Free To Wander

Piazza San Marco on a Sunday—with empty tables because of slight flooding.

To be free to wander is a ravishing pleasure that feeds my artist soul. And in Venice, to wander is extra pleasurable since there are no cars to threaten a person who is dreamy and in an altered state of consciousness. Altered states occur since it is a “floating world,” much like a dream. Accordions play, church bells ring, boats drift by on the labyrinth of canals and one cannot walk far without coming to one of 400 bridges that span the city.

Reflections—Piazza San Marco, Venice, Italy

 I have had a remarkable 24 hours. A friend from the United States arrived yesterday and we met at my apartment to have dinner and catch up with each other before leaving to meet with two Venetian ladies. My American friend, Neely, speaks Italian and immediately was conversing with her Italian counterparts as we walked together to a free baroque concert in a 700 year old church—Chiesa della Madonnadell'Orto. The concert was a fundraiser for ebola victims in Africa, and consisted of recitals from Antonio Lotti (5 January 1667 – 5 January 1740) an Italian Baroque composer. The massive church with soaring architecture and paintings by famous Venetian painter- Tintoretto, (Italian, October, 1518– May 31, 1594) soon filled up and we sat together in pews as the conductor and musicians came forth and stood facing us. The music and singing was sublime and as I closed my eyes I was transported through the ages to other times.

Stevie, self-portrait in Venice

Today, I have been walking with Cristiana for two hours, and amazingly we chatted most of the time, while she occasionally waited patiently while my muse stopped me to photograph something or other.

I realize that when I am in the artistic zone, it is an altered state where I am not really seeing people as personalities and buildings as shops or homes. Rather I am responding to light and reflection, texture and space, intriguing positions of humans in interaction or alone within the environment.

Cristiana recognizes me as an artist and says that anyone who is to be in relationship with me must understand this is who I am. I agree totally.

Venice . . . double exposure

Wanderlust

A bedouin on his camel. at the Great Pyramids of Egypt.

“One’s destination is never a place, but a new way of seeing things.” – Henry Miller (American, December 26, 1891 – June 7, 1980)

In some profound ways, I have not adjusted to the ending of my year of travel, in 2008. Then, I was single, unencumbered by material things, free to move in any direction, was full of wanderlust, and leisurely moved across the face of the earth, living in exotic and fascinating places, making new friends and acquaintances. Since I arrived back in the USA, I have not felt the urge to own a home or settle down in any fundamental way, even though I have married. My lovely wife owns a home and I also rent a separate home, studio, and art gallery—but I am not attached to any of these places. Since 2008, I have been to Brazil, Argentina, Uruguay, and lastly, with my wife, Morocco. Now, I wonder if my dancing vagabond days are over for me.

During the early days of my traveling, I carried two suitcases—one for clothing, laptop, camera and supplies, and one for my painting gear, i.e. paints and easel, canvas and brushes. I made paintings along the way, occasionally sending them back to my assistant in the US and my gallery. Midway through the journey, I sent the cumbersome painting suitcase home, since I had evolved into a passionate street photographer. Each day, camera in hand, I would saunter forth to find the unexpected and seek to capture ephemeral moments of sublimity.

A field of poppies amid olive trees, in the Puglia region of Italy

The task of landscape painting is different than photography. To paint, a subject must be found, and then the easel set up and as the day goes by and the sun moves across the sky, I stand in one spot, studying and recording until a finished work is completed. For example, see: Flux Of The Street.
Photography is simply having the camera at hand, with a heightened sense of awareness, ready to click the shutter at an opportune time . . . and then go forth again for more. For example, see: Ducking.

Chicken seller in a market in Hoi An, Vietnam

Generally, paintings are far more valuable on the market, since they are made entirely by the artist’s hand are unique, whereas photos become prints that are massed produced.

 “To awaken quite alone in a strange town is one of the pleasantest sensations in the world.” – Freya Stark (born 31 January 1893 in Paris, France; died 9 May 1993 in Asolo, Italy)

Home Is In My Heart

When I travel for extended periods I become homeless and a true wanderer. I begin by abandoning my home, selling off possessions, and then storing in my studio what little remains. When I eventually arrive back in Santa Fe, I only have my studio to go to. The studio is an open space with four concrete walls and a bathroom. It holds my paintings, art materials, easel, a desk with a computer and my large format printer. If I had to, I could sleep there, but it has no shower or kitchen.

I am not a fretful person, nor fearful, so the prospect of not having a place to live is simply part of the ever-unfolding DREAM, and I trust in it to give me what I need.

My former wife Jean opened her home to me when I arrived after my long drive from California. I only needed to stay one night. Going to the Internet site Craigslist, I found a furnished guesthouse, and after a short visit there, rented it and moved in the same day. It is on a property in an expensive district of Santa Fe, next to a large home that is used only part time by absent landlords. I have great quiet, and although my casita is a bit small, I am more or less content for the time being.

Yesterday evening, the Baha’i community around the world celebrated the advent of Naw-Ruz, the first day of the Bahá'í calendar occurring on the vernal equinox, March 21. The New Year also ends the Bahá'í month of fasting, so the celebration is often combined with a dinner. When I was at our local celebration, a friend turned to me and asked “Is it good to be home?” As I looked into her lovely eyes, full of inquisitiveness, I said, “I am always at home—home is in my heart. Looking into your beautiful eyes in this perfect moment is where I live and love. And this “home” for me, is everywhere.” In truth, I have had countless feelings of being “home” all around the world.

Snow fell the first night I spent in my casita—quite a shock after picking oranges in my parent’s backyard just a few days ago.

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