Showing posts with label Costume. Show all posts
Showing posts with label Costume. Show all posts

Sunday, November 08, 2026

Between Bandages and Blessings


November 2nd marked the last day of Día de Muertos, and our village of San Pedro Ixtlahuaca, outside Oaxaca, Mexico, celebrates it in a big way. Gathering myself up to go took some doing—I am still recovering from October 22nd surgery.




Amy and I drove the three minutes from our house to just outside the village cemetery, near the town square. A big party was already underway at 7 PM. A brass and percussion band blasted away on a stage while revelers danced, many in masks, costumes, or painted faces. Fireworks shot off with loud blasts, sparklers surged from the stage amid the pounding music, and costumed servers went around giving out cups of mezcal.

Wow, what fun! Even with my bandages.

Two days later was my post-operative appointment. My surgeon took out the stitches and prescribed new medicines to help prevent infection.

“In two weeks it will all be over,” he proclaimed.
Music to my ears!

I am still wearing the catheter, which I complain about loudly but realize is necessary to keep my bladder empty so I can heal. This morning it occurred to me that this strange contraption has probably saved many lives. Anyway, it comes out soon.

Some months earlier, I had submitted my memoir, The Weight of Air, to a literary competition. Having heard nothing, I decided to visit the organization's website and see whether the winners had been announced.

To my astonishment, there was my book, listed as a winner in the memoir category!

I contacted the publisher, who informed me that the Pinnacle Book Achievement Award, presented by the National Association of Book Entrepreneurs, had been announced a month earlier. He did not know why I had never received notification.

What made the discovery especially poignant was that I had received the very same award in 2001 for A Heart Traced in Sand, the book I wrote about my life with Naomi, my oldest daughter, who died of cancer at nineteen.


Twenty-five years have passed between these two awards.

The first emerged from the crucible of grief, from the experience of loving a daughter through her illness and death, and discovering that love does not end when a life does. Her life had been so remarkable I knew it had to be shared. The second grew from a one year journey across the world and, ultimately, inward—a chronicle of surrender, transformation, and the mysterious currents that carry us through life.

The news caught me unprepared. Other winners in the memoir category already had polished websites promoting their books. I had some catching up to do! So I set about creating a new webpage for The Weight of Air, presenting the book and its award. It looks good, and now I can begin the work of bringing the memoir to a wider audience.

Click here for link.

This morning, reflecting on the week, I realized just how much of my life has become devoted to writing.

In some ways, I have embarked upon a change of career late in life. For more than forty years, painting has been central to my identity. I have also pursued photography and writing, often simultaneously, each medium offering another way to explore the mystery of existence. But for over a year the brushes have been quiet, and the easel has stood waiting while words have occupied nearly all my creative attention.

Perhaps the distinction matters less than I imagine. Whether through pigment, light, or language, I have always been trying to give expression to something that cannot quite be named. Something glimpsed beneath the surface of ordinary life.

The recognition of my writing is gratifying, especially at this stage of my life. It suggests that the years spent at my desk, following memories and intuitions wherever they lead, have not been in vain.

And so, here I am, at seventy-four, still becoming.

My body is healing, my creative life is taking unexpected turns, and the world outside my door continues its exuberant dance.

I do not know what the next chapter will bring.

But I am grateful to still be writing it.

Sunday, August 20, 2017

Indian Meeting Place Of The Universe


A life size wooden Indian faces my gallery every day. He wears a war bonnet, is dressed in buckskin and holds a tomahawk. Each morning he is dragged out of the shop called Shalako that sells old Native American Indian silver jewelry and adornments. Then he goes back inside at closing time. He stands sentinel at the door and tourists from all over the world have stopped to have their picture taken next to him.

Santa Fe is the meeting place of the universe for Indians this weekend. Indian Market is in progress. Today, a real Indian stood next to the wooden one as I took a picture. He grabbed the ax from the wooden Indian's hand and smiled while I photographed. He is from the Jicarilla Apache Nation in New Mexico, and is here among tribe people from all over the United States, including Alaska, and also some from Canada. 


Tents line every street going out from the plaza. The Indians sell their pottery, jewelry, weavings, artwork and more. Tourists come from all over. They can be seen waiting at the booth of a favorite artist for over an hour before opening time at 8 AM on Saturday morning. 
Throughout the two days, there are continual performances of native music with colorful dancing in traditional costume . . . and a spirit of happiness and excitement pervades everywhere.


My gallery is only 100 feet from the plaza. Often, downtown businesses complain that shoppers are so fixated on the Indian crafts that their businesses go into a sales slump. Last year I had the good fortune to sell a big painting during the market.

I show up with a positive attitude and am thankful for what fate brings . . . and this year some collectors came in and bought art from me; including a portrait that I had just completed. You might call it a “native” portrait. It is of an indigenous woman from South America, wearing her native costume, including a bright red felt hat.

"The Red Hat", oil on linen, 20 x 20 inches
by Steven Boone

Sunday, August 23, 2015

Indian Market


The Santa Fe Indian Market bills itself as the “largest and most prestigious intertribal fine art market in the world.“ Truly, it is a celebration of indigenous peoples of North America and their handiwork as they arrive each year in Santa Fe, New Mexico to sell their arts and crafts. 



Having lived in Santa Fe for almost forty years, I have seen many markets. It depends on my mood whether I go or not. Sometimes I think of the big crowds and say “no way!” Other times, my curiosity takes me to the plaza to wander amid the tents.

This year, I am almost part of the festivities. I opened a temporary “boutique” gallery only fifty feet from the plaza—the heart of the market. (See Gallery.)


I am glad to be so close. I feel the warmth and excitement generated by the natives and a reciprocal response of non-native participants that buy the goods. I love the pride that the Indians have of their heritage and how they celebrate in dress, crafts, music and dance. It is quite awesome to see the tribes represented from coast to coast and Alaska too.