Poses

I wondered if I could draw the figure—it has been so long since I last was in a drawing group. I went Tuesday night and the regulars at the studio were surprised to see me. Our model was a young woman named Maribou, who I have drawn many times. Without much effort, the artwork came . . . as if my brain had been longing to get back to it. I have been drawing for four decades and made a thousand figure sketches.

It is the same when I go skiing in winter—I wonder if I will fall on my face going down the slope . . . because I had not been practicing.

This group likes to mix up the poses in short bursts of time during the three hour session. The poses range from 2 - 45 minutes. The participants are evenly divided between women and men. Most models are female, but men model too. 

Some groups follow a strict code of silence during work, but these people carry conversations while drawing; about art and culture, and occasionally personal stuff. I usually chime right in, it is part of the fun.

Nude Depiction

Yesterday's painting, oil on linen, 18 x 24 inches. Took about six hours to make.

Some of my greatest pleasures come when drawing and painting the human form. Thankfully, there is a tradition in art of copying human anatomy that goes back thousands of years, to the ancient Greeks, who exalted nudes in classical studies—especially sculpture.

Societies around the world have placed taboos on nudity, but in art, it is sanctioned. Why? Because for the most part, the nude depiction in art goes beyond sexuality and touches the sublime.

It is pleasurable when a model takes off clothing to reveal his or her form. The moment can be powerful, and there are anecdotes about famous artists not being able to handle it—Cezanne for instance could only paint clothed subjects.

Models come in all shapes and sizes. I have worked from skinny people, short and tall, and one woman so fat that her flesh rolled in waves over her body.

Nude, oil on linen, 18 x 24 inches.

I met my wife, Heidi Of The Mountains, for the first time when I showed up at a drawing group and she was the model. I have drawn her many times now, since she continues to model for artist groups.

Yesterday, I gathered with a regular Saturday group who hire models to take one pose all day. The group begins in the morning, takes a break for lunch, and returns in the afternoon. The model poses for twenty minutes at a time, with five-minute breaks, before resuming the same posture. Both men and women artists participate.

Every group is different, depending on who is running it and who participates. Sometimes, there is no talking while a serious work attitude prevails. The groups I have gone to for years are far more relaxed, and conversations unfold, with a fair amount of joking and laughter.

See: Steven Boone Figures

Charcoal on paper, 11 x 14 inches. "Heidi."

Revel In Art

When I first met Heidi Of The Mountains, she stood naked before a small group of artists who were studying her figure and drawing. She is what artists’ call, “Rubenesque”, a term referring to the famous Flemish painter Peter Paul Rubens (28 June 1577 – 30 May 1640), and his delight in painting plump, attractively rounded women. Heidi is well built, but not fat. In the next three hours, I made five quick “gesture” drawings, and three 45-minute drawings of her in various poses. I had returned to Santa Fe from one year of traveling around the world, and she had begun modeling part-time for artists, to engage her creativity and break the stress of her full time job as a parole officer.

Over the next several months, I drew Heidi Of The Mountains again, and we began getting to know each other. I learned she represented artists, and she came to my studio to look at my art, and also the great variety of objects I had imported from abroad. She agreed to sell for me, and soon we began a romance that continued for two years. We married in Hawaii, November 4, 2011, and the romance continues.

Heidi offered to quit modeling nude if I object, since posing without clothes can elicit some sexual feelings. After traveling around the world and experiencing so much, I figured her body is just part of life.

Last week, I went to my figure-drawing group, and Heidi Of The Mountains modeled. Twelve people were there, seated in a semi-circle around a short platform. Heidi took off her clothes and stood on the stand. Most of the group had drawn her many times, and share affection for both Heidi and I, enjoying our new role as newlyweds. But a couple of artists were new to the group, and one of the men sat next to me. When Heidi first took off her robe, I could feel a bit of excitement surge through him, and it panged me a bit that he was enjoying in public what is my private pleasure. I realized that I risked losing a little of the special aspect of our intimacy. Nonetheless, what is even bigger is being an artist, and both Heidi Of The Mountains and I revel in art and rejoice in its creativity and generous flow.

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Pleasurable Dance of the Senses

A novice appeared recently at the Wednesday night drawing group I have attended for many years, and in a fit of peculiar frustration and perhaps bewilderment, asked the group why they draw from a nude model. I must say that this group I attend is very relaxed and usually a stream-of-consciousness conversation ensues the entire three hours of drawing.

My eyes were focused intensely on the model in front of me when Fabio asked and nobody answered, perhaps because the question seemed so odd at the time. I was the first to answer and replied, “Because it is creative, and artists have always studied the human form.” The group generally agreed figure drawing is an exacting artistic discipline. The model, a young woman reclining on a short platform pushed against a wall just a few feet in front of the artists said, “And this is why I like to model; because I participate in the creativity and enjoy it so much.”

Over the years, I have seen many models, male and female, young and old. A person does not have to be beautiful, but has to be comfortable in their body. A good artist model knows intuitively to strike poses that are interesting to the eye. When they simply withdraw into themselves and take yoga poses, for me at least, I become less inspired and feel the mundane invoked. The best models enjoy the sensuality of the moments while eyes are looking intently at their nakedness, and participate in a give and take that is a pleasurable dance of the senses.

To see more of my figure drawings, go to the Steven Boone website and click on the drawings link.