Showing posts with label Gypsy. Show all posts
Showing posts with label Gypsy. Show all posts

Sunday, March 06, 2016

At A Threshold


The word portal is at once familiar and mysterious; herein is its charm. When we come to a portal, we are at a threshold. We may be at a doorway that leads from a familiar interior to an outdoors that is limitless and leads to places unknown. Or it may be the reverse, coming from the wild outdoors of bustling streets or primitive forests, to an entrance that welcomes us to the comfort and safety of home. Portals have great variety. In ancient days, most cities were surrounded by walls, and great gates were portals to and from the interior. These days, websites can act as a portal to other domains through links that are gateways

I love experiences that are portals. I have been through many gates, and crossed countless thresholds around the world. Many times I have crossed into the unknown and always felt a thrill at the possibility of surprise and learning something new. Portal experiences function this way—taking us from something known into the realm of spirit, where borders are more obscure and our frame of mind shifts to something new. Such an experience can take us into the heart of creation and the center of our own being.

I have a simple example of just such a portal experience. It occurred last October while hiking outside of Vernazza, Italy, one of the five villages of Cinqueterra, on the Italian Riviera. I was with a friend, walking along a narrow dirt trail hugging a mountainside, with the Ligurian Sea just below us. We had followed the path up and down slopes, amid vineyards and flowering shrubs, when we turned and abruptly came to a man sitting on a bench, accordion on his lap with his dog laying on a rug at his feet. He had the look of old world gypsy—dark, with rumpled but stylish clothing, and a little mustache that perched on his upper lip. Wearing eye glasses under black leather cap, and smiling amiably when he saw us, he began playing his red accordion. His dog rolled onto its back, spreading his legs and putting all four feet up in the air, absolutely content and relishing the music on a fine fall day with the sunshine warming the earth.

At the sudden sight of the old-world gypsy and his dog, and the sound of the first notes of the accordion, I was entering a portal. A realm of wonder and enchantment opened before me. My breathing became deeper and I felt rested and gay. Although in a foreign land on foreign soil, an ancient recognition stirred in my breast. I had stepped through the portal and was in wonderment, spellbound by magic. We stood near and listened to the music, and I made a film with my camera video.

Sunday, August 15, 2010

Worth A Thousand Words

It is said that a picture is worth a thousand words, and a Native American proverb says, “It takes a thousand voices to tell a single story”. Every painting contains stories, and that is the beauty of art—that we can look, and if the artist has been masterful and we are awake to the moment of observance and communion, stories can unfold.
There is a story behind my recent piece, called The Gypsy. It begins when I was visiting my friend Carol, who lives in a tiny mountain village, Darrical, in the region of Spain called Andalusia. Carol is Scottish by birth, but has lived in Spain for years with her German, accordion playing husband, Rolf. They lived a vagabond existence on a boat for years before finding their place in the almost deserted village of Darrical. While I was staying with Carol and Rolf, I met Pepa, a young woman artist who spoke English. Immediately I was struck with her “Spanish” looks—dark hair that flowed in wild rivulets around her broad face, olive skin, sparkling eyes, and an almost fierce proud beauty to her.
Soon we were friends and I wanted her to model for me, for photography, which she gladly agreed to. I told her I wanted her to dress in traditional Spanish garb and she found some dresses that worked, and we took her guitar for additional flavor.
Darrical has many homes that have been abandoned and are in various states of ruin. At one time the government planned to create a dam in the valley and made people move out of their homes before the water rose and flooded them . . . but the dam was never built and the homes remained abandoned. I wandered in and around these places, letting them tell me their stories and feeling the passage of time. Pepa and I spent hours exploring the village ruins and I took hundreds of pictures of her.
Now the pictures are available in my archives and I have begun using them in my artwork. I have developed a method of making mixed-media art that combines digital photography and painting. First I begin with an image I like, and then work on it in Photoshop, sometimes adding layers of abstract nuance. Next it is printed on canvas and stretched onto stretcher bars, like a painting. Then I coat it and paint on it as my imagination inspires me. In the end, a final finish unites all the layers and the art goes to my gallery. The new works are not the landscape painting I am known for, yet, I believe in the old Chinese saying “Perseverance furthers” and by nature I am an adventurer and like to experiment in my art.
Click to see more Steven Boone artwork