Dia de Muertos

It is a beloved time of year in Mexico, bringing families together, and whole communities. Dia de Muertos, in English means “day of the dead.” It might sound macabre but it is not. It is when death and life meet in celebration. A time when departed souls are honored and called to return for a visit “home” to loved ones left behind. A time for happiness.

Like most of Mexico, we made an ofrenda for our home. It is an altar to honor and commemorate our relatives and friends that have passed away⏤hoping that by honoring them in this way, they will come back to us and visit. We decorate with fine cloth, offering fancy breads, flowers, artwork, photos and objects signifying the passions of those remembered.

Oaxaca, in the south central mountains of Mexico is an epicenter for Dia de Muertos during the special days between October 31  -  November 2 when it is celebrated. Hotels are all booked solid well in advance as tourists from all over the world descend upon the city. This year, Amy and I hosted a group of tourists from the USA at our home in San Pedro Ixtlahuaca, a village on the outskirts of town. They came to meet us⏤two famous artists living the authentic Mexican life. Our friendly neighbors made a traditional lunch. 

The next afternoon of November 1, we arrived in Centro and quickly found a couple just setting up to paint faces. We looked at their samples. Amy chose a style, as did I, and we both sat amidst the crowds and had our faces painted.

Each day Amy and I went to town to wander among the crowds and relish the atmosphere. I am a photographer as well as painter, so took plenty of photos. Everywhere we turned the fantastic sights of people with face paint and sometimes elaborate costumes dazzled us. Street performers and musicians entertained. A sense of excitement and happiness abounded. Especially starting around 4 PM and going into the night.

Yesterday, November 5, Amy and I were driving by our local cemetery in the late afternoon. We stopped to take a look. Nobody was there but a caretaker. The place was awash in flowers that covered all the gravesites. The experience took my breath away. I felt privileged to come in behind all the worshipers who had brought gifts of love for their departed loved ones, then sat and communed with them. 

It is what Dia de Muertos is all about.

Immigrant

I am now an immigrant, along with Amy. We have “Residente Permanente” visas from Mexico. It all happened rather suddenly but a huge change is happening to us. 

During travels over the past 15 years occasionally a thought would come that I might move from the USA—to Italy, to Thailand, or Ecuador. Amy and I have been married three years and after a trip to Oaxaca I casually looked online at properties down there and found one that grabbed me from head to foot with a price tag that, compared to similar properties here in Santa Fe, was an absolute steal. (See: Mexican Home)
That was over a year ago. Now we own the home and property—outright. It is our dream home and 3 times as much space as we currently have. We can live there for about 1/4 the monthly cost we are currently spending, in a culturally rich region with pleasant climate and easy access back to the USA. Our realtor, John, (see Real Estate Oaxaca) said it is the nicest home he has sold. (Does he say that to all his clients?) His partner said it has "soul".
Further, I have found most of my income is coming from sales of my work online. Amy and I now have better studios, a wonderful home and can continue being creative—expanding into new venues as well. All the while sharing our work online worldwide. 

In order to qualify to move all our belongings into Mexico (one time) without hassles and taxes, and also get free medical and dental care, as well as easy access in and out of the country, we needed a special visa. To begin, we found the nearest Mexican consulate. It is located in Albuquerque, New Mexico, an hour drive south of Santa Fe. They informed us of the requirements to start the process:
• Fill the Application
• Copy of passport (NOT EXPIRED) and COPIES of all the pages that have any visas or stamps.
• 1 passport size photo
• Past 12 months of bank statements (checking’s/savings)
• Social security administration letter with monthly income if applicable
• Pension income letter if applicable
• Proof of purchased property in Mexico, Escrituras, if applicable
• Letter from the bank, stating NAME, ACCOUNT NUMBER/S, LENGTH OF THE TIME YOU HAVE BEEN BANKING WITH THEM (MUST BE IN A BANK LETTERHEAD & SIGNED BY A BANK OFFICIAL).
• Typed letter stating reason for wanting to obtain a temporary or permanent visa (MUST BE SIGNED BY YOU & 1 PAGE MINIMUM)

•Marriage certificate if applicable (ORIGINAL)            

  
Once our application was approved, our passports were given a special stamp. We were told that we had 30 days (from our first entry into Mexico) to obtain our official “green” cards. On January 31 we flew to Oaxaca and six days later returned to Santa Fe—new homeowners and with our residente permanente cards.

To end this story, let me say that lately, every evening, Amy and I have been watching a program called Finding Your Roots on the PBS website Thirteen; “Presented and written by Professor Henry Louis Gates Jr., this series journeys deep into the ancestry of a group of remarkable individuals and provides new understanding of personal identity and American history.”  I have gained an invaluable perspective on the varied diaspora of immigrants that have come to the “new land” of America since before it's beginning as an independent nation. The people that were not slaves, prisoners or indentured servants, came looking for a new start at a better life. They came to escape dire conditions in their homelands and would face any hardship to pursue a dream of renewal and fruition. Often they arrived with nothing, strangers in a strange land, and it is a miracle to see present day descendants of these people discovering their ancestors for the first time on the program.

Me and John

Now, I know firsthand what it is to be a “stranger in a strange land” and feel kinship with all the immigrants of every era. Without our realtor John who is an American fluent in Spanish and lived and worked in Mexico for 36 years, along with his Mexican partner Luis, Amy and I would have been completely lost. We both agree that the hurdles of bureaucracy in Mexico for us—with limited Spanish language capability,  and all the appointments, waiting, and lacking necessary knowledge to attain our goals would have left us feeling helpless. At one point I admitted that without John, I would have given up in exhaustion and walked away from the deposit I made on the house. 

The day before returning to Santa Fe we had breakfast with a young man who has a moving business. We found him honest, eager and straightforward. He is recommended by John, and soon will be coming to Santa Fe to get our goods to take to our new home in Oaxaca.

See: Steven Boone artwork

Two Doves

 

We all knew it was a message of love coming from heaven above. A once in a lifetime display never to be seen again. It’s been nineteen years since it happened but is still mentioned and makes me think how SPIRIT can use all creation to communicate to humans. Moreover, beings in the next world can give us physical signs that write indelible language upon our souls.

Someone recently read my memoir of my daughter Naomi called, A Heart Traced In Sand, Reflections On A Daughter’s Struggle For Life, and he mentioned the event. The story concludes the book. It demonstrates how life is interwoven through many realms; visible and invisible.

Naomi died of cancer in 1999 at age nineteen after a heroic battle to stay in the world she loved. One year later a group of devoted friends gathered at our home to remember her life. A woman who had been Naomi’s teacher brought materials to make a cord that we all could hold. Small pouches holding sacred objects like rose petals and each person’s note to Naomi were tied to the cord. We all went outside to a lawn and garden then stood together in a circle holding the cord and our prayer bags. One by one we read our remembrance and prayer. The sky had been cloudy and now it rained lightly in a mist. This was unusual because we had been in a drought. A dazzling rainbow appeared beside us. When the last person had read, we all stood together in unity. Suddenly two doves appeared directly above our circle, hovered for a second then dove spiraling downward so closely that their wings almost touched. Down they flew with rapidly beating wings and in perfect precision flew upward again, only to spiral down in place and rise again. The beating wings and precision of their spirals was joyous. It was apparent they came to bring a message of love to us. Then they flew away. One young person burst out, exclaiming, “I hope she keeps sending us messages like that, letting us know everything is okay!”

Deep To My Soul

I am glad I had my paints, camera and pen along with me. Oh, and my laptop. Two pair of shoes was enough. So was two pair of pants, four shirts, socks and underwear. I used the umbrella in Venice a few times. Never wore the shorts and decided to leave them in Egypt.

Everything fit in a medium size suitcase and carry-on with wheels. I never needed anything more and came home without a pair of shoes I gave away, and also left shorts, and shirts behind. The special item I brought back is the Jellabiya, (man’s gown) that was made for me in Egypt.

Oh, the four paintings I sent from Italy and two from Egypt arrived safely by courier. No equipment damaged, over 1,800 photos safely stored, and some foreign money in my pocket for souvenir.
The damage that occurred was in my body when I took a flu medication in Luxor and it wreaked havoc on my urinary system which is already slowing down because it is over six decades old. I had to come home sooner than expected. That was the biggest of the problems that arrived. All part of THE DREAM.

Friendships and bonds deepened. With my brother Wade and his family in Washington DC, with Cristiana in Venice, Italy, Fred the hotelier in Paris, and my Egyptian brothers, Hagag and Abu’l Ezz in Luxor, Egypt along with their families.

 

Perhaps I left a footprint behind in the places I sojourned. A memory that I was there.  My friends remember me, and cried when I left them. They went deep to my soul as well.

Conquer Mountains

These days I arise before dawn for breakfast. After the sun touches the horizon, nothing passes my lips until night comes. No food or water. The Baha'i fast occurs from March 2 - 20th annually. This is the 46th year for me of observing it.

I always lose some mental quickness and feel cold more readily. Sensitivity to light, sound, smells etc. increases. I get tired during the day and yet thrive on the changes. My mind might complain but my heart and spirit rejoice. The grace and bounties of God come to refresh and renew my being. I do not need to use my mouth.

Instead of craving food, I crave the experience of sacrifice that brings the reward of Spirit.
In a way, during this period I am entering a prison. I realize I am at a disadvantage physically. But also know what I gain, and that imprisonment is temporary. When the fast ends, I have become so accustomed to renunciation during the day that when I see a water fountain, my first response is abstinence. Then I realize I am free, and the enjoyment is heightened. Same with eating. . . it becomes special again.

Meanwhile, I am stronger internally and feel I can conquer mountains.

Be Surprised

A Tale of Love, Mixed Media, 34 x 24 x 4 inches

I like to be surprised by my creations. That is, to be so involved while creating, I “disappear” in the work.  When I re-emerge to take a look, I might be amazed.

I can be astonished by other peoples reactions as well. This happened recently. I have a new art gallery in a mall off the main plaza in Santa Fe. It has big windows so pedestrians can see inside and view the art hanging directly in front of them. When I first opened, I hung my new work of mixed-media pieces in front of the windows. I hoped that they would make an impression. Later, friends came by and suggested I put my better known landscape paintings in the windows. I obliged. 

After I made the change, a fellow came in and introduced himself as a partner in a business down the hall. “I am glad you made the change,” he said. “There was a piece in the window that was creepy. Where is it?” Then he walked to the backside of the panels and said, “Here it is! Ugh This really creeps me out!” His skin crawled as he pointed to the dolls. I had to laugh, because it never was “creepy” to me.  (I am laughing to myself now, as I write, just recalling this.) 

The next day a woman came in and went right to the same piece and spent considerable time studying and admiring it. 

So why the different reactions?

I claim a piece a success in as much as it gets strong reactions. Weak or badly done art does not warrant reactions worth talking about.

Four Hangups, oil on linen, 28 x 30 inches,

Some years ago I made a series of paintings called HangUps. They always elicited responses—some highly positive and some negative, but always a reaction. One of those paintings is now in a museum in France. 

VanGogh All Hung Up, oil on linen, 22 x 24 inches,
In the collection of Foundation Van Gogh, Arles, France

And that is art.

Diana's Song, Oil on canvas, 24 x 20 inches

For more on the mixed-media pieces, see my previous post: Walk A New Path

I am Soul

I seek to be submerged in a limitless ocean and this is what I call THE DREAM. In THE DREAM I am observer as well as all the elements in the ever changing picture. No use holding on to anything—it is all flux.

This is why when I am driving through town and see homes, cars, people hiking on their favorite trails or shopping at their favorite markets, although I participate, I am not attached. I do not identify as homeowner, sports fan, wealthy or poor, American, white race, religious, of a particular physical type . . .. I let go of ego identification and realize happiness is being in flux; part of the ever changing DREAM. I am soul.

DREAM Perception

I called it THE DREAM; a year of astonishing travel around the world. The DREAM perception began in Belize, when I arrived to live among black folk in the town of Dangriga, on the Caribbean Sea. (Entering THE DREAM) Each day, I painted, wrote, and made photos, venturing forth into the unknown. My mind shifted from analysis and planning to complete acceptance of the moment. I began having total trust in what was being presented to me, seeing the gift of life everywhere and in everything. Opportunities arose and I had no fear because I did not live with feelings of opposition or separateness. My surroundings and I were one, and as events unfolded and I met people, the experiences were more profound because I was open to them—even expecting them. Events and consciousness seemed continuous and woven together, full of wonder and surprise—as if in a dream. I was the dreamer bearing witness. 

With Windell, in Belize

 When I wrote my blogs from nineteen countries, I often described living in THE DREAM. It took care of me and informed my life.

Now I am newly single again. Once, during a therapy session while I was married, I was told “You may never be able to travel like that again Steven.” But I think I might.

Erg Chebbi, Morocco

Lately, during the pain of losing my mate and the aftermath, I have wondered about the random thoughts that effect my thinking and emotions. Thoughts and emotions are not permanent. I have been looking to a higher reality to gain perspective—to find immutable truth. Everything depends on it or else falls apart. My life has come undone so I have been ardently going to the place of truth, longing only to stay in that sacred temple. The more I am there, the more I see that THE DREAM is not only the fleeting occurrences all around me, but the terrain of my mind as well. Truth is independent of mind, beyond time and space. I am not talking about relative truth but rather the absolute: God, the uncreated Creator Who dwells in all, and is first recognized by our souls. 

Temple, Danang, Vietnam