A Last Kiss Goodbye?

These autumn days, wonderful colors, textures and temperatures beckon to be explored and enjoyed. For decades I have gone up into the mountains above Santa Fe to see the aspen trees during their ten days or so of shimmering golden vesture. This year I felt a tinge of bittersweetness as I drove upward with my art supplies and camera early in the morning on the winding ski road. Soon, Amy and I will be living in Oaxaca, Mexico. Might this be a last kiss goodbye to the place I have called home for over 40 years?

I carried my camera and hiked along a popular trail. Already folks were out enjoying nature. I passed a couple tents and came to a mountain stream, then chose to follow it up the slope. Now I was alone. The trees stood tall all around and the ferns were bursting with color. A small trail meandered nearby, but I chose to stay by the stream, stopping often to photograph the fallen leaves, mossy rocks and the gay stream with the play of light and shadow. My foot slipped into rushing water but I was so absorbed with dazzling nature I only laughed and kept climbing. 

Occasionally I fell out of breath—the elevation is over 10,000 feet. But magnetized by beauty and the pure mountain experience, I felt jubilant. A few times, I spotted a landmark up ahead and said, ”that is where I will stop and turn around.” But the forest beckoned me onward. After awhile, I thought of my paints and canvas and went back. On the way, I found a site I thought would be pleasing for a painting composition.

Gathering my art supplies, I set up and began painting. After twenty minutes, while intently working, I felt something run up my back pant leg. Surprised, I turned to see a chipmunk scurry off. This little creature was a sign from spirit and I spoke to him. After a couple minutes it happened again, and when I looked, two chipmunks stood watching me. They stayed around and when a young man and his father hiked past, the boy stopped and pointed out that a chipmunk stood nearby. I said, “Yes, I know.” 

The painting finished, I felt satisfied and drove the winding road back into town.

After posting the result online, the little aspen painting sold immediately—while still wet with paint.

Red Leaves

Deep within the vault of my memories, full now with six decades of life, is an episode of rapturous wonder, thrill, and happy connectedness. Veiled and buried with so many other memories, once in a while it comes to mind, as it did the other day.

Late summer is now shifting into the autumn season, and the colors have been summoning me to paint outdoors. Temperatures begin cool and become balmy. One day I drove about an hour out of the city to one of my favorite places; the Rio Grande Gorge. Following the twisty, softly flowing river through volcanic rock canyons, I found a scenic area by a bend. I climbed out to scout for a scene to paint, and took my camera. Amidst tall reeds at the river edge, the only sounds were the gurgling of water and paddling of ducks congregated on a log by the other side. Among the green shrubs and brilliant yellow blooms, I spotted some crimson leaves—a sure sign of the autumn. It was the red foliage that jarred loose the buried memory, so pleasant and nostalgic.

When I was but six or seven years old, beginning school in La Grange, Illinois, (a suburb of Chicago) the class went on a field trip at the beginning of Autumn. We drove out into the country to a nature preserve. The weather was perfect—blue skies and the lingering warmth of summer coming from the earth. Colors of nature were already changing. Several teachers watched over the group of children from various classes. A sense of happiness and love pervaded the day. Something thrilled me and touched my soul with wonder—to be out of the confines of a classroom, yet with adults who took pleasure along side of me and the other children. The sky seemed so blue, like I had never seen before, perhaps because the colors of the trees and fields were burnished so brilliantly orange, red and yellow. To walk in the grass almost up to my waist and hear it swish, while smelling the aromas of plants and fertile, moist earth . . .

I came upon an oak leaf that had fallen onto the path at my feet. It's red color surprised me and I became aware how color could arouse my senses. I still remember that leaf.

Later the class went among tall reeds and cattails by a pond. It was there that I saw a snake slither by, gliding in the water, wriggling rapidly while holding its head up. I thrilled at the sight and also the slight danger of something foreign, mysterious, and alive arriving out of the deep dark water.

The visit was over after a few hours and we went back to school. I do not remember the school as clearly as the sights and sounds of that day in nature.

At the Rio Grande, as I relished the nostalgia of that memory, I stopped to gaze at the red leaves, while listening to the river flow and feeling the sun warm on my skin. Hiking back to unpack gear and make a painting, I trampled among sage bushes. They released an indelible pungent aroma that had a medicinal effect on my senses and mind. 

The painting flowed through me the same way as the memory.

Rio Grande Gorgeous, oil on linen, 14 x 18 inches

Portal To Another World

 
One of my favorite subjects to paint and photograph is water. Why? Mostly because it is fluid and reflective. The water molecule is made of 2 hydrogen and 1 oxygen atoms. When they are bound together they form a very flat surface with the oxygen and hydrogen alternating in the same direction. This is great for causing photons (light particle) to bounce off in a consistent direction. They bounce because water is denser than air. Water is much flatter and smoother than most surfaces. You see reflections in water but not, say, sand, for the same reason you see your reflection in a polished piece of steel but not a rough-sanded piece of steel. All materials reflect light to some extent, but a rough surface scatters the reflected rays in all directions, so reflected images are blurred beyond recognition. On the other hand, with a very smooth surface, all the reflected light rays stay arranged in the same way they were arranged before hitting the surface, (except for being flipped into a mirror image, of course).

If the water is flowing rapidly, there is little reflection because the surface is not flat. Usually it picks up some surrounding colors, especially the sky. I have had fabulous outings in autumn, when the blazing fall colors are reflected in rivers.

Last fall I was living in Venice, Italy, the magical city built upon water. Some of my favorite photographs are of reflections. With the slightest movement on the water, the images shift and distort—a portal to another world.

A Tinge Of Sad Feeling

There is something about the dying of summer bloom and leaves falling from trees—scurrying to oblivion in cold autumn wind. . . that brings a tinge of sad feeling. Oh, beautiful colors bring delight to the eyes, and often, after a cold night, the air warms to perfection, but there is no holding on; winter comes and with it cold death. 

The beauty to all this is renewal. We know that life comes back again in the spring and with it a new face of youth. And this is the stuff of poetry and art: the wheel of life, death, and resurrection. The eternal working of the Creator in His Cosmos.

Autumn Song
Dante Gabriel Rossetti (1883)


Know’st thou not at the fall of the leaf
How the heart feels a languid grief
   Laid on it for a covering,
   And how sleep seems a goodly thing
In Autumn at the fall of the leaf?

And how the swift beat of the brain
Falters because it is in vain,
   In Autumn at the fall of the leaf
   Knowest thou not? and how the chief
Of joys seems—not to suffer pain?

Know’st thou not at the fall of the leaf
How the soul feels like a dried sheaf
   Bound up at length for harvesting,
   And how death seems a comely thing
In Autumn at the fall of the leaf?

An Overnight Trip

If I wake with a feeling of sadness, and during the day I panic with a sense life is ending, well, it may be because summer is over and nature is shifting into the season of death for all things green and deciduous. The days grow shorter and the air grows colder.

"Cliffs and Lake" oil on linen, 12 x 12 inches

Heidi Of The Mountains and I took an overnight trip to a beautiful lake and camped out in my van. We do not need much to make us comfortable. All we had was a foam pad to sleep on and an overhead light. Most of the other campers were in expensive recreational vehicles with all the luxuries . . . but that distinction did not help one couple who were several sites away in their RV. After the sun sank below the horizon and darkness fell upon the land, they began fighting and the altercation escalated to what sounded like blows and screaming and crying. 

"Heidi's Mountains" oil on canvas, 11 x 14 inches

It is wonderful to paint outdoors. The first step is to find a location that offers the right view. This can take time . . . to search the landscape for the right elements and perspective to make an interesting and captivating composition. On day one, I made a painting of jagged cliffs at the lake edge. Heidi is becoming an ardent artist and stayed behind at the camp site, choosing a different view to a distant mountain. The wind picked up and we both had our painting knocked over. Mine blew down at the start, before I had begun much work, so I secured it better, resumed, and was able to finish. The wind blew Heidi's into her, and ruined it so that she had to begin again. In the end, she almost cried with frustration since the piece never regained its likableness and she had to throw it away. 

The next day, we decided to paint in the morning before the wind came, and we both came up with artwork we fancied.

"Bluffs at Ghost Ranch" oil on canvas, 20 x 20 inches

To see more paintings go to Steven Boone Paintings

The Miraculous Cycle

Aspen Glory, oil on linen, 36 x 48 inches

The earth is tilting further away from the sun each day as the northern hemisphere enters the autumn season. All the plant life is responding to shorter days and cooler temperatures. Leaves are changing colors on trees that will soon be bare, and plants are busy casting seeds from spent flowers, ensuring that come spring, progeny will come forth to repeat the miraculous cycle of life.

I enjoy the cooler temperatures and changing colors, and relish the autumn season before it gets too cold. Especially, my artist eyes are dazzled by color. Here in northern New Mexico, the greatest display of color is found in the masses of aspen trees that grow on the mountainsides. They are called “quaking aspen,” because their small, heart-shaped leaves tremble at the slightest stirring of a breeze, and the light reflected off the leaves dances. In autumn, their color changes from pale green to brilliant gold. Because the aspen share a root system, they grow closely together, and the creamy white trunks shoot straight up in the air up to 100 feet. It is awesome to see entire mountainsides covered with aspen, shimmering golden before deep blue skies.

It is a favorite subject of mine to paint.

Autumn Path, oil on canvas, 12 x 16 inches

 To see more artwork, go to The Steven Boone Gallery, or Steven Boone Fine Art.

Autumn is a second spring when every leaf is a flower.  ~Albert Camus, (French, 7 November 1913 – 4 January 1960)

Witnessing The Sudden Change

The adventure to Colorado began in earnest when my partner, Heidi of the Mountains, and I pulled off the road between Albuquerque and Durango to rest a moment and pee. A spectacular profusion of chamisa bush bloomed bright yellow in the late afternoon light, and as I exclaimed aloud in delight and dropped my zipper behind a tall bush, a distinct warning sounded. I looked to my side and barely a couple steps away a rattlesnake stood coiled, rattling its tail and staring at me. I remained relaxed, then after finishing my routine, I thanked the creature for the heads-up alert and left.

From past experience, I judged that the fantastic changing of the color of aspen tree leaves would begin the second week of September. Here in Santa Fe, because we are further south, the change is usually first week of October. The “quaking” aspen is Colorado’s state tree and the name is ubiquitous and used for towns, hotels, restaurants and more. Aspen leaves turn golden yellow when conditions are right—shorter days and cooler temperatures—and can be seen en-masse on mountain sides since they grow in clusters, sharing their root systems. The display is only one week long, and it is difficult to pinpoint start and finish times. I felt crestfallen discovering that most of the trees were green when Heidi of the Mountains and I arrived in Ouray, sometimes called the “Switzerland of America”. I kept wondering how I could have misjudged the seasonal change, but determined to enjoy the moments anyway and said to myself “what you see is what you get!” I produced a painting in the countryside and made the aspen trees golden rather than the green that I saw.

The day I painted, we hiked and took a trip to Telluride where a blues festival was happening for several days. The town is in a fantastic setting and has good shopping and easy access to fun outdoors activities.

On Saturday, Heidi of the Mountains and I rented a jeep and headed to stark and unforgiving territory, on roads only accessible by all-terrain vehicles. Surprise! As we left town, whole hillsides had turned golden; seemingly overnight. In the morning light, it seemed as if nature had flipped a switch and turned on the color. The natural performance dazzled the senses and confounded the mind. Witnessing the sudden change turned my disappointment into joy and came as a gift: to be amidst the change as it occurred. Our jeep took us to dramatic places above 12,000 feet altitude, and along the way, the aspens blazed upward until they reached the end of their climatic comfort zone and where only fir trees grew. Higher up, in tundra regions, only small plants existed among the rock.

At times, the roads were so rocky and broken that the jeep rolled wildly from side to side as we inched our way along. Drop-offs were steep and perilously close to the narrow trails. Heidi of the Mountains insisted several times that I stop to let her walk rather than be in the jeep. We became lost a couple times but the views were so fantastic, I hardly cared. At the end of the day, we chose a route home that proved to be perilous and although I tried to assure Heidi of the Mountains that I would not let anything happen to her, she broke down crying. When we made it to the smooth highway, she was mad at me, but I could only say, “Look, Stevie has brought you back safe and sound! He won't let anything bad happen to Heidi of the Mountains.”

Our last day was spent hiking near Silverton. I returned to the same trail I had been on three weeks earlier with my ex-wife Jean and daughter Sarah. It is a hard hike from 9000 feet up to a lake basin area over 12,000 feet. Now, the aspen trees blazed gold colors along our mountain trek and when Heidi of the Mountains and I at last, with sore and trembling legs, gasping and out of breath, reached the top of our climb, an exquisite pristine and incredibly blue lake in a lovely basin surrounded by peaks dazzled our eyes. That evening we finally reached home at 11:30 PM exhausted but satisfied that we had experienced the fantastic.

I took many photos on this trip, and will share them after I have sorted and processed the best.

What Poets Write About

Winter is an etching, spring a watercolor, summer an oil painting and autumn a mosaic of them all. ~Stanley Horowitz

I feel fortunate to live in a place with spectacular natural beauty, light that is sharp and clear, and seasons that change dramatically. Now, in the days of autumn, I have been working in my studio, getting ready for my upcoming mixed-media photo show October 16, called The World Is One Country. Yet the outdoors is so fantastic, I often leave to go hiking and painting.
A few days ago I hiked with a friend in the mountains. We parked by a stream and followed it down the mountain. The sun shone in a blue sky while the air felt brisk and chilly until we heated up from exercise and the extraordinary beauty all around us took our minds from any discomfort. The trail wound along beside the stream, sometimes forcing us to cross over by hopping on rocks or walking over fallen trees. There were obstacles in our path but as my friend said, “This is so much better than Disneyland!” The colors took my breath away more than the exertion of the hike. The evergreens had their usual deep hues, but the plants on the forest floor were all turning into blazing flames of yellows and reds. Perhaps most awesome are the aspen trees, sometimes called “quaking aspens” for the way their small, heart-shaped leaves quiver in the breeze. Now, the leaves are the color of gold, and when they quiver in the sunlight, they sparkle like gems—whole mountainsides of incandescent celebration.
Experience of nature in its pure state is what poets write about and artists try to capture. But the Creator of the universe is far ahead of our imaginings, and His work is testimony to His greatness which is well beyond human approach.
Once the last tree is cut and the last river poisoned, you will find you cannot eat your money -American Indian Proverb