Testament to Magic

On Sundays we offer free art sessions including materials and refreshments to our neighbor children in San Pedro Ixtlahuaca, Mexico. The projects have been ongoing for three years now and at times we have struggled to come up with new ideas. The kids delight in creating something and taking their artwork home. At times we have given them crafts to paint and embellish. Our latest effort is finishing an alebrije. Mexican Alebrije´s are hand carved wooden sculpture of fantastical (fantasy/mythical) creatures that are brightly colored with designs.

Two alebrijes  from our collection by the Jimenez family 

Last Friday Amy and I went with a new found American friend who lives in our village and drove an hour to Ocatlán, a bigger town nearby Oaxaca. Ocatlán's Friday market is a tapestry of culture, offering everything from fresh fruits and vegetables to handcrafted textiles, arts & crafts, and livestock for sale or barter. Our quest on this particular Friday was to delve into the world of alebrijes, the whimsical, fantastical creatures carved from wood that have become emblematic of Mexican folk art. We sought hand carved, unpainted alebrijes that local craftspeople make and sell. We wanted unfinished ones for our children to paint. Unpainted and awaiting transformation, the wooden canvases held the potential for magic. Bees, turtles, dogs, and rabbits awaited their metamorphosis into alebrijes. Our friend had told us we must arrive early because items sell out fast. By 7:30 AM we had a collection of carvings from several artisans.

Jo, buying a rabbit (conejo)

Family of carvers

The market is a thrill so we browsed, then went to an early lunch at a nearby livestock bazaar where locals sat under tents eating traditional fare.

With our newly acquired treasures in tow, we eagerly returned home to share the enchantment on Sunday with our neighbor children. Our plan was simple yet filled with creativity and joy – we would guide the children in painting these wooden creatures, infusing them with magical colors that would bring them to life to be transformed into true alebrijes.

Unpainted carvings

Sunday the children dipped their brushes into a palette of vivid colors, unleashing their imagination onto the wooden canvases. Laughter echoed through the air as wooden bees, turtles, dogs, and rabbits were transformed into vibrant, fantastical beings. Each stroke of the brush was a step closer to the creation of their unique masterpiece, a testament to the rich cultural heritage and artistic spirit of Oaxaca.

The experience was not merely about creating art but about fostering a connection between generations and communities. Through the shared act of painting, we bridged gaps and transcended language barriers, creating bonds that extended beyond the vibrant hues of the alebrijes.

Our collection of painted alebrijes stands as a testament to the magic that can unfold in the heart of a Mexican village. The true beauty of a journey lies not only in the destination but in the vibrant tapestry of experiences woven along the way.

¡Viva! Art On The Streets

 

Amy and I are artists who spend time together creating art in our wonderful home in a village outside of Oaxaca, Mexico. We go to the city at least three days a week and feel excitement. I always make a new discovery and am surprised by something I have not seen before. Much of it is art on the streets. 

The street art is awesome and mysterious because we assume it is done for free by artists who create masterpieces.

My daughter Sarah during a visit

One group, called Subterreneos, is a collective of artists. They have their own atelier and make woodblock prints, sometimes on a massive scale. Much of the work is of somewhat political nature, making social justice statements. The prints are for sale, but often also are printed on special papers that are then glued with a wheat paste substance on walls around the city. I have seen fantastic works. They deteriorate naturally, but are replaced with something new, often  in a different location. 

Mural being created by the group Subterreneos for a local food market

Artist working on mural

Native culture, heritage, tradition and “raíces,” or roots, all run deep in Oaxaca. Travel and Leisure Magazine has awarded Oaxaca first place in its annual best cities in the world issue⏤more than once. Amy and I chose to live here after an initial visit. We felt a definite allure. When we found our dream house at a price we could not resist, we made the move. It was like holding hands and jumping into the unknown, but trusting something bigger.

We live outside of the big city in a growing community called San Pedro Ixtlahuaca. Not much around but cornfields and rolling hills, but it has a town center with businesses and is not far from a hugely important Mexican archeological site called Monte Alban.

Oaxaca and its charms are all close by.

More about Oaxacan street art

Life and Death Converged

 

In the heart of a quaint, secluded village, amidst cornfields and rolling hills nestled by mountains, lived an enigmatic artist named Esteban. The old man’s works were a dichotomy that both captivated and perplexed those who gazed upon them. Esteban had a unique perspective on life and death, and he used his art to explore the vast spectrum of existence that encompassed both the marvels of nature and the symbolism of mortality.

For many years, Esteban’s paintings of marvelous nature were a celebration of life's beauty and vitality. His strokes on canvas rendered scenes of vibrant landscapes, with sunsets casting warm hues over cool deserts, wildflowers dancing in a gentle breeze, majestic trees reaching towards the heavens, flowing rivers and high desert plains. He captured the essence of nature before him, infusing his work with a sense of awe and reverence for the natural world. His paintings exuded life and energy, inviting viewers to immerse themselves in the splendor of the universe.

Yet, alongside these odes to life, late in life, Esteban delved into the darker realms of existence. His other collection featured symbols of death, prominently featuring skeletons as a recurring motif. These paintings were hauntingly beautiful, revealing the fragility and impermanence of life. The skeletons had a life of their own in the world. Esteban’s skillful use of colors and textures conveyed a sense of melancholy, inviting viewers to confront their own mortality and reflect on the transient nature of existence.

Esteban's dual artistic explorations were not about juxtaposition but about integration. He believed that to truly appreciate the magnificence of life, one must also come to terms with the inevitability of death. In his view, the universe was a tapestry woven from both light and shadow, and one couldn't fully understand the beauty of the former without acknowledging the presence of the latter.

Villagers often visited Esteban's studio, drawn by the dichotomy of his work. They marveled at the way his paintings of life and death resonated with their own experiences and emotions. Some found solace in the reminder that life was precious and fleeting, prompting them to cherish every moment. Others were inspired by the unapologetic confrontation of mortality, leading them to reflect on their legacies and contributions to the world.

Esteban's art became a conversation between himself, his creations, and his audience. He encouraged open dialogue about the interconnectedness of life and death, challenging societal norms that often shied away from discussing the latter. His paintings sparked philosophical discussions, emotional introspection, and a renewed appreciation for the wonders of existence.

As the years went by, Esteban's reputation as a thought-provoking artist grew beyond his village. His exhibitions garnered attention from art enthusiasts, philosophers, and even scholars who saw in his work a profound exploration of the human condition. Esteban's legacy extended beyond his physical art; his philosophy embraced life's entirety, from the resplendent beauty of nature to the contemplation of death, leaving an indelible mark on those who engaged with his creations.

In Esteban's art, life and death converged, coalescing into a testament to the complexity and profundity of existence. Through his paintings, he painted not just scenes on canvas, but a reflection of the universe's vastness, both its light and its darkness. He invited us to look beyond the surface and acknowledge the intricate dance of life and death that shapes our journey through this wondrous world.

All artwork ©2023 by Steven Boone, all rights reserved

At The Crossroads

My mind dances between earth and sky, memory, and ever pressing facts of the present. I easily think, “What if?”  All my life I have been restless. From childhood I learned by feeling and touching, then putting facts together. Given only facts and no experience I am lost. If I had been educated with an arts based curriculum from the beginning, many years would not have been wasted in schooling. 

My mother, Chloris, as a young artist

I have always been on a creative journey. It is my temperament. From an early age, I felt as though the world was my canvas to create art. Thankfully, my parents, especially my mother, encouraged the artist within. She signed me up for special Saturday art classes at a downtown Washington DC museum. She bought me a silver flute and paid for lessons. My father encouraged cultural and social participation in society, and sent me off to work on the Navajo Reservation when I was a junior in High School. I won awards for my painting and writing. World literature was one of my favorite courses. Like my parents, I have been an avid reader all my life. By the time I was eighteen, I had read all the important books by Russian authors Tolstoi, Pasternak and Dostoevsky.

When I decided to go to art college, my parents paid for my studies until I graduated in three years. It has been a blessing that I have been able to make a living as an artist for four decades. Meanwhile I have written books and poetry, become a known photographer and travelled around the world twice, living in thirty countries.

My restless personality, prone to chaos, has been a wellspring and curse. I am in my fourth, and I expect last marriage. This time, thankfully, Amy is also an artist and understands what fuels my creative temperament.

I have two daughters; although my oldest, Naomi, died at age nineteen. I always say I have two children. Naomi my teacher, and Sarah, my joy.

Now, at a mature stage in life, I face a challenging phase of my journey with moments of indecision. It seems my sense of urgency is gone, and being on edge⏤that sense that fuels creative breakthroughs⏤is diminished. Lately, when standing at the crossroads of creativity I have felt at task, whereas earlier in life excitement prevailed. The charging stallion is more apt to walk these days.

Each talent calls out, yet my storehouse of energy has faded with age. I do not have self-doubt or anxiety yet I am cognizant of how my physical powers have faded with time. That said, some of my most important paintings have been made since we moved to Mexico several years ago. That change of life, in itself was no small feat. More new and different paintings are to come for sure, as will the photographs and the writing. Instead of choosing one passion over another, through the years I have explored synergy between creative pursuits. I have blended talents. 

I hope my work reflects a multifaceted soul, resonating with people from all walks of life. Maybe I am a true renaissance man.

In the end, instead of limiting ourselves to a single path, we can weave together our diverse talents into a tapestry of infinite possibilities. Each one of us holds the power to carve a unique path, blending our passions in special ways. 

It is at the crossroads that we discover our truest selves.

Connection to Nature

Working with the earth has always been a love of mine. It is my connection to nature that is strong. When I graduated art college and could not immediately find prosperity as an artist, I began a landscaping company which thrived. Eventually, after 11 years, I was able to sell the business and find my way as a full time painter. Landscape painting has been my greatest success.

Life has a beautiful way of evolving, presenting us with new avenues for creativity and fulfillment as we venture through its various stages.
I reached my seventies, and my wife Amy and I acquired a home near Oaxaca, Mexico. It is a grand adobe hacienda on a big hillside property with varieties of trees, shrubs, cactus, and plenty of potential for improvement. My attention is drawn towards the raw beauty of nature and the intrinsic allure of architecture. Here, at our house in the pueblo of San Pedro Ixtlahuaca, near Oaxaca, Mexico the stage is set for working with the earth, plants, and structures.
I typically begin the day working outdoors. Plants always need care. We made a patio, remade a cistern, repaired a porch roof that had earthquake damage with tiles needing replacing. Now I am constructing stone stairs in front of our home.

While the physical labor required to shape stone stairs may be demanding, I find solace and gratification in the process. Far from viewing it as toil, I perceive it as a dance with the earth; a collaborative effort between my hands and the materials at disposal. Sweat and aching muscles serve as tangible reminders of dedication and passion. I am surprised how much, after work each day, I ache from mixing concrete, pushing a wheelbarrow loaded with stones, laboring under a hot Mexican sun . . . Anyway, it is something I did many years ago and have not forgotten my landscaping skills.

In the golden years of life, our passions can take on new dimensions, weaving together diverse threads from our past and present. My love for painting, writing, and photography has found a companion in devotion to working with the earth, plants, and architecture. Amidst the picturesque landscapes of Oaxaca, I have immersed myself in the creation of stone stairs, where each step signifies not only toil but also his unyielding passion and love for our surroundings.

Last night a great storm came. First thunder and lightning, then rain, tremendous wind and hail the size of golfballs. It lasted almost an hour. A big potted plant came crashing down on the roof patio. Water came in the house in several areas⏤mostly from the storm hitting windows and seeping inside. The wind bent over trees and shrubs, ripping off limbs. The hail tore through leaves. It was violent nature.

Hail 

Today I went out and swept the stairs I have been creating. Stone is forever.

Fill The Cup

At our home in San Pedro Ixtlahuaca, Mexico, good energy perceptibly rises during our Sunday art sessions. Our neighbors come at 3 PM, and when the group disperses to go home after a couple hours, it feel as if happiness has risen to fill the cup to overflowing. 

We have been offering free art workshops at our home in Mexico for 2 years now. The group is usually 7 children and one adult. The number goes up and down around that core.

Amy and I must prepare ahead so that when class begins everything is ready. That includes the project with materials, with refreshments to serve. It is our service to our immediate community⏤neighbors. 

Yesterday three girls showed up unexpectedly and asked if they could bake cookies with Amy. She agreed and they made peanut butter cookies. A real treat . . . considering the kids do not have an oven at home. 

The pictures here are from recent sessions.

An Unexpected Place

Final Voyage, oil on linen, 30 x 48 inches

My most recent painting had a surprising genesis. Amy and I were at a special museum exhibit in Oaxaca featuring art celebrating Xoloitzcuintle dogs. We own one. “Xoloitzcuintles are national treasures in Mexico, with a history that goes back at least 3,000 years. Mentions of these “strange hairless dogs” appear in the journals of Cortez and other European explorers. Ancient Aztecs named the breed for their dog-headed god Xolotl. Xolos were considered sacred by the Aztecs and often were sacrificed and buried alongside their owners to serve as protective guides to the next world. In modern times, Xolos are dedicated watchdogs and companions.” _AKC.org.
At one time Xolos were almost extinct, now resurrected they are celebrated. Ancestors of today’s Mexicans held the dog in high regard and today it is the dog most representative of Mexico.

In art, “happy accidents” are gifts. Like a lightning bolt, pure inspiration suddenly comes from an unexpected place. Many times I have labored on art with good intentions only to find I don’t like the outcome. Perhaps it lacks spontaneity, freshness . . . and so I strike out what I have done. Then something new appears in that destruction. A new direction and vision occurs.

At the exhibition, among the paintings, drawings and sculptures, I found myself in front of a glass case. Inside, a bronze sculpture of a boat, holding only an erect Xolo at the bow, showing the way. That moment I got an idea for a painting. I could make another of my “Memento Mori” pieces, commemorating the inevitability of death and passage between worlds.

At home I began gathering together ideas and decided death would row a boat with a casket while a Xolo sat atop, amidst flowers. I would call the work “Final Voyage.” The lake is set among mountains. The mood is somber but a light shows through the clouds, illuminating the waters. The course is set, the journey begun, with our Xolo guide present showing the way.

First study

Detail

Posses a pure, kindly and radiant heart

“O Son of Spirit!
My first counsel is this: Possess a pure, kindly and radiant heart, that thine may be a sovereignty ancient, imperishable and everlasting.”  ― Baháʼuʼlláh

Amy and I are more or less “strangers in a strange land,” here in Mexico. Spanish is not our mother tongue and we have never before had permanent residence outside the USA. We made a leap of faith when we bought our home in San Pedro Ixtlahuaca, Mexico. It is a humble village with a standard of living well below what is typical in America. We have challenges and opportunities. It will take time to become part of the fabric of life here. But we are already weaving ourselves in.

It helps tremendously to have friends who look out for us. Thank God for them. They are like gifts of spirit. Mayolo is one of them.

Mayolo is our neighbor. We were introduced by Salomon, who is building a house next to us. We wanted someone who could do iron work and make a railing for stairs to our second floor. We got Mayolo. We quickly discovered he is a master craftsman. He doesn’t speak English but we have bonded to become good friends. Mayolo has helped us in many ways, from paying bills to making screens and installing them. But most of all Amy and I have bonded with him through shared love of art, and the making of it. The railing he made is beyond our dreams, and now he makes excellent frames for our art.

Just last night Mayolo called and asked to come over and show us something. He arrived with a marvelous tin box he made as a wedding present. It is meticulously engraved and embellished with handwork. It has two little oil paintings on either side. It opens to reveal a velvet interior and engraved monogram to the newlyweds. Along with it is an embellished tin bible cover with two doves on the front. 

Then he handed us a lantern he made. “This is my gift to you both”. 

We put a candle inside and lit it. An emblem of a pure, kind and radiant heart.

Break Rules

Advice to artists: create a style and stick with it, become famous and own a highly marketable brand. The same for any business.

Usually an artist chooses to concentrate on one discipline; like classical piano, poetry, fiction writing, or specific type of painting. He masters a style and gives it his own personality, perhaps becoming famous as a brand. If that brand goes big he is world famous. For instance Van Gogh. He made paintings in his own style, not popular at the time, but highly identifiable. Exactly 100 years after he died, Vincent’s  painting, Portrait of Dr. Gachet sold at auction for 163 million dollars.

My own trajectory as an artist is varied. I have a huge interest in the world and find that if I am in a niche I get uncomfortable. So I break rules and surprise people with explorations into the unknown. Then I also surprise myself.

My greatest success as an artist has been as a landscape painter. I am grateful for being able to make a living with my painting (see Steven Boone website). I often pinched myself to be sure I was not dreaming. “And I have not had to be a waiter on the side,” I told folks.

Along the way I have written a memoir, poetry, and magazine articles. I have been a publisher, made photographs, learned graphic design, been a printmaker and owned art galleries. 

I go in different directions simultaneously.

Recently I looked through old files of photographs and came upon some made between 15 and 20 years ago I share today. 

Bandits on the Road

Trampas, New Mexico, USA. 

 Amy had read of bandits on the roads in Mexico so it was with some trepidation that we decided to begin our journey driving north from Oaxaca to Santa Fe, New Mexico, USA. That was over a month ago. We went, and returned the beginning of October with relatively few incidents. One week of our sojourn transpired in San Francisco. The most troublesome occurrences of our trip happened in the States. 

We drove so that we could load some of our essentials from storage in Santa Fe into our car. I have been wanting a desktop computer. The new iMac is wonderful. We don’t have a formal address in Oaxaca to mail order it, so on the way north we stopped in Mexico City at the Apple store. I deliberated buying it on the spot, or on the return. I did not want to buy it in the States because there are charges for bringing new electronics like computers into Mexico. To make a long story short, I ended up buying it and later discovering in the USA I would have paid 400.00 dollars less. It turned out we breezed through the border both times without hassle. 

The best part of our travels in Mexico was undoubtedly five days in Mexico City. It has a fabulous wealth of art and culture. We stayed in a wonderful hotel downtown that welcomed us with luxury and safety. Our time was relaxed and more or less untroubled; except for being cheated once by a taxi driver.

When we reached the outskirts of Santa Fe and stopped along a road next to a hiking trail through the hills, the smells of the high desert and intimately familiar terrain brought a flood of feelings into my bones. The wealth of over 40 years of lived life there came back all at once.

Dear friends extended to us hospitality. 

The trip to San Francisco was planned because both Amy and I have both had deep and meaningful visits to the city, but never together. We arrived to beautiful weather and rented a car for a week. The next day clouds blocked the sun and it stayed that way until we left. Furthermore, after visiting a wonderful museum on our first day, we came to our car in the parking lot only to discover a smashed window and glass all over the back seat. This was to temper our trip. 

Our remaining time in Santa Fe was spent with friends and going through the objects we have stored. It is mostly artwork of value, art materials, antiques, furniture, clothes and miscellany. 
I spent over 1000.00 USD buying art supplies impossible to find in Oaxaca. Amy also bought supplies.

Our return trip went smoothly and we crossed the border at Del Rio, Texas into Acuna, Mexico with ease. No encounters with bandits, just busy roads crowded with big trucks pulling trailers. 

Side By Side

Child of Oaxaca, oil on canvas, 80x100 cm

Since moving to Mexico, Amy and I share a studio and make our art side by side. It is a happy arrangement. We listen to music and occasionally look over the shoulder of the other to see what’s happening. She has her own style and so do I. We are different in mind and background when it comes to art. Nonetheless there is plenty of common ground.

Just today we are finishing paintings. I made a large piece with a native Oaxaca girl as subject. She is someone I saw not long ago. With her sister, she was in the the town center sitting on a sidewalk, selling little drawings and sketches made with colored pencils on paper. Amy and I bought a piece from her older sister. I took photos of both of them and the younger one had a slightly forlorn look. People were walking by without slowing down. The girls were dressed very nicely. My painting is made with oil paints.

Between Snakes and Hummingbirds, acrylic on canvas, 60x90 cm

Amy is finishing her second of a three part series titled Daughters of Tonantzin. The new work is entitled, “Quinto Sol / Entre Culebras y Colibríes .“ ( Between Snakes and Hummingbirds) A tribute to the power of innocence; and the magic and majesty of the universe.

Steven Boone Artwork

Amy Cordova y Boone artwork

Good Neighbor

There are several people who have made a big difference to Amy and I since we moved to San Pedro Ixtlahuaca, the village outside of Oaxaca, Mexico. We arrived in March of this year. Mayolo Galindo was one of the first people we made a good connection with. He liked us and we liked him immediately—we are all artists. Mayolo knows about as much English as I do Spanish, that is, almost none. But Amy knows enough Spanish to get us by.

Mayolo helped design and then made our wonderful stairway banister in the front hall. He made curving curtain rods to go above our arched windows in the master bedroom. And he attached deer heads at the top. Our home is called “Dos Venados," or Two Deers. The railing has two deer heads attached. On my birthday, he gifted us a wonderful tin framed mirror, complete with pounded embellishments and two deer heads with roses. 

It is very difficult to get the art materials I am accustomed to in Santa Fe, New Mexico, USA. Mayolo said he could build me frames, so I decided to give him a chance. He said he could make something out of tin. I have never framed with this material. I had some doubts. We talked about the design. He is a master with metal and delivered a wonderful frame. 

It now adorns my portrait of Frida Kahlo.  

“The good neighbor looks beyond the external accidents and discerns those inner qualities that make all men human and, therefore, brothers.”        —Martin Luther King, Jr.