Red Leaves

Deep within the vault of my memories, full now with six decades of life, is an episode of rapturous wonder, thrill, and happy connectedness. Veiled and buried with so many other memories, once in a while it comes to mind, as it did the other day.

Late summer is now shifting into the autumn season, and the colors have been summoning me to paint outdoors. Temperatures begin cool and become balmy. One day I drove about an hour out of the city to one of my favorite places; the Rio Grande Gorge. Following the twisty, softly flowing river through volcanic rock canyons, I found a scenic area by a bend. I climbed out to scout for a scene to paint, and took my camera. Amidst tall reeds at the river edge, the only sounds were the gurgling of water and paddling of ducks congregated on a log by the other side. Among the green shrubs and brilliant yellow blooms, I spotted some crimson leaves—a sure sign of the autumn. It was the red foliage that jarred loose the buried memory, so pleasant and nostalgic.

When I was but six or seven years old, beginning school in La Grange, Illinois, (a suburb of Chicago) the class went on a field trip at the beginning of Autumn. We drove out into the country to a nature preserve. The weather was perfect—blue skies and the lingering warmth of summer coming from the earth. Colors of nature were already changing. Several teachers watched over the group of children from various classes. A sense of happiness and love pervaded the day. Something thrilled me and touched my soul with wonder—to be out of the confines of a classroom, yet with adults who took pleasure along side of me and the other children. The sky seemed so blue, like I had never seen before, perhaps because the colors of the trees and fields were burnished so brilliantly orange, red and yellow. To walk in the grass almost up to my waist and hear it swish, while smelling the aromas of plants and fertile, moist earth . . .

I came upon an oak leaf that had fallen onto the path at my feet. It's red color surprised me and I became aware how color could arouse my senses. I still remember that leaf.

Later the class went among tall reeds and cattails by a pond. It was there that I saw a snake slither by, gliding in the water, wriggling rapidly while holding its head up. I thrilled at the sight and also the slight danger of something foreign, mysterious, and alive arriving out of the deep dark water.

The visit was over after a few hours and we went back to school. I do not remember the school as clearly as the sights and sounds of that day in nature.

At the Rio Grande, as I relished the nostalgia of that memory, I stopped to gaze at the red leaves, while listening to the river flow and feeling the sun warm on my skin. Hiking back to unpack gear and make a painting, I trampled among sage bushes. They released an indelible pungent aroma that had a medicinal effect on my senses and mind. 

The painting flowed through me the same way as the memory.

Rio Grande Gorgeous, oil on linen, 14 x 18 inches

Murmuring Sweet Nothings

Cottonwoods at River Edge, oil on linen, 14 x 18 inches, by STEVEN BOONE

To be a landscape painter is is to marvel at the beauty of nature and be its lover. An artist can stand in one spot for hours, looking fondly at his subject . . . caressing endlessly with his eyes, and murmuring sweet nothings.

There are two spectacular fall happenings here in Northern New Mexico. The first is the changing of aspen trees. Aspen are known to be one of natures largest phenomena, since many trees are in fact one—they are a one root system, spreading and sprouting up out of the earth in mass, covering mountain terrain. The “quaking aspen,” are called that because their small heart-shaped leaves tremble and shimmer in a breeze. They turn vibrant gold in the autumn. Here in Santa Fe, entire mountainsides blaze with their color. The show lasts about two weeks. 

About the time that display ends, another is beginning. The mighty cottonwood trees that need more water and grow along the Rio Grande River turn bright yellow. The cottonwood is one of the largest hardwood trees in North America, with thick, fissured bark, and leaves that are flat and diamond shaped. I love to listen to the leaves when they have turned dry and brown, and some remain on the tree. When a breeze blows, the leaves bump each other and make a pleasant clacking noise.

 Yesterday, Heidi Of The Mountains worked half a day at a local art gallery, then came home and we packed up the car to go out painting. We drove north, toward Taos, and at one point the two lane road enters a narrow canyon that follows along the Rio Grande River. And this is where cottonwood trees live. They make a breathtaking display in the brilliant New Mexico light, especially on clear days when their boughs form a fan shape of golden leaves that shout with glee against the deep blue sky. The canyons, purple and grey, and spotted deep green with low lying juniper and pinon trees, lurch downward toward the blue Rio Grande River—and this completes the scene. 

Heidi's River, oil on board, 9 x 12 inches
by LORI BOONE

We found our spot, set up our easels and painted. My wife had never painted a river before. I have thirty years of practice. Once started, she went non-stop until I looked behind and saw that she was half done while I was only beginning. This is her enthusiasm that makes her throw herself into something with all her weight. I relaxed, and let myself be led by pleasure and the dance of my nervous system playing with the paints and making song with colors and brush.

The air temperature was perfect, and the gurgling river accented the silence. Nature blazed all around, giving itself to seed and glorious sight—swooning at the end of gay summer and the entrance of frosty winter. Before long, the shadows had lengthened and the sun was setting behind the plateau. We stood back and examined our efforts, gave thanks for a satisfying adventure and headed home.