Spontaneity

I love spontaneity because in essence, it is honest expression—proceeding from natural feeling or native tendency without external constraint. A person being spontaneous is not being devious at the same time, because they are not manipulating or contriving a result. Other animals always act with spontaneity, but we humans, because of our conscience cannot. In the human realm, civil society has rules of engagement, and therefore, moral consciousness over-rules spontaneous action. For instance, we might feel trapped in our car in traffic and have a spontaneous desire to leave our rightful lane and jump ahead of the jam, or maybe we see someone trip and fall in an unusual way and feel like laughing out loud, and of course bathrooms exist so that we have a private place to be relieved, although a spontaneous reaction might be to go anywhere.

In art, spontaneity can produce the finest results. It is because the artist is “letting go” to the creative muse inside. Jazz is a great example. There may be a loose theme to follow, but spontaneous improvisation can take the drama to new heights and uncharted territories. Actors must follow scripts, but occasionally we get glimpses of spontaneous moments that transcend theatrics and bring us in touch with the soul of the performer. Japanese Butoh theater is famous for spontaneous acting. For artists like Pablo Picasso, Jackson Pollack and many others, spontaneity is at the essence of their work, for they are immersed in it so fully that external constraints do not figure into the result. As Picasso’s contemporary, Georges Braque said, “It is the act of painting, not the finished painting.”

Mysterious Sea

My dear daughter Naomi, who I regard as an elevated teacher, even now that she has abandoned the physical form, said, “Everything is important and nothing is important; everything is illusion back to God.” Albert Einstein, an acknowledged genius of the highest rank, said, "Reality is merely an illusion, albeit a very persistent one."

In my life, I believe in THE DREAM, where definitions are mysterious, because, as the Greek philosopher Heraclitus ( Greek, c. 535 – c. 475 BCE) said, “Everything flows, nothing stands still.” And he also said, “Eternity is a child playing, playing checkers; the kingdom belongs to the child”.
THE DREAM is always in motion and resists boundaries, and everything is changing. I am aware of reality/illusion, a tiny consciousness adrift in a limitless, mysterious sea.

Here are some selected July blog posts from previous years:

Circle In The Water,  Sunday, July 29, 2007

Astonishing Artwork, Sunday, July 13, 2008

Mister, What Are You Looking For?   Sunday, July 26, 2009

Live Life Fully, Sunday, July 04, 2010

Deep Into Love

“Go deep into love, and forget everything else”. This is the sentence that came to my mind when I could not sleep the other night. I got up and wrote it down, and since then, have come back to it often. I like the power in this simple string of words.
The love I speak of is profound affection; something akin to what Paulo Coelho (born August 24, 1947) describes as, "the love that consumes." Here are examples: The soldier on a battlefield goes deeply into love; for home, country and his comrades . . . and then faces imminent peril and death. Many examples have been seen when a soldier sacrifices his comfort and safety to ensure that his comrades survive. Recently, in Libya where a civil war is raging, the ruler Muammar Gaddafi, ordered some of his air force pilots to bomb their fellow citizens. But Gaddafi miscalculated the love of his soldiers, for the three pilots felt, “deep love” for the Libyan people, and they chose to forget their insane commander and ditched their planes in mid flight, ejecting to parachute safely to land. Deep love is greater, more compelling than the superficial, and can produce more significant results. Artists also find that they are in the deep stream of love while they are in the creative flow. Imagine Michelangelo, high above the floor of the Sistine Chapel, working painfully on his back on scaffolding for what must have seemed endless hours, day after day, accomplishing his masterpiece. He suffered from heat and cold, thirst and hunger, as well as body cramps and soreness that would make a normal person cry. At night he arrived home, bone tired, eyes blurry, and slept with his shoes and clothes on, only to get up the next morning to arrive back at work. His being in the flow of deep love consumed everything else, and after he finished his masterpiece it became one of the most revered artworks on earth—a place of pilgrimage by millions over the centuries.

If we do not live in deep love, we will feel something lacking and try and fill the hole. It might be drugs or alcohol, sex, money, or the pursuit of security in another form. In the end, only deep love will satisfy the core craving in a human soul. It is best to let the fire of love consume and purify everything else.

"In the garden of thy heart, plant naught but the rose of love."  Baha'u'llah  (12 November 1817 – 29 May 1892)

A Grand Play

 

When I was a young man, I had an aversion to wearing a tie. My father would have to stand behind me and while facing a mirror, help me put one on, and tie the loop. I did not like the feeling of a knot around my throat. I could not even wear a turtleneck sweater—it felt tight around my neck. Perhaps this discomfort had to do with a terrible dream I had when I was a child. In the dream, I was in a bed, resting peacefully at the top of a house, under a pitched roof in an attic. An open window with lace curtains was by my bed, and as I lay on my back, I could feel a soft breeze. Then, a woman appeared beside me and gently leaned over to stroke my head. She was soft, and her dress fluttered slightly from the breeze coming through the window. As I rested, peaceful and still, observing the woman, she leaned closer and with utter calmness, began choking me with her hands. I awoke terrified, and my body was paralyzed so that I could not move a finger. My throat would not utter a cry. After what seemed an eternity, I screamed and ran to my parent’s bedroom, where my mother calmed me from my nightmare.

Now, decades later, I can wear a tie, and sometimes I wear a scarf. I have come to see that all of life is a dream. I do not react negatively to this dreaming, but rather, embrace it. I am an actor in THE DREAM. The script is written, and as my lion-hearted daughter Naomi said before she died, I must, “show up and be lovingly present, no matter what it looks like out there or inside yourself.”

We all play a part in THE DREAM, acting our part in a grand play, written by the genius Creator. He has given us ability to make the script into an improvisation, and in some ways, choose our own endings. We are all adding our lines and performing our unique roles to create the grandest drama.
When a person enters the stage, I do not judge, but rather concentrate on my part, which is to be loving and full of life, to add vigor and grace to the scene. Everybody’s part is important. If the stage held only one or two grand actors, it would be boring indeed.

Villains are a part of any great drama . . . and if mankind advances sufficiently that there are no longer human villains, then there will be other darkness to face. It will always be this way. This is how the show goes on.

Worth A Thousand Words

It is said that a picture is worth a thousand words. This picture contains far more than a thousand. In this capture of a moment in time, we are left to marvel at the ragamuffin group of children, standing in a row, holding hands and gazing at us with wonderment. They are mostly dressed in tattered, dirty, used clothes that sometimes do not fit. They are unaware of how they look to a foreigner, and seem happy. In the background, a group of fathers are turned away, looking off in the distance. Some dilapidated homes are behind the children at the foot of tall mountains. The light is clean and fresh, untainted by pollution. The setting is rugged and pristine.

I was living on a houseboat on Dal Lake, near Srinagar in Kashmir, and this day I was with a guide and we drove two hours into the mountains so that I could ride on horseback into magnificent scenery amid snow-capped peaks and verdant valleys of the Himalaya Mountains—where the peaks are the highest in the world. In Sanskrit, the name means, “abode of snow”. The world’s second tallest peak is K2, and is administered by Kashmir. I brought along my paints and canvas, for I am an artist by profession, and on the way, I studied the landscape, looking for a place to make a painting. A small village nestled below the winding road caught my attention and the guide said we could stop there on the way back. After the trek, we arrived, and as we made our way down the dirt track from the highway, I fell in love with the place, especially as I met the people. They were curious of me and did not mind that I set up my easel in the middle of their community to begin painting.

THE DREAM seemed so incredible. Only a week earlier, I had arrived in New Delhi from Africa. Within two days, unexpected events had whisked me away to the far north of India, into Kashmir, and to a houseboat on a lake, where I had a personal servant and complete freedom amid a breathtaking landscape. I could not have planned it any better.

Soon, a group gathered around me to watch. It seemed that I was great entertainment. I decided to paint the houses with their pitched tin roofs and the mountains towering behind them. In the foreground were a wood corral for animals, and an open area where I painted. The children came close, while a few older folk stood respectfully aside, watching as I sketched in the composition and then began laying in color.

My painting gave the villagers a fresh look at their surroundings, and maybe they felt a bit honored that I liked where they lived. At my side I had my camera, and every so often, I turned from my painting and looked into the faces of children gathered around me. I felt blessed to be “a stranger in a strange land”, and yet feel at home in the matrix of existence where every mortal being has its beginning and end.  I made my painting, and also snapped pictures. I could not finish the artwork because the day grew late, but took a photo for reference later.

The children are part of an inter-dependant community. The villagers work with their animals and the countryside, scraping a livelihood. I was there in mid-October and learned that they would soon migrate south to lower elevations for the winter. So the lifestyle is nomadic.

The people speak a Kashmiri dialect, not English. But so much can be said through gestures and a loving attitude. When I motioned that I wanted to take a picture of the kids, they assembled without a word, spontaneously forming a cohesive group to look directly at me. The group of youngsters lined up and held hands instinctively, all of them linked by an unspoken bond of familiarity and love. I did not tell them how to pose. They acted naturally and with perfect ease.

The photo shows some grimy faces, chapped from wind and cold. Obviously, their mothers, using only scissors, do their haircuts. They probably wear the same clothes every day. The village has no electricity, none of the “modern amenities” of the west, and I did not see taps for running water. Instead of material things being important, relationships are key. I imagine that responsibilities are shared, so that even the children feel responsible for one another. They sleep together in small dwellings, rise with the sun, adapt to daunting conditions of nature, are witness to births and deaths, see beloved animals butchered for food and hides, and get little schooling. They are mostly unaware of the world outside their borders.

The earth is close to these people and they show it. I liked the directness that made for some great pictures. The youngsters I call, “Star Children”, because their eyes are unclouded and shine like the bright evening stars.

Kashmir is 97% Muslim, so females cover their heads with a scarf. Many centuries ago, Kashmir was home to the Hindu religion, then Buddhism, but eventually became ruled by adherents of Islam.
Kashmiri cuisine includes boiled potatoes with heavy amounts of spice, cottage cheese, lamb cooked in heavy spices, lamb cooked in curd with mild spices, spinach, minced meat balls in tomato and curd curry, and the traditional feast involves cooking meat or vegetables, usually mutton, in several different ways. It is the first time I had tea with salt, a popular drink.

When we packed my paints and left the village, the air was cooling rapidly and the sun had disappeared behind the mountain walls. We drove the narrow rode toward Srinagar, and I felt happy. I leaned far out the passenger window and took pictures of the landscape flashing by. The blur adds a soft effect that can be romantic . . . losing details and indicating how elements meld together in simple shapes and colors. Later, I downloaded my pictures onto my computer, and now I marvel that THE DREAM had provided me such an unexpected and fulfilling experience in Kashmir.

This article is "one thousand words".

Here are a couple more pictures from the same day:

See more artistic photography from Steven Boone, including photos from around the world and Kashmir at Graphixshoot.com

Promises

I have two daughters; one is ahead of me and the other behind. My oldest daughter Naomi died when she was nineteen, and she is ahead of me, an angel lighting my way in this world and waiting for me in the next. My youngest daughter Sarah is twenty-four, seven years behind Naomi. She is my joy and deep companion, and is behind me. Her development holds great promise and I am privileged to be part of it as her father. Both my children inform and broaden my life and we are bonded throughout time and space.

A few years ago I traveled to Africa, and I met Masai people in Kenya and Tanzania. They attracted me so that I had to approach them when I could. They are calm and have inner presence that is strong and in balance with the earth. When I came near, they were not shy, but rather curious of me. More than once, the men asked me about my wife, and I had to say I did not have a wife. This was incredible to them and they showed great pity toward me. If I had said I have had two wives and lost them both, it would have been even worse.

For a few years now, I have been active with a group called New Mexico Men’s Wellness. Men gather several times a year in special outdoor locations to bond and provide support for each other, often using rituals and group activity to enhance the experiences. When I heard that the group would be holding a father-daughter gathering, I contacted Sarah and asked her to join me there and she replied from Chicago that she would like to come.

This weekend the conference took place at the serene and picturesque Ghost Ranch, near Abique, New Mexico, where the famous artist Georgia O’keefe lived for much of her life. The theme set for the group was The Yellow Brick Road; A Journey Of Discovery. The Wizard Of Oz story deals with how strangers can come together to help each other overcome obstacles and by doing so discover powers within themselves that they did not know they had. During the course of the weekend, the father’s bunked together near their daughter’s and the group engaged regularly from dawn to night. The sharing was poignant, honest and deep, so that crying occurred frequently. When Sarah and I departed to return home, we had many new friends and felt something special occurred. Moreover, we had taken big steps toward one another and made promises to each other to take care of our special relationship.

For more about my experiences with Masai, visit these posts: Cradle of Civilization, The Dark Continent

A Complex Labyrinth

Now that I have returned to the United States, I feel as if I am emerging from one month of wandering through a complex labyrinth. I seldom felt as though I walked in a straight line, but rather meandered, lost in wonderment, through a maze of experiences that curved, twisted and bent through cities, fields, mountains, deserts and oceans, among people who spoke languages I could not understand, sleeping in many different beds in various exotic abodes, eating unusual foods and learning to live where the sunrise is eight hours earlier.

While in the labyrinth, I did not feel particularly lost, even when I was sometimes traveling in the “wrong” direction, because I believe in THE DREAM, where everything has a purpose, even being lost. In Paris, the maze of tunnels under the city that carry the millions of subway passengers can be daunting, especially if one does not speak French, but being lost can have it’s pleasures. On the streets, I walked miles over the cobblestone avenues amid row after row of shops, café’s and hotels. An air of sophistication permeated everywhere, as if Paris was the seat of refinement for the world. In the Louvre Museum, I walked for hours over the marble floors, admiring some of the best artwork in the world . . . and also found myself in Pere Lachaise Cemetery, wandering amid the tombs of some the same great artists whose work is in the Louvre.

Morocco held many firsts for me: Drinking fresh squeezed orange juice every day for three weeks, seeing a snake charmer handling a live cobra, riding a camel and sleeping in a Bedouin tent under a full moon, being in a sandstorm, using a toilet and rinsing my butt with my hand dipped in a bucket of water used for that purpose, hearing the Muslim call to prayer blasted from loudspeakers at mosques every day for three weeks, eating olives at every meal, wearing a caftan and eye liner, seeing a woman go bathing in the ocean while fully dressed, including head scarf, (a wave knocked her down and she smiled at me with the same look of wonderment and glee as anyone would), pouring rose water in my eyes and also drinking it, seeing a herd of goats grazing in a tree while balanced on its branches, walking through a tannery, among the hides of animals being treated in smelly vats of pigeon excrement, looking west over the Atlantic ocean to see the sun set, drinking mint tea five times a day, being in a country where marijuana and hashish is legal but guns and alcohol are not. The medina’s, the souks and mosques, endless flocks of sheep and goats over the countryside, sometimes tended by children, fields plowed with horses, women covered from top to bottom with clothing to show Islamic modesty and discretion even while working in fields, fresh fruit and vegetables in every market, the call to prayer broadcast over loudspeakers five times a day, even in the smallest of villages. . . all the myriad sounds, sights, smells and sensations contributed to make me astonished and surprised at every turn.

In Spain, when I visited Antonio Gaudi’s (1852–1926) Sagrada Familia, a UNESCO World Heritage Site, I was sure the cranes would be gone from my previous visit, three years earlier, but they are not . . . it has been a work in progress since 1882 and is not expected to be finished until 2041.

Fluid In THE DREAM

THE DREAM has a life of it’s own. I may have plans but if I am fluid in THE DREAM, sudden shifts occur and I must go along. I had planned to leave Merzouga and drive north to Chefchaouen, a town famous for it’s mountain setting and dwellings painted blue. As I was preparing to leave town I talked with my friend Ali and told him that with my remaining week, I also wanted to visit ocean beaches and arrive at Casablanca to depart Morocco. He suggested that I could go to Asilah on the coast, where the buildings are decorated in blue. This is how THE DREAM took me to Asilah.

The drive took a full day and one night. When I arrived at last, I actually drove past the town and when I turned around, the place looked rather non-descript. I inquired at a couple hotels, but they cost 400 Moroccan dirham, more than I wanted to pay and I was not satisfied. As I drove slowly in the streets near the ocean, I spoke a prayer to Naomi who I had been feeling near me, and it was as if someone else took hold of the steering wheel and pulled the car up in front of Hotel Zelis. The front desk manager showed me a spotless room with a balcony overlooking the Atlantic and told me the price was 300 dirham and included breakfast. Furthermore, the room number was 308, which immediately confirmed the whole deal. (See my blog about eleven’s).

Asilah has a sweet medina that gives the town its character. Each day I went there often, passing through one of the Báb’s (Báb means gate) in the walled area, to browse and photograph the whitewashed and brightly colored walls that were sometimes painted with artwork left over from an annual art festival.

THE DREAM delivered me to several characters, including Adnan, who worked in a small art gallery and was fluent in English and traded philosophies with me, especially about Islam and cultural differences between the occident and Arab countries. He said freedom is illusion and simply to have his religion is enough to be free. I took issue with Arab countries lack of tolerance for other beliefs and he said yes, but other beliefs might influence the young people away from Islam.

I also met street musicians, and Abdul, an itinerate naïve artist who pounced on tourists in the Medina, and spoke passable English. And the last evening, as I sat at a table at a sidewalk café, Hassan, a thin young man dressed in a red t-shirt and jeans approached to sell me coral necklaces he had made. I did not want to buy his necklace, but offered to buy him something to eat. He sat down and ordered a coffee. He spoke good English and said he had trained to be a chef, but could not find work. Our conversation turned philosophical and we talked about speaking good words to people and he said it is taught in the Koran. Abdul wandered by and I gave him a piece of my pizza and he said, “next time I will be the one sitting with you.” Some children came to beg for my pizza and I gave them some. At the end of dinner, Hassan again asked me to buy something and explained he lived with his parents, took care of some siblings, and also had a bad toothache but did not have enough money for the dentist. I have been hassled so often to buy things in Morocco, so I asked him how much he needed for the dentist. He said 45 dirham, and I offered to give it to him. But I only had a 100 dirham note. He told me to give it to him and we will go get change. We walked and he began taking me past shops and into alleys. I stayed beside him and continued talking but grew wary. I told him how often I had been approached for money and explained that sure, if I were king I would help everyone. (In fact, I have not sold a painting in two months and have been living on savings.) He said just thinking like this is a blessing, and it is taught in the Koran. We reached a corner and he pointed me which direction to go to my hotel, then pointed in the opposite direction and said he would go now for change, and took off running. After he disappeared, I waited a few minutes, since I had built trust with him, but realized he was not coming back, and I wandered through the dark to my hotel. I felt a little sadness, but no anger. I thought that he must have really needed the money, and he was probably praying for me to make up for my loss. Anyway, this is what THE DREAM had delivered that evening.

Before leaving the hotel in Asilah, I asked about a couple places along the coast and was told to go to Mouley Bousselham, known for its beach and nearby bird sanctuary. I arrived there from the highway and drove toward the ocean, looking for a hotel. The commercial district was only a couple of shops, and the hotel I looked at was claustrophobic and grimy. I got back in the car and drove slowly into a neighborhood on a bluff along the coast. I felt a reverie and again as if someone else was driving the car, pulled over. I went into a tiny convenience shop in the middle of the block of residences. The old man did not speak English, but I managed to make him understand “hotel”. He took me by the hand and went next door, calling out to someone inside. A young man named Abdul arrived who spoke English and said I could stay there. He showed me a clean, comfortable room and said breakfast was included. I noticed that the home had a placard on the wall out front that said Casa Nora. The rate was 300 dirham, and I could pay more for dinner. If there were a number on my bedroom door it would be 11.

The house looks out over the ocean where I swim everyday. The dinner preparation and service is far more than I expected. (See my pictures on Facebook.) I have become friends with the owner, Mohammed, who speaks English and has taken me to the wildlife refuge lake to show another house that is being finished into a guest lodge for the many bird watchers who come during the year. The trip over a bumpy road was worth it just to see the craftsmen, who were painstakingly putting intricate patterns of tiles together throughout the home. When it is finished, he wants me to return and stay to paint my art. He confided that he has always wanted a bedroom full of art depicting belly dancers. I told him I may be back, but I am not sure because I am like the wind and do not know where it will blow across the world next. On the way home he took me to a bustling fish market.

Eels at the fish market in Larache

In two days I depart Morocco and arrive in Barcelona, Spain for a few days before returning to the USA. I have some wonderful photos to work with, and a boatload of adventures to write about.

Erg Chebbi

Children love playing in sand, whether it is on the banks of a river, on a beach, in a sand box, or simply heaped in a pile at a construction site. I spent many hours as a child playing with my friends in sand, creating tunnels, and castles with moats. Now I am at Erg Chebbi, a very big pile of sand at Merzouga, Morocco, in the Sahara desert.

When I met Said, (pronounced Sah-eeed), my young Berber guide who was waiting for me with a camel, we smiled at each other and clasped hands. He has the fair skin of many Berber people, and slightly rosy cheeks, and was dressed in a flowing royal blue caftan and a black scarf wrapped around his head. In a minute, Said helped me onto the camel and we began trekking into the red ochre colored sand dunes. He led the beast with a tether that was attached to a ring in one nostril. I wore a black caftan over blue jeans, and a white scarf wrapped around my head. My eyes were highlighted with black pigment, using a traditional technique that keeps off the sun’s reflections. Many men do this, and I find it helps ward off harsh sunlight. It stings when it goes on, but lasts for days.

A short distance and we were ambling across the dunes past the carcass of a dead camel. I took a picture as Said gazed behind us at the clouds in the sky and then said, “The wind is coming.” A short while later, gusts began kicking the sand up all around us. We met up with another Berber leading a man and woman on camels. Said asked me if we could walk in a “caravan.” All the camels were tied single file and the two Berber friends walked in front, chatting amiably.

I had been snapping pictures but now the wind had intensified and I was concerned that my camera would get sand blasted like everything else. I imagined the old movies where a sand storm in the desert stops everything and travelers hunker down behind their resting camels, hoping not to be buried alive. I wanted to gaze at the scenery but could only look away from the direction of the wind that was throwing sand at me. We continued trekking onward until we found a tent site. The couple stopped first, and to get more privacy, we continued further to a camp at the base of gigantic dune and an old, weather-beaten, toothless man greeted us with laughter and a smile. The three of us were the only ones there.

The tents are small, just bamboo sticks covered with burlap. Inside is only enough room to sit and sleep, but not stand. When the fabric wears away, another is thrown over it. The wind comes through and sand gets in everywhere. Said, the old man, and I sat in the dark hovel, and Said made dinner over a burner. We joked, and talked about my travels and how long it would take to get by camel to Timbuktu—about sixty days. After dinner the wind had calmed and the old man went outside to lie in the sand under the full moon, while Said and I went to a vacant tent and played Berber drums. He sang as he played and I carried a beat alongside. He sang in Berber and Arabic, with a little broken English thrown in. When I heard, “If your happy and you know it”, I sang along and helped him learn the song (song link here). The refrain changes to anything you want, like, “if your happy and you know it clap your hands . . . if your happy and you know it laugh out loud” etc. We banged the drums, sang and laughed until we were worn out.

I chose to sleep outside, under the stars. The full moon kept me up, and because sound travels farther and easier in the desert night, other drumming from camps reached my ears. When the wind picked up and I felt a drop of rain, I went into the tent and brushed sand away from the sleeping rolls, got as comfortable as possible and fell asleep.

Before dawn, Said called into the tent “Hey American, wake up.” To my dismay, it was windy again, and a light rain fell. I dressed and went out. Said had disappeared and I began walking over the dunes, determined to take pictures anyway, with little hope for a classic sunrise shot. In a short while, the camp was out of sight, and I was wet and chilled from the wind. My eyes stung from sand, so I made my way back to the tent where Said had breakfast ready.

On the trek back, the sand was firm from the rain, and within an hour the sun was trying to come out as I cast off the wool blanket. I dismounted and ran alongside the camel and Said, taking pictures. We joked that the camel was the famous movie star, Omar Shariff and as we trudged onward, sang, “If your happy and you know it.” We joked about the Libyan dictator Muammar Gaddafi and his famous “Zenga, Zenga!” statement, and added that to the song; If your happy and you know it say, Zenga Zenga!


When we arrived back to our starting place we were like brothers and promised to stay in touch, and be friends on Facebook.

Primitive Profusion

Now that I am alone in Morocco, I am moving in any direction without restraint. This morning I left Fez to travel south to Merzouga, a famous village on the edge of some great Sahara sand dunes. Before leaving Fez, I looked at a map that indicated a long day’s drive, and thought about stopping along the way. I saw a town called Midelt that interested me, but a travel guide said it was not much of an attraction, and someone advised me to go to Erfoud instead, a tourist town closer to Merzouga.

About an hour south of Fez the countryside became verdant among rolling hills. I tried to make good time and drive at the speed limit along a narrow two-lane highway. The road curved and suddenly I passed a spectacular meadow. In a second, I had to decide either to stay to my schedule and hurry to arrive at my destination before night, or hit the brakes. The poppies in the field made me stop and pull over. There was not a fence, just a steep embankment. I had sandals and shorts on, and stepping over the rocks, I was met by thorny plants and brambles. But the color called me, and no one was around. I only heard a donkey braying in the distance.

I am glad I made the choice to stop and wander in the abandoned farm field covered in poppies and wildflowers. A brook passed through and a small olive orchard stood nearby. The primitive profusion of nature was a kaleidoscope for my enchanted eyes, and I thought how my schedule was of no importance—moreover beauty can be fleeting and memories forever. My feet were cut, but the blood reminded me of the red poppies.

I eventually arrived at Midelt, a scruffy berber town on the route between destinations. Slowing for traffic near a roundabout, a young man ran up to my car and said “Where are you going?” I answered, “Merzouga” and he spoke in English that he had just come from the USA and would I please visit with him. After a short conversation, I decided to stop for the night. He set me up with a clean, comfortable room and breakfast for less than twenty dollars, took me to a local once-weekly souk (market), and then went touring with me into the hillsides. Kassem is a rug trader and goes for three-month treks with camels, visiting berber villages and trading for rugs. I asked him if he had been a goat herder as a child, since I see so many boys doing this along the roads. He said yes, and as I guessed, the sheepherders walk for days with the animals, sleeping on the ground.

At the souk.

In the morning I am going to visit a Kasbah nearby where 120 families reside within the earth walls, then continue to the desert, where a friend of Kassem’s will be waiting for me and will take me by camel into the desert.












This is THE DREAM, and the more I let go into it, the more fantastic is the journey.

Salaam

While still in Paris, the night before leaving, a dreamy transport came over me and a rhapsodic tingling flowed from my feet to my head—and I knew. The certainty came as a surprise because a bomb had recently blasted through the medina in Marrakech, killing tourists. So my spiritual confirmation that I would love Morocco came as relief beforehand.

Heidi of the Mountains and I arrived to the airport in Marrakech, rented our car and set off to find our riad, (hotel in a former home). I am a more experienced traveler and have been to several African countries, including Egypt (see Steven Boone Photos from Around The World), so the dusty, crowded and derelict streets did not startle me, but for my companion, having just come from sophisticated Paris, the scenery was a surprise for her eyes and maybe a bit of a shock. Before long, as we looked about for Riad Nesma, trying to discern where our riad might be, a man on a motorcycle sped up along side our car and speaking in English, asked if we needed help. He directed us to a car park and from there helped us to hire a fellow with a big wheelbarrow to carry our luggage down a narrow street to our hotel. Once we were situated, Abdel stuck to us like glue, offering to take us places. I asked him how much and he said, “No worry, just pay me what you like, and if you don’t like me, do not pay anything.” This was our introduction to Morocco.

The colors, sights and sounds are fantastic. The souks (markets), in Marrakech are a virtual smorgasbord of brightly colored shoes, textiles, sacks of spices, earthenware, aromatic tinctures and creams, mints and foods, decorated furniture and artwork. Nothing is behind glass, rather it is within touch and ready to be handled. Merchants greet you with a smile and are ready to bargain. They are expert at selling, and even though you get something for half price, later you might regret that you paid too much.

This Berber Woman is over ninety years old!

From Marrakech we drove to El Kelaa M’Gouna, a town in “the valley of roses” in the Atlas Mountains. It is an area famous for producing rose water and perfumes. Each year, the first weekend in May, is the Festival of Roses. We have arrived just in time, but the trip from Marrakech took twice as long as I anticipated, especially because of the slow driving along twisting roads over the mountains. Our hotel, called Dar Timitar is owned by two brothers, Ahmed (pronounced Ak-med) and Rachid (Rah-sheed), and sits in a spectacular situation atop a mountain, overlooking the valley and villages below.

Most tourists in Morocco are French, since it is a former colony and French is widely spoken. Ahmed speaks French and Rachid speaks English. They are both hardworking and kind. Rachid becomes our guide for the next three days and we quickly bond as he takes us hiking through fields of roses, over gurgling brooks, among walnut, almond and peach trees, through fields of wheat and barley, and into the Berber villages made of earth. He is a devout Muslim, as are most everyone, and is expert at explaining the Berber culture and traditions. The leisurely walks are wonderful, especially since the roses perfume the air while birds add their songs to the sounds of the water flowing in ditches.

Life is simple and often we see women in the morning and evenings, returning from the fields, bent over, carrying piles of fresh cut alfalfa to feed their animals. Children play, and old men sit by the roadside and daydream. When I meet other men, they tap their heart, shake my hand and say “Salaam”, which means peace is with us.

Today we leave the mountains and begin driving to the sea. Our next stop is the coastal town of Essaouira.

Note: Have arrived in Essaouira after a day of driving. It is a fantastic city on the coast that reminds me of Venice, Italy. Within the walled old town where no cars are allowed, are mazes of narrow walks lined with shops similar to those in Marrakech.  Our room is in Riad Mimouna, built at the ocean edge and the windows open to the west upon the Atlantic sea.

 The Medina of Essaouira is a UNESCO World Heritage Listed city.