Artists are often reluctant to interpret their work when asked. A reason
could be that the artwork is like a child and the artist the parent.
The parent does not want to interpret the child, but rather have the child speak.
Hand of a Muse, mixed-media on panel, 20 x 16 inches (50 x 40 cm) |
Furthermore, often there is great mystery in creating art—and it is not easily put into words. Accidents come into play (that are not accidents at all), and the art seems to breath and have a life of its own. Sometimes I finish a piece and when standing back to look, I catch myself saying, Wow, did I do that?
I have been making three-dimensional
art recently and often, hands are included. The one shown here is
new. I wanted to use a hand with forearm. It had to be situated so
that it expressed itself. I had the thought that it could be dragging
colors with fingertips across the white ground. To cover the arm, I
had the idea to use pieces of broken mirror.
As I broke a mirror into bits with a
hammer, a piece struck me in my left eye. Ouch! Then I
thought, How stupid of me. Why was I not wearing eye protection? Thankfully, I did not
need to go to an emergency room and my eye was not cut. That was
several days ago and it is still sore. I wonder
why my left eye was injured (everything that goes wrong with me or
suffers injury is on the left), and I also ask if it was fate that by
breaking a mirror, which held my image, I would feel torment? Oh well, as they say, "No pain, no gain."
Now that the art piece is done, I will make an attempt to interpret it:
The white rectangle ground represents
purity of space. White contains all the colors. The hand represents human endeavor, and art. It is
interacting with the white, bringing forth colors that plays from fingertips.
Color is
vibrant life, like the inner life of an artist. The bits of mirror
reflect light and the real world. They are broken in fragments, but recreating to be part of a whole—coming together to be part of the magic artist that is expressing inner life like reflections in a mirror.
As I finished, I decided to pour white over the colors streaming from the fingertips, to soften their notes, and further the mystery of coming forth from an enveloping matrix.
As I finished, I decided to pour white over the colors streaming from the fingertips, to soften their notes, and further the mystery of coming forth from an enveloping matrix.
One day I noticed that I could go on working my art motif no matter what the weather might be. I no longer needed the sun, for I took my light everywhere with me. (Georges Braque)
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