Sign From Spirit

I usually say my obligatory prayers before bedtime. It is a Baha'i tradition to recite Allah'u'Abha, which means God is Most Glorious, ninety-five times at least once a day.

Yesterday was a full day and I was tired from preparing for a trip to do an art festival in Oklahoma City, Oklahoma. As I sat on a wood chair in my kitchen saying the phrase (as I have done forty years now), I was looking down and noticed a small black beetle at my feet that seemed  to appear out of nowhere, walking slowly as if feeling its way about. I was barefoot and watched it go to my foot. I finished the prayer, rose and went in my bedroom to fall sleep.

In the morning I dressed, and went for my Sunday ritual of getting the New York Times, coffee and pastry, then reading at a table in the cafe. Afterwards, I went to my spa to swim.

After taking time in a steam room and swimming laps, I showered and was dressing in the locker room when, as I pulled my leg through my pant, I felt something—and out came the little beetle. It hit the floor with a click of its shell. I was surprised and amused. It walked along the edge of the locker room wall and stopped. I finished dressing, then bent low to scoop the critter up. It was not moving and I thought, "Must be praying for guidance." It tried to crawl away from my grasping fingers but I got it in my palm and closed around it. As I walked outside I felt the creature moving in my hand, but did not let it go until I reached a lilac shrub where I set it free.

I think the beetle appeared because of prayer and being a sign from spirit. It is a spirit guide harboring a message for me and encouraging me on my path. I am on the verge of transformation and also traveling.

"As a symbol of the spirit, the beetle carries messages that bring our attention to renewal, spiritual maturity, and the powerful influences of the invisible side of life." See: beetle symbolism

Thankful For Confirmation

Recently an art collector called to give her credit card information so that she could finish paying for a painting I made in Venice, Italy. The subject is a lovely stone bridge with decorative iron railing spanning a canal. A restaurant with outdoor tables is in the background. I lived in the neighborhood where I painted it.

When the client bought it from my gallery in Santa Fe, New Mexico, USA, I was in Ecuador making art, photographing and writing. At the time, I remember being thankful for confirmation that I could live the life I love.

While the collector was on the phone with me, she mentioned another painting of Venice she had seen on my website. It is of a gondola passing under a stone bridge. We talked, and now she is buying that as well. Add this to the painting I sold to American collectors who visited my apartment in Venice during my sojourn there and that more than pays for the entire trip.

Today I felt great gratitude knowing that higher powers are in play. I throw myself at the feet of Divine Fate with absolute trust. It is a happy activity. I am very thankful that I live my passion with trust—and see results.

At another moment today I heard myself say, “Thank you Lord for what you give, and thank you for what you take away.”

To see more Boone art click: Steven Boone

Power In A Picture

The expression, “One picture is worth a thousand words”, has special meaning to me as an artist—most of my life is visually inspired. I have stood painting in silence for countless hours. No words transpire but the pictures that arrive speak volumes.

In silent wonderment I have experienced the earth in its many mysterious expressions. In my archives are tens of thousands of photographs from many travels around our globe. Occasionally I come upon one that warrants a closer look. The photo from Agra, India, included here, is an example of a picture that can elicit a story:

It does not matter who the figure in the foreground is, she is everywoman. Standing on a balcony, dressed in a simple and elegant white sari, her flowing robe disappears into the dark shadows surrounding her. Her hands rest on a protecting barrier that offers safety from accident. If she were to fall she might die. She is wrapped in thought and reverie, pondering her life on the threshold of a dream. The place she stands is remarkable, at a ledge—as if at the prow of a grand ocean vessel, taking her forward into a vast unknown. She is above the fray, at the level of the treetops where birds sing and monkeys play among the limbs. How has she arrived at this moment in time? Where will she advance next? Maybe she is simply breathing in the moment with no care to the past or future; exhilarated being on the edge of something bigger than her.


Behind her head are many rooms. Each is connected, has its own vantage and holds its own integrity. All are part of a greater whole, yet are independent. They could be storehouses of her mind. And when she has passed through each of them, she will arrive at a tower that is not limited. It is above all, and offers a viewing point that is not circumscribed. It is a place of clarity and peace. But it is not easy to arrive at.  Many doors lead to it.

Our woman is in her process. She stands in shadow but is robed in white. She is on a journey of many levels in a place of wonder.

These are the words that come to my mind as I ponder the image. The story can extend to a thousand words . . . this is the power in the picture.

Mystical Place Of Meeting

 

About a month ago I was sleeping in a tree. My room at the village of Olon along the Pacific coast of Ecuador was built ten feet off the ground around the trunk of a tree that came through the center of the floor and up through the roof. Ocean waves surged toward me and with but a few steps, I could throw myself into them.

At night, with stillness all around, the sea kissing the shore lulled me to sleep.

Land is a barrier for the sea. And the sea is likewise a barrier to land. They contain each other. The two have made poetry since the beginning of life on earth.

Now I find myself at home in Santa Fe, New Mexico, USA . . . high among mountain ranges, and far from any ocean. The vast sky kisses the earth in silence. At sunset, the drama where the two meet can be spectacular. Just as the ocean called me to leap in and engage, so the drama of sunsets calls me . . . and I go to witness the mystical place of meeting at the most special of moments.

The Dancing Feather

 

A dancer and ballerina met in a dance company and quickly fell in love. When they danced together it was if a grand drama played out between them, captivating everyone who witnessed their mesmerizing performances.

They lived together in a chalet outside of the town where their company kept its theater. Both loved nature and longed to set their sore feet into the soft earth somewhere far off and secluded. Their housekeeper told them of a place she had visited as a child that was forested and where magical birds sang incredible songs from the tree tops. She had dreamed of it later in life and always when she arrived she was a child again.

So the dancer and ballerina set off to find the woods and venture barefoot into its meadows. They rode their horses all morning and into the afternoon. The air was perfect, the horses strong and they so enjoyed each other that time went by without notice.

Suddenly a light breeze came to ruffle them. A beautiful feather flew by, then came back and flew past again. The horses ears perked up. The feather played in the wind just in front of their surprised eyes. "Let's follow it" cried the ballerina. They galloped after the soaring feather into a deep forest. Of a sudden the feather shot up in the air and disappeared.

The two got off their horses, took off their shoes and sank their feet in the cool grass and earth. "It feels magical here." said the dancer. The fresh scent of earth and forest, the sparkling bird songs, the peaceful quiet that had come over the horses—led them into a happy trance.

They sat by a brook to refresh their feet in the gurgling water. Without speaking, the two sat in reverie. At last, the ballerina looked around and did not know where they were. "How are we going to find our way home?" Her companion was lost in dreaming, and did not answer. A bird flew down and landed on a limb nearby. It cocked it's head to see the ballerina, chirped and flew away. The ballerina followed it as it fluttered into the forest and suddenly faces began appearing from each tree trunk. She grabbed her companions arm. "I see faces in the trees!" The dancer had his eyes closed and was smiling. "Yes, I know. They are the ancestors."

Then one of the tree faces spoke. "We are glad that you two have found us. We know your love of life and dance, and that is why we sent the dancing feather to bring you here. You are now refreshed and though you think you are lost, you are not. You have found magic. By one of your horses you will find a small stone box inlaid with pearl and garnet. Open it and you will find a shell. In the shell is oil. Take this oil on your finger and rub it onto the forehead of your horses. They will take you home." With this, the faces disappeared into the forest.

The day had grown long. The ballerina found the tiny inlaid stone box by one of the horses. She opened it and saw a glistening seashell with oil. Dabbing it on her fingers, she rubbed it on the horses forehead. They shook their manes and danced their hooves on the ground, ready to gallop.

 © Steven Boone 2017 All Rights Reserved

The Lost Archives

A forgotten archive appeared recently on my computer. It was simply titled "Poems" and by chance I found it on one of my backup hard drives. It reminds me of the power words have to heal.

When the folder opened, I discovered my writing from around fourteen years ago. My oldest daughter Naomi died in 1999. She opened and transformed my heart during her struggle with cancer. When she passed away I had become a different person.

A couple years later I regularly wrote poetry to convey my intense feelings.

Here is a sampling of verse that I found in the lost archives:


Nostalgia in a Japanese Garden

In the garden
by the pagoda
a breeze rustles bamboo stalks,
stirs wind chimes.
White blossoms fall
into a dark pond.

When you were here, you
walked slowly on
the stone path,
pointed to glistening goldfish.

The moss has grown
greener since then.


 Nectar

Always a step ahead,
You arrived before me

At the gate. I  hear
hummingbird wings!

There must be nectar nearby.
The scent of jasmine—

Is this a perfumed memory,
Or a vivid hallucination?

A falling leaf reminds me
I am alone in the garden.

As the dazzling light fades, 
The air grows cold.

Barred by my beating heart
From an immutable threshold,

I linger, like some poor dog
Awaiting its master.

Breath 
               
Gathered in your heart
were all the flowers of creation.

With every breath
the angels came
and tended the garden
until its beauty was so great
the world fell away in shame.

Suddenly a fire of longing
came upon you—its
consuming flame leaping forth . . .

You vanished,
leaving only ashes
mingled with
                 the
                   earth.

Broken into One

Along the stream
where we drowned
iris bloom.
(Lovers approach
arm in arm, the sound
of their laughter
mingling with the murmur
of flowing water.)

When we loved, the moon watched
while the scent of pines
dazzled our senses.
Our fierce longing ignited
a flame that sealed our fate.
Throwing ourselves into the water,
we succumbed to the current.
As our bodies dashed
together upon the rocks,
we reached the place
where the ancient songs arise.

(Now embracing,
the lovers listen—
our melody mingles
with the beating
of their hearts.)



BE

Be a falcon
on the wrist of God
excellent in the art
of conquest.

Be a whale
swimming in the primeval ocean
sifting mysteries from
fathomless deep.

Be the wind
soaring above mountains
gathering perfume from the fields,
caressing lovers embracing.

Be a rainbow
that blesses the darkening day
like a necklace of pearls
worn by the bride of the sun.

Be a tree
reaching to heaven
while rooted in one place
a thousand years.

Be a thought
that precedes birth
dancing on the shore of dawn.

Be an emblem
of God’s remembrance
shining light in
deep dark eternity.



 © Steven Boone 2002 -2017 All Rights Reserved

Conquer Mountains

These days I arise before dawn for breakfast. After the sun touches the horizon, nothing passes my lips until night comes. No food or water. The Baha'i fast occurs from March 2 - 20th annually. This is the 46th year for me of observing it.

I always lose some mental quickness and feel cold more readily. Sensitivity to light, sound, smells etc. increases. I get tired during the day and yet thrive on the changes. My mind might complain but my heart and spirit rejoice. The grace and bounties of God come to refresh and renew my being. I do not need to use my mouth.

Instead of craving food, I crave the experience of sacrifice that brings the reward of Spirit.
In a way, during this period I am entering a prison. I realize I am at a disadvantage physically. But also know what I gain, and that imprisonment is temporary. When the fast ends, I have become so accustomed to renunciation during the day that when I see a water fountain, my first response is abstinence. Then I realize I am free, and the enjoyment is heightened. Same with eating. . . it becomes special again.

Meanwhile, I am stronger internally and feel I can conquer mountains.

Echoing Within

The sensory experiences of the Pacific Ocean have come with me 3000 miles (4800 km) from Puerto Lopez, Ecuador to Santa Fe, New Mexico. Though I live in a mountain city far from the sea, I can hear and feel the ocean echoing within. On the coast, the sights and sounds were just outside my door. It was hot, so barely anything buffered my skin from the outside influences. I frequently jumped into the surging waves. Eight days of beach life passed in steady cadence with surging waves pounding upon the shore.

Pacific Coast, Ecuador.

The six weeks in Mexico and Ecuador were all I could have hoped for. Yesterday, at my gallery a woman asked if I had been afraid in Mexico. "No," I replied, "I was afraid before I left!" I was told it would be dangerous, that violence was rampant. The warnings caused apprehension that sought to take hold and create an insurmountable barrier.

Cobbled street, San Miguel De Allende, Mexico

After arriving in Guanajuato City, Mexico, my fears were quickly dispelled. The alarming reports were slanted and not conveying everything true. Yes, I was a "Norte Americano" and a gringo who did not speak Spanish. Yet, I felt accepted and even honored. I made paintings and did street photography, took Spanish lessons and respected the different culture. I wandered about for many hours, walking great distances.

All the while I was in Mexico and Ecuador, so many things could have been bad but were not. The worst experience I had was my own fault.

There is much talk these days of building walls between peoples of neighboring countries. It may be a short term solution, but as the world advances to maturity, the walls will come down and bridges will be built instead.

Where The Heart Is

“Home is where the heart is.” 

Sometimes when I am traveling across the world, I find myself in an exotic place that so captivates me I begin thinking that it has my heart, and why not move to this enchanting place? It has happened several times in Venice, Italy. And in Paris, France, in Luxor, Egypt, Chiang Mai, Thailand, Srinagar in Kashmir, India. Now on my most recent sojourn, I fell for San Miguel de Allende in Mexico, and several locales in Ecuador. 

For the past week I have been staying along the coast of Ecuador. Life is peaceful, the ocean perfect, cost of living low. At The Hosteria Oceanic, in Puerto Lopez, for some reason, I have been the only guest! The staff like me because after all, it is a hotel and people should be here. The manager came yesterday to invite me to go with his family to Los Frailes, about twenty minutes drive. It is reputed to be the most beautiful beach in Ecuador. I had just had a big dose of sun the day before and was recovering so declined to be on a beach for hours, but was touched at his kind offer.

At Oceanic practically everything is to myself; swimming pool, dining area, wide expanse of pristine Pacific coast. I have daily room service, fresh linens, delicious breakfast . . . and at night I find I like eating dinner here too. The cabana is roomy and I have made it my impromptu studio. Just yesterday I was resting on the bed with the french doors open to a breeze. I had finished a painting and was gazing outside past a dangling hammock. I realized I had made a studio and could live like this for about half the cost back home.

For years I have not had an appetite for ownership. All I want is inner peace and freedom to be anywhere I want, but not permanently. When I was in San Miguel De Allende and found myself seriously thinking of moving there while continuing my art path, I stopped myself. 

“Home is where the heart is.” 

 My heart goes with me wherever I am.

Without A Map

“When the baby looks around him

It's such a sight to see


He shares a simple secret


With the wise man


He's a stranger in a strange land” -Leon Russell

Sometimes the best experiences happen for me when I am lost. 

The other day I set out walking in a new direction from my apartment in Cuenca, Ecuador. Usually I head toward the city center with its bustling streets, shops, cafes, grand cathedrals, and corner parks. This time I went in another direction. I went exploring—like Columbus when he set out to navigate the Atlantic Ocean without a map. He charted a course as he sailed.

Cemetery, San Miguel De Allende, Mexico

 The streets were mostly residential and rather unremarkable. Traffic whizzed by in each direction. I came to a corner and spotted a high wall that seemed to go an entire block. In the middle stood a tall gate. On either side were stalls selling flowers. I guessed it was cemetery. I like visiting graveyards in foreign lands. A few weeks ago I ambled about for more than hour in Nuestra Señora del Cementerio de Guadalupe in San Miguel De Allende, Mexico. It was divided between a large part for Mexican interments and a smaller closed area for mostly American ex-patriots. Now I had found a vast, much larger burial ground with three times as many graves. It is called, Cementerio Patrimonial De Cuenca. 

Tombs, Cuenca, Ecuador

  As in Mexico, most of the crypts are stacked in cells of concrete, in blocks perhaps fifteen feet high and hundreds of feet long. Sometimes there are two levels and stairs to reach the top. Each burial site is marked and decorated in front, often with a glass pane protecting the contents. It is by far neater and more orderly than the Mexican graveyard.

I am fascinated by what remains after a person dies, and how they are remembered with fondness. I lost my daughter when she was nineteen and had to find a spot to bury her. She lays at rest in Santa Fe, New Mexico, USA. A simple grave marker of marble is decorated with roses and bears her name, dates of birth and death, and the inscription Blessed By The Glory Of God. 

 

As I walked slowly and thoughtfully, sometimes I would stop to take a picture. Turning a corner, to my surprise often a vista of tombs would spread before me. And almost nobody was there but me and some attendants working the grounds. The air was perfect on my skin and blue sky with occasionally fluffy clouds overhead. I could almost hear myself think.

To my surprise, at one point I found a block of grave cells slightly smaller and noticed they were for the pequeños niños, little children. Stuffed toys were seen in many with endearing notes. Some didn't have date of birth, only death.

An old horse drawn hearse. Cuenca Cemetery.

In the afternoon, I set off in the familiar direction of downtown but angled onto a street I had not been. A long wall two stories high without windows had a small single entrance. A couple were coming out the door. They looked like tourists. I stopped and peeked past the threshold. It seemed the museum was full of religious objects. I was not sure I wanted to pay for entry. It was cloudy and about to rain. Perhaps because I was exploring and not in a rush, I entered. 

Staging of a nun, at work with textiles.

  Immediately I began relishing the place—formerly called Convent of the Immaculate Conception, begun in the year 1599. There are two stories surrounding an inner courtyard open to the sky above. The second floor has an open hall with railing that goes completely around the courtyard and you can look down upon it, with the trees, shrubs and flowers and tidy order of it all. The wood floors and stairs are smooth and polished from wear, as well as the stone floors on the ground level. I imagined all the feet that tread there, and the footsteps of the nuns and sisters. So much devotion had occurred in the spot that I felt blessed being there, as if absorbing spiritual vibrations where the closely knit devotees of Christ for hundreds of years dwelled their hours, years and sometimes, lives. I imagined their tight bound community and the rituals they obeyed in sisterhood. 

San Rafael and Tobias sculptures

The collections are made up of 64 paintings of religious themes and about 250 religious and costumed sculptures, as well as toys, furniture and handicrafts. What particularly struck me were incredible sculptures depicting saints. Made by mostly anonymous artisans, they all had great feeling and conveyed a master touch to bring out devotion in the viewer. A few were playful. Some figures were wood, others fired clay and painted to be lifelike. They might even have human hair and glass eyes.

By the time I left, I had gone slowly throughout the former convent, and taken many pictures. Fully satisfied, I made it home before the rain.

In The Current

I am an artist and particularly notice patterns and textures of life. I can feel blessed and happy even in poor, chaotic environments that would make someone else frustrated and angry. My eyes delight in discolored and cracking walls with paint splatters and drips, graffiti, derelict doorways, shadows and stark light, crowded busses and trains—all hold fascination for me. 

The streets are alive with the activities of man and I jump in the current, taking my photos, making paintings and drawings and constantly being inspired.  

When I arrived in Quito, Ecuador from Mexico, I had to adjust to cloudy weather and very high elevation. Ecuador is home to some of the highest volcanoes and mountain peaks in the world. Quito, the capital, has an altitude of around 9,000 feet, (3,000m). My first experiences were gritty and I was a bit dismayed. But probably tired from travel and needing to adjust. As I dug deeper, more gems appeared from the rough. The historical center is captivating with centuries old architecture, massive basilicas and cobbled streets crammed with shops. I melded in and took street photos. 

A man at Catholic mass, listening to singing.

A great museum experience was Capilla del Hombre (Chapel of Man), devoted to the work one artist: Oswaldo Guayasamin,  (July 6, 1919 – March 10, 1999). master painter and sculptor of Quechua and Mestizo heritage and Native of Quito. 

I did not paint while in Quito for I was in a hotel room and stayed five days. Now I am in Cuenca and will be in the south of Ecuador for about two weeks so will resume painting. Need to find an art supply store first!











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