Art Collectors

The couple strolled through The Steven Boone Gallery front door like a spring breeze blowing in the April air. They checked to see if the little painting they had seen the day before was still hanging. Yes, and then the gentleman looked at me to say, “We want this, and will you sell it without the tax?” They went on to mention that they had a big painting of mine already. I replied, “Since you are collectors, I will be happy to pay the tax myself.” 

I am not usually in the gallery, so I am pleased to have met this couple . . . I enjoy having face-to-face experiences with collectors of my artwork.

The painting they bought is one I made outdoors in the autumn of a little country chapel in the high plains of New Mexico. (See Gushing Waters). They spoke of their extensive art collection and I remarked how wonderful it must be to visit their home, and what a delight for their friends. 

These days, as the temperatures warm and the air is balmy, we can leave the front door open so that people on the street can simply walk inside as they tour Canyon Road. Artwork hangs on the wall outside as an enticement, and the folks are like bee's attracted to flowers.

The Beautiful Landscape

"Old Adobe Wall" oil on canvas, 12 x 16 inches,  1986

I dream of painting and then I paint my dream.
Vincent Van Gogh (Dutch: 30 March 1853 – 29 July 1890)

Painting completed my life.
Frida Kahlo (Mexico:July 6, 1907- July 13, 1954; born Magdalena Carmen Frieda Kahlo y Calderón)

The beautiful landscape that is all around me begs to be painted. Often, here in Northern New Mexico, my senses have been filled to overflowing by the poignant colors, shapes and forms, illumined by pristine, arid light that subtly changes from morning until night. Being an artist for over thirty years, I have chased after the beauty I see, and sought to capture it on canvas.

"Abandoned Ranch Road" oil on canvas, 20 x 20 inches, 1994

When I graduated Art College in 1976, I left the east coast and went to New Mexico because I knew I wanted to live in the wide open spaces, and I had heard that an art colony already existed there. I arrived in Taos and was introduced to some famous artists. Eventually, I migrated to Santa Fe and managed to establish myself as an artist. Mostly, I am known for my landscape paintings. I also paint portraits, still-lifes, some abstracts, and draw. Photography, mixed-media, and writing are other creative pursuits . . . yet, my landscape paintings are most popular.  Here are some samples from the past decades.

"Church At Ocate," oil on canvas, 1995

Painting from nature is not copying the object; it is realizing one's sensations.
Paul Cézanne  (French: 1839–1906)

"Rio Drama," oil on linen, 48 x 60 inches,  2011

When I am in my painting, I'm not aware of what I'm doing.
Jackson Pollock (American: January 28, 1912 – August 11, 1956)

"Path to The Sunset," oil on linen, 48 x 60 inches,  2012

To see more, go to the website for Steven Boone

An Emotional Link

Leo Tolstoy (September 9, 1828 – November 20, 1910) thought that art must create an emotional link between the artist and audience. Usually, an artist creates his art, then it goes forth into the world to be appreciated—or not. Most often, connoisseurs act as middlemen, promoting the creation to the public, and if they sell the art, they make a profit. Usually, the artist works alone and never meets the purchaser of his work.

Now that I own The Steven Boone Gallery, I have the pleasure of meeting the people that appreciate and buy my art. It is mutual happiness. The collector is choosing my work to include in the intimacy of their home surroundings, so they are glad to meet me and become friends, and I am pleased to get know those who value my work and are willing to purchase it.

Previously, I made paintings, and then delivered them to galleries for exhibition. Most often, when a work sold, I only heard about it and later received payment. I could only imagine the collector and their prompting. Now, I shake hands and look into the smiling faces of people, and then take time to converse and become intimate with them. It is a fuller experience, so that we can enjoy and remember each other. When the buyers take my art into their home they have a richer association and knowledge of it’s origin after having met the creator. The value for me is that when I make my art, I put all my self into the creation, and letting go of it is bittersweet. Knowing firsthand where it is going to be cared for, and seeing the depth of feeling and intellectual satisfaction that it gives is rewarding for me.