Connection to Nature

Working with the earth has always been a love of mine. It is my connection to nature that is strong. When I graduated art college and could not immediately find prosperity as an artist, I began a landscaping company which thrived. Eventually, after 11 years, I was able to sell the business and find my way as a full time painter. Landscape painting has been my greatest success.

Life has a beautiful way of evolving, presenting us with new avenues for creativity and fulfillment as we venture through its various stages.
I reached my seventies, and my wife Amy and I acquired a home near Oaxaca, Mexico. It is a grand adobe hacienda on a big hillside property with varieties of trees, shrubs, cactus, and plenty of potential for improvement. My attention is drawn towards the raw beauty of nature and the intrinsic allure of architecture. Here, at our house in the pueblo of San Pedro Ixtlahuaca, near Oaxaca, Mexico the stage is set for working with the earth, plants, and structures.
I typically begin the day working outdoors. Plants always need care. We made a patio, remade a cistern, repaired a porch roof that had earthquake damage with tiles needing replacing. Now I am constructing stone stairs in front of our home.

While the physical labor required to shape stone stairs may be demanding, I find solace and gratification in the process. Far from viewing it as toil, I perceive it as a dance with the earth; a collaborative effort between my hands and the materials at disposal. Sweat and aching muscles serve as tangible reminders of dedication and passion. I am surprised how much, after work each day, I ache from mixing concrete, pushing a wheelbarrow loaded with stones, laboring under a hot Mexican sun . . . Anyway, it is something I did many years ago and have not forgotten my landscaping skills.

In the golden years of life, our passions can take on new dimensions, weaving together diverse threads from our past and present. My love for painting, writing, and photography has found a companion in devotion to working with the earth, plants, and architecture. Amidst the picturesque landscapes of Oaxaca, I have immersed myself in the creation of stone stairs, where each step signifies not only toil but also his unyielding passion and love for our surroundings.

Last night a great storm came. First thunder and lightning, then rain, tremendous wind and hail the size of golfballs. It lasted almost an hour. A big potted plant came crashing down on the roof patio. Water came in the house in several areas⏤mostly from the storm hitting windows and seeping inside. The wind bent over trees and shrubs, ripping off limbs. The hail tore through leaves. It was violent nature.

Hail 

Today I went out and swept the stairs I have been creating. Stone is forever.

Our Journeys Intersected

“You channeled that painting.” Amy said, looking intently into my eyes. 

We were standing in our kitchen after she came home from a remarkable experience at our gallery. I thought about her words, and wondered “Did I?” Then remembering how the image felt like a baby needing to be born and I had to give birth, I said, “Yes, you are right.”

I have seen images in clouds and made paintings of landscapes with clouds resembling flying geese. I have photographed heart shapes in the formations of clouds drifting over the horizon. Last summer I responded to a yearning to make a large painting that included clouds forming a heart above our terrain—and included two horses, grazing peacefully under the symbolic heavens.

A few days ago Amy came home from work and told me of a remarkable interaction which occurred. A couple arrived to the gallery and within moments revealed some events that had led them to her. The woman, Cyndi, explained they lived in Colorado and she had been browsing at an outdoor rummage sale and saw my book, A Heart Traced In Sand. I wrote it after my daughter Naomi died at age nineteen. It has won two awards and found its way many places. She was immediately drawn to it because of the heart on the cover, and explained that ever since her 11 year old daughter died she had been surprised seeing hearts in strange places and thought the symbol was a sign of love sent by her angel. She took the book home and while reading the story was astounded that our daughters shared similar fates. Each had the same rare form of cancer called Ewing’s Sarcoma.

The book deeply moved Cyndi for our shared narrative.

When she came to Santa Fe with her husband Jim for a get-a-way, they somehow found my gallery to connect with me.

“They are returning to the gallery tomorrow to meet you.” Amy said. “Both loved the painting with the heart in the sky. He said it was too expensive and they found another one they liked. But she really loves the heart one.” 

The next day the couple arrived again and I felt warmth immediately. We talked at length about our shared experiences. I learned that their daughter Maggie took 7 months to die before passing away six years ago. Naomi struggled two years and left this world 20 years ago. Like me, Cyndi wrote a book. When little Maggie learned she was terribly ill and might not live, she started a journal. Her mother helped her be brave and know that life goes on after death of the body. The journal became inspiration for the book. 

After Maggie died, the parents started a charity in her honor and have helped many terminally ill children be able to receive hospice care and die at home among loved ones.

When it came time to decide on a painting, Cyndi looked longingly at the heart painting. We talked about the symbols; her attraction to the heart in the sky and also the horses. "They are spirit beings and represent freedom and power." I said. 
"We own horses." she said. 
Meanwhile Jim stood in front of the little landscape painting of sunflowers. 
I felt they should have the big piece and decided to come down considerably on the price. They looked at each other knowingly, took a deep breath and said, “We will take it.”

I knew it belonged to them from the time it began in my own heart.

“Today is the anniversary of Maggie’s death.” Cyndi said. 

How remarkable that our journeys intersected in such profound ways.

Interestingly, for the last week I have been totally absorbed digging into Naomi’s journals and diaries, and going through photographs and artwork. Soon, A Heart Traced In Sand, Reflections on a Daughter’s Struggle For Life, published in 2001, will become available as an eBook. The eBook version will be able to include examples of her original works, thoughts and historical family photos from her beginning to end.

“Yes,” Amy said, “the painting came from spirit and and arrived to them by spirit.”

I feel the truth in what she says.

In every heart there is a deep sorrow, one that edges in like a whisper on a cold night. The delicacy of a person who is outwardly strong is as delicate as a rose before a frost inwardly. —Naomi Boone, from her journals, age 16

Wallflower

There is an expression . . . have you heard it? A person referred to as a "wallflower". An example is the young woman at a lively social gathering where music plays. She is dressed beautiful and is sweet, yet sits to herself while girls around her are whisked by young men onto the floor for fun and laughter.

Most likely, everyone at some time in life has felt left out. Oh well. We stay in our core, love ourselves and continue to show up. Then a magic moment comes when a special someone is attracted to join together with the lonely one. The qualities are affirmed and embraced.

 This happens with my paintings. Work has shown for years—seen but passed over. Then one day a special someone falls in love and says, "I must take it home, it speaks to me."

This happened twice in the last three days. Both paintings had been showing for two years before selling.

This also happened with the one below. It was "asked to dance" many times but never became engaged with anyone. Recently it got married to an art lover in Colorado and went home.

Art Is Never Finished

“Art is never finished, only abandoned.” -Leonardo da Vinci

During the course of creating art, a time comes when the work nears completion. Artists’ often think, “Is it finished?” Many have experienced the culmination of their efforts and yet wonder, can it be better? On occasion, an artist eventually sees his work hanging in a gallery or a home, finds it not quite satisfactory and changes it.

Just like a person might not see a flaw in themselves that another easily sees, an artist when they are making art, becomes one with it so that they are “in” it. It is only when stepping away that objectivity arrives.

We can feel an art work is finished when there is no more space to cover or stone to carve. But that is not really it, for art is malleable . . . (excepting sculpture). Some artists like to leave “mistakes” in the work to show the process. There are indigenous artisans who purposefully leave something undone—to show humility and that only God is perfect.

For me, I have come to believe that my portraits are done when the subject is able to “speak”. If my landscapes invite the viewer to enter in their realm and abide there in wonder, perhaps then they are complete.

As I write, I feel Leonardo is correct- Art is never finished, only abandoned.