Now, a half century later, I continue making images that lead the eye into a central location and end in ambiguity. Often, in the beginning, it is an unconscious attraction and only later I see that I have come to familiar territory. Most often the road or path seems to begin underfoot, and travels to a place of disappearance. But it can also be a river or a street . . .
It is as if I am in dialogue with time and travel, and I love symbols of issuance and continuity, even as they go to the mysterious place of vanishing.
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