Break Rules

Advice to artists: create a style and stick with it, become famous and own a highly marketable brand. The same for any business.

Usually an artist chooses to concentrate on one discipline; like classical piano, poetry, fiction writing, or specific type of painting. He masters a style and gives it his own personality, perhaps becoming famous as a brand. If that brand goes big he is world famous. For instance Van Gogh. He made paintings in his own style, not popular at the time, but highly identifiable. Exactly 100 years after he died, Vincent’s  painting, Portrait of Dr. Gachet sold at auction for 163 million dollars.

My own trajectory as an artist is varied. I have a huge interest in the world and find that if I am in a niche I get uncomfortable. So I break rules and surprise people with explorations into the unknown. Then I also surprise myself.

My greatest success as an artist has been as a landscape painter. I am grateful for being able to make a living with my painting (see Steven Boone website). I often pinched myself to be sure I was not dreaming. “And I have not had to be a waiter on the side,” I told folks.

Along the way I have written a memoir, poetry, and magazine articles. I have been a publisher, made photographs, learned graphic design, been a printmaker and owned art galleries. 

I go in different directions simultaneously.

Recently I looked through old files of photographs and came upon some made between 15 and 20 years ago I share today. 

Constructing

Pablo Picasso (Spanish, 25 October 1881 – 8 April 1973) was a phenomenal creator. The public recognized his genius and followed along adoringly. He went through stylistic phases such as a Blue Period with sad, gaunt people in gloomy settings, and then circus and harlequin subjects. The predominant color is a melancholy blue. A Rose Period with romantic, delicately treated subjects in pale pink. Cubism where natural forms were changed to geometric-like shapes. Distortion and multi-view figures in mainly dull colours. Neo-Classicism with heavily-built sculpturesque Grecian women. Surrealism and dream-world compositions and more, including sculpture, ceramic art, constructions, printmaking, drawing and even poetry.


Most artists do not change styles frequently. They find a niche and stay there. If they are successful, they are afraid of repercussions if they change and their new work is not favored. In marketing language, this is called “branding”.

I have been aware for many years that my greatest success has been as a landscape artist. Yet, all along, I have done other work more or less simultaneously. And I have appreciated all kinds of art and music. I have resisted branding and yet have been able to make a living as an artist.

Now my work is changing again. I am constructing my artwork as much as painting it. Gone are the landscape paintings. The subjects are figures and dreamworlds. So as not to confuse people, I have considered taking a pseudonym and making a clean break from the past. Perhaps I should not take another name and simply walk in Picasso's shoes.

Steven Boone, 18 x 24 inches, mixed-media

Groundbreaking

Paul Cezanne, (French: January 19, 1839 - October 22, 1906)

Pablo Picasso, (Spanish:  25 October 1881 – 8 April 1973)

In the pursuit of artistic creativity, it often occurs that an artist is influenced by his peers, and by art history. Even when someone does something radical and new, essentially, a groundwork has been laid by others that allows this new breakthrough to occur. For instance, Picasso was a seminal figure in art in the twentieth century, and when his cubist paintings emerged, they shattered the barriers for art. And yet, these paintings did not appear in a vacuum, for Picasso had been a great admirer of Paul Cezanne, who years earlier had been taking impressionist painting into new territory with his careful constructing of picture planes using basic shapes of cones, rectangles and squares.

Claude Monet, (French: 14 November 1840 – 5 December 1926)

The crucial quality of groundbreaking artists, is their fearless pursuit of new ways of seeing, and their willingness to take risk and break from the crowd. Another great innovator of the twentieth century was Georges Seurat, who developed his signature style of painting, called pointillism, using uniform sized dots of color to make a depiction from nature. Yet, Seurat was keenly aware of the work of the impressionists, who had broken with traditional painting styles when they went from depicting stories in their paintings, into painting light itself.

Georges Pierre Seurat, (French: 2 December 1859 – 29 March 1891)

Piet Mondrian, (Dutch, March 7, 1872 – February 1, 1944)

Steven Boone, (American: 13 May 1952 - present.)

The Dutchman Piet Mondrian, migrated to Paris during the time Paris was the art capital of the world, when Picasso and a slew of other famous artists were there. Mondrian developed a highly refined abstract style of his own, which broke the picture plane down into a grid of horizontal and vertical bisecting lines, using some of the resulting  shapes to carefully be filled with primary colors. Many years later, I hearkened back to Mondrian in my street photography, when I captured images that resembled Mondrian's abstracts, using a lens instead of brush and paint.

Three Hands

Voices of the Ancestors, oil on panel, 16 x 20 inches

Two hands are natural and emblematic of human beings—one hand is tragic—but what about three? I have a series of paintings using the theme of three hands. For most people, the images are perplexing, and that is okay with me, because I like mysterious pictures.

My first painting with three hands was made while I lived in Granada, Spain. My apartment was high on a hill in the Albayzín neighborhood, near the flamenco caves where dancers and musicians performed every night. I could paint, and walk around shooting photos during the day, and go to the caves at night. The house was great. I entered from a small street that had no cars, and passing through a narrow kitchen and living room, a couple stairs led to a spacious patio that overlooked housetops and the tree-lined river that flowed from Sacromonte into town. Directly opposite on a hill stood the walls and towers of Alhambra, the World Heritage Site. Another door on the patio led to a cozy bedroom.

Artist models are sometimes hard to come by, but with a mirror, a self-portrait can be made. I started a self-portrait, but wanted expression, so I included hands reaching to my face. Maybe because I was alone, and desired company, I added a hand coming from the top of the painting.

Soon, a French woman I met in Venice, Italy arrived to visit. We had become great friends in Venice, especially since she is a professor of art in a University in Nimes, France. I had visited her where she lived in Provence, and now she visited me. I did a portrait of her, and again, added an extra hand reaching down from the top of the painting, as if to touch her head. She liked the result, and also the self-portrait I had done. “You must do a series”, she suggested. I liked her idea, and in the next several months made more paintings with three hands.

Anne, oil on canvas, 20 x 20 inches

When I went to Berlin, I made a painting of my young German friend Anne, and used my own hand as the third one. Another time, I painted an abandoned house, high on a hill, in Andalusia, Spain. I put in three hands, as if gesturing. I call the piece “Voices Of The Ancestors”, as if spirits were re-visiting a place on earth they were familiar with.

Sometimes, while artists work, their unconscious is emerging in the process.   “Great art is as irrational as great music.  It is mad with its own loveliness.”  ~George Jean Nathan

I cannot entirely explain the meaning of having three hands in these paintings. It is to offer an element of mystery and surprise, and also my belief is that I have a muse, and I surmise I am including one hand of my muse in the paintings.

Self-Portrait With a Rose, (made while in Berlin), oil on linen, 18 x 24 inches

“Art is a collaboration between God and the artist, and the less the artist does the better.”  ~André Gide