THE DREAM speaks . . . sings, flows, is air, is water, flux. I am in it and witness, play along as an actor on it’s stage. I am audience to my performance as well—yet I only long for the place of unfolding—not the witnessing, but the unfolding. What is it then to unfold and witness at the same time?
Can moments be slowed? Slowed into singularity so that only one time exists? Cessation of separation, to realize that sleep, waking, work, rest, play, happiness, sadness, success, failure, male-female, God, human, animal, plant,—all are unified in the borderless regions of oneness. -Written from Buenos Aires, Argentina, March 2010
What is Buenos Aires without tango? The night I visited Cafe Tortoni, I went for tango. The Cafe is a classic Parisian style affair, with high ceilings, chandeliers, glistening tile floors, lacquered wooden tables and chairs, and artwork covering the walls. I went right by all this and straight downstairs, into a small dark cavern with tables and a stage. My eyes adjusted to the dark and I could see shadowy silhouettes of people seated, and soon, musicians came to take their positions besides the stage, and begin making the familiar, haunting, chords of tango music. The stage had a backdrop of a cafe, and the dancers arrived, in pairs. The area was small enough to feel intimate, and as if the spectacle was unfolding among friends gathered privately for a night of revelry.
I had my camera, and amid the strident song notes striking the chords of longing and pathos in everyone's hearts, and the stage smoke filtering the colored lights as the dancers strode, strutted, and twirled together, I took pictures.
Since then, I have sold my images from that evening, as prints and large scale mixed-media pieces. One has appeared on the cover of a french language novel.
The Steven Boone Gallery sold a large mixed-media piece today, called Tango Flair, and this is what inspired my blog today.