Sunday, December 09, 2012

Naked

Laoco├Ân and His Sons, Greek marble sculpture, 25 BC
David, by Michaelangelo, Italy, 1501-1504
"Naked came I out of my mother's womb, and naked shall I return thither..."
(The Book of Job 1:21)

Artwork, by its nature and essence, is meant to be shared and provoke reaction. When I post my artwork on Facebook, I am sharing my creativity and passion with a community of friends and acquaintances. Usually, I am posting my landscape paintings and photography. Occasionally, after considered forethought, I may post a nude, but then, I have to appear before the court of moral judgment, (at least in my mind), whereas with the other artwork there is no such hindrance.

Since I have made friends in Muslim countries who are now Facebook friends, I especially do not want to offend them with my nude postings, or for that matter, any prim occidentals.
NU ACCROUPI, by Pablo Picasso, 20th century






In western culture, we are accustomed to seeing wonderful depictions of nudes in art. Especially, ancient Greek civilization glorified the human form in art and rendered fabulous and inspiring stone sculptures idealizing it. As the centuries unfolded, the nude in art came into conflict with religious doctrines, but had sufficient respectability and integrity to withstand wholesale persecution—and thus continue being included in some societies as an emblem of high art. Today, when you look inside of art history books, the pages include many nudes. It seems artists cannot be cut off from the body.
Melody, oil on canvas, by Steven Boone, 2011

Facebook, in a sense, is a universal country. It cannot be dictated by the mores of one sector of the population without the risk of being shut down entirely, as in China or as it is closely watched by authorities in Iran and other fascist type states. Facebook, and other social media sites also have safeguards against pornography, which is a danger to society. The history of the nude in art is not pornography, but celebration of the glory and beauty of our human form—that which is closest to us.


"Art is never pure, we should keep it far away from the innocent ignorant. Yes, art is dangerous. If it is pure it is not art."
 Pablo Picasso, (Spanish; 25 October 1881 – 8 April 1973)

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