Showing posts with label Mankind. Show all posts
Showing posts with label Mankind. Show all posts

Sunday, December 22, 2019

Gentlemen


At the corner of a public parking lot on Water Street, adjacent to an expensive downtown hotel is a small stone fountain with patio and stone benches. It is where vagabonds hang out. The parking lot offers public toilets. I have passed by the motley congregation many times because my little gallery is in a building nearby. They don’t harm anyone, but sometimes show signs of mental instability—talking to themselves or shouting. They are disheveled, unkempt—mostly men, but sometimes females are in the midst. 

It would be easy to write this band off as vagrants and ne’er-do-wells. But something remarkable happened not long ago that confirmed the fact that we cannot judge people.


The circumstances involved my wife Amy. She said, “I work downtown, but park at the free Capitol lot and walk the blocks to the Plaza. I was schlepping several items and as I approached Water St. Parking lot, I set my bags down to rearrange them for easier carrying. I was running late . About an hour later, I wanted to make a phone call , but discovered my purse was NOT anywhere in my possession. I had gone to the bank prior to coming downtown and had taken out 600.00 to purchase tires for my car. My wallet contained all my credit cards and I.D. ...I was horrified. I ran outside to Water St. near the lot—the last place I recalled seeing my purse. I realized the odds of it lying there were 0 to none. Three homeless men were sitting near the area. At first glance, my heart sank. I asked them if they had seen a blue purse, which I may have left near the place where they were seated? "Why yes, we took it to the shop across the street for safe-keeping." I ran into the shop, and after a brief Q and A from the clerk, I had my purse back! Not one cent was touched. All cards and ID were there. The phone, too. I crossed the street and gave them each some cash in thanks. One replied, " People don't acknowledge us as human, when actually...We are gentlemen.”

I spoke with two of the fellows, Leaton, in the picture above, and Robert who said he found the purse. "I was startled seeing all the 100 dollar bills! I am not interested in a reward or recognition." 

There is love abiding in these beings, though it may not be apparent at first glance.

"…consideration shown to the poor is one of the greatest teachings of God."

"Join yourselves to those who work for the poor, the weak and the unfortunate; this is greatly to be commended." – Abdu’l-Baha


Sunday, January 13, 2019

Eager To Be There


Before Amy and I set foot in Madrid, Spain, I was already eager to be there. It is one of the great destination cities of the world for many reasons, but I hungered for the art in its museums.

I grew up in metropolitan areas, especially Washington DC where there is a plethora of world-class museums. Furthermore, my travels have taken me to wonderful art museums around the world. Usually I am in my hometown of Santa Fe, NM. It is an art mecca in its own right, but this is because of living artists that work and exhibit in its galleries. My gallery is in Santa Fe.

There are three fabulous museums in Madrid that are above the others: The Prado Museum, Museo Nacional Thyssen-Bornemisza, and Museo Nacional Centro de Arte Reina Sofia.
We went to all three during our week in Madrid. There are many highlights in each that would take pages to describe.

Center panel



Left panel
Right panel
The Prado Museum is the most famous and has the richest collection of art in Madrid. There are always lines of people outside the doors queued at the ticket booths. We bought our passes online and did not wait long to enter. The first room we went in was devoted to paintings by Hieronymus Bosch, ( Dutch, c. 1450 – 9 August 1516) described as a “hugely individualistic painter with deep insight into humanity's desires and deepest fears." A crowd stood in front of perhaps his most famous work, The Garden of Earthly Delights. We were able to edge our way in front of it and stand mesmerized, studying its mysteries.  The painting is full of curious, magical and meticulously rendered imagery and to me, was worth the price of entry if only to stand in front of it. “The inner centerpiece is flanked by heavenly and hellish imagery. The scenes depicted in the triptych are thought to follow a chronological order: flowing from left-to-right they represent Eden, the garden of earthly delights, and Hell. God appears as the creator of humanity in the left hand wing, while the consequences of humanity's failure to follow his will are shown in the right.” -Wikipedia.

Museo Nacional Thyssen-Bornemisza is a gem of a museum and incredibly, built upon the collection of one family. When we went, there was an in depth exhibit featuring the work of Max Beckman, one of Germany’s leading 20th-century artists and among those the Nazi’s mocked during the infamous Degenerate Art Exhibition (Munich, 19 July to 30 November 1937). But the knockout that was worth the price of admission was a gem by Rembrandt, Self-portrait wearing a hat and two Chains (ca. 1642 - 1643.) Rembrandt painted numerous self-portraits throughout his long career and this is among his finest. I was impressed by the excellent condition the work is in. Lushly painted in a style that many have copied since but none have achieved, the painting breathes—as though you stand in front of Rembrandt and are in conversation with him.



Another day, from our Madrid downtown apartment, we walked to Museo Nacional Centro de Arte Reina Sofia. It is the “modern” art museum. There, we found one of Picasso’s most famous paintings; Guernica. He painted it in Paris in 1937 in response to a vicious bombardment on a Basque village in northern Spain just prior to the outbreak of WWII. Although the piece is immense, measuring 11 feet high x 25 feet wide (349.3cm × 776.6 cm (137.4 in × 305.5 in), a crowd stood in front. It is absent of color, but profound and absolutely daring—“regarded by many art critics as one of the most moving and powerful anti-war paintings in history.” — “for Picasso: ‘The women and children make Guernica the image of innocent, defenseless humanity victimized. Also, women and children have often been presented by Picasso as the very perfection of mankind. An assault on women and children is, in Picasso's view, directed at the core of mankind.’ (- See article)


Amy and I felt as though Picasso painted our emotions about conflict and its disastrous result.


While Picasso was living in Nazi-occupied Paris during World War II, one German officer allegedly asked him, upon seeing a photo of Guernica in his apartment, "Did you do that?" Picasso responded, "No, you did."

Saturday, July 14, 2018

The Earth Is One

 It is a rite of passage each year in Santa Fe, New Mexico. The second weekend in July brings artisans from all over the globe together for an extravaganza of popular, of-the-people art: the International Folk Art Market.

People come from far and wide converge on the grounds of Santa Fe's Folk Art Museum. I love most having the unique opportunity to see artists from places I might never visit, dressed in their native costumes and gathered in one place amidst all of their artwork. Tents shelter everyone from the sun.

I ask people and they are usually delighted and honored when I take their photograph. Then I see what Baha'u'llah meant when he said, The earth is one country, and mankind its citizens.

Saturday, September 23, 2017

Foreigner Gives Way To Friend

I had wanted to be entertained with some laughter before bed, so planned to watch the opening dialogue of The Tonight Show with Jimmy Fallon. The TV opened on the Public Broadcasting Channel, where I sometimes go to watch the news. The documentary Vietnam, by Ken Burns was playing on PBS. Immediately the film mesmerized me. Although thinking, "no jokes here, not funny," I could not turn away.
There are ten segments to the 18 hour broadcast.

On Dec. 1, 1969, my senior year in high school in Washington DC, the United States held its first military draft lottery of the war. It gave young men a random number corresponding to birthdays—366 per year. Those with lower numbers were called first and told to report to induction centers where they could be ordered into active duty and possibly sent to fight in Vietnam . When the draft started I was too young, but by 1971 I received a draft number 105.

In 1970, when I finished high school I wore my hair long, occasionally smoked pot and considered myself a hippie. I opposed the war in Vietnam. In 1971, my first year at University, I became a member of the Baha'i Faith. The teachings required members to obey their government, but in case of war to serve as a non-combatant, such as medic. The summer of 1972 at an enlistment center in DC, I registered as contentious objector. Thankfully, the war wound down and ended shortly after. I felt a clean conscience, knowing I would not evade duty even though the war repelled me.

The period of war gave rise to stark divisions in America. I knew almost nothing of Vietnam or its people. The slogan "Make love not war" was a common counter-culture refrain on the street. I was against the military/industrial complex.

In 2008 I traveled to Vietnam and spent almost a month, going overland from Saigon (now called Ho Chi Minh City) in the south to the northern capital of Hanoi. I made some close friends and felt warmth among the people, despite being American. ( See my blog post : Beauty and Adventure ).


The next year I went back. ( Mister, What Are You Looking For? )



The documentary brings up many emotions for me. Having been to Vietnam and come to love its people, I can't imagine warring with them.






Mankind is one family. Foreigner gives way to friend when we seek to understand and put aside differences in favor of the stronger bonds of unity.