piece very much but find the man in the background disturbing; threatening—as if he will do harm to the young woman.” Then she added, “One woman said she would buy it if not for the man in the background.”

I felt incredulous, and aghast. “That is a complete surprise” I said, “because the figure in back is my daughter! There are two separate images in this work, from two different days of photography. I put them together digitally.”

She said, “Someone said the mask is disturbing.”

“She is wearing a mask from Thailand.” I said.

I could not help but feel flustered and also miffed. The work has always delighted me and furthermore, I never intended anything threatening.

A couple years ago I spent time taking photos of models in my studio and had them play with cloths of white fabric as I snapped portraits. The images were made more dramatic because the studio was draped in black cloth . . . even the floor. So when the models moved about under my narrow skylight, I got dramatic pictures.

I put the two figures together in order to add surprise and mystery to the sensual scene, and make it more enigmatic.

How often is art like a Rorschach test for the viewer? Almost always.

To see more of my artwork, go to Steven Boone Fine Art

Stopped In My Tracks

"As you simplify your life, the laws of the universe will be simpler; solitude will not be solitude, poverty will not be poverty, nor weakness weakness." Thoreau

Henry David Thoreau (born David Henry Thoreau; July 12, 1817 – May 6, 1862) famously wrote observations of life while living next to a pond. There is no pond near my current home in Santa Fe, but there are beautiful views, it is clean, quiet, and spacious enough, and I am in a good part of town, near the art galleries. I do not have Walden Pond, but just a short walk down a hill from my house is the Santa Fe River. “River” is a misnomer, because usually there is only a trickling stream of water that runs from a reservoir at the base of the mountains nestled by the city. Stone walls have been built alongside it in the event of an unlikely flood, but for much of the way, it is easy to walk by the stream and hop across with a couple jumps over rocks. Intermittent paths allow people to hike and enjoy the ecosystem.

While in my new home only a few days, life along the river has already captured me. I have not been able to resist taking long moments to look at the dazzling display of fall color occurring now. Especially the old cottonwood trees with their thick, gnarly trunks that twist upward and lift big branches full with displays of golden leaves.

During early morning and late afternoon, sunlight slants obliquely through the garnished trees, and I have been stopped in my tracks to be gathered into the sublime scenery. Leaving the street to clamber down embankments, I pause beside the stream and occasionally hear cars pass by, or see someone through the thickets. When a breeze blows, yellow-sheened leaves are shaken loose and drift lazily to earth, rustling as they brush against limbs and brambles and finally come to rest. Include the gurgling of a brook, bird songs, far-off dog barks and children’s laughter, the smell of water and freshly rotting leaves, dappled light and invigorating fluctuations of warm and cool temperatures in the sun or shade—and then I understand why Thoreau was inspired to write his book about the poetry of a pond.




 

"Aim above morality. Be not simply good, be good for something. "
Henry David Thoreau