Sunday, April 20, 2014

A Thousand Words


Along the way in writing a blog each week, while creating 407 postings, there have been days when no subject readily arrived in my mind. This problem doesn't occur while traveling in new lands amid exotic adventures; then, it is easy to find conversation. But I am not always on the go in this fashion.

This morning I arrived at my art gallery early, planning to write something, but without a clue. The ground is moist from an evening shower, the air is fragrant, and the sun shines through the morning clouds on a beautiful spring day. I turned my back on work and walked, noticing fresh leaves budding forth, and the flowers that are celebrating a new season of generation. It is enough this morning to simply share some pictures. After all, one picture is worth a thousand words.



Sunday, April 06, 2014

Age Of Digital Photography


Color photography versus black & white. Each has value, and in this day and age of digital, we can have both. When taking pictures with my camera, typically it is in color, but software advances are so ubiquitous that the same photo can be adjusted wonderfully into black & white, using Photoshop, or many other software programs created for that purpose.

 I do not say one form is better than another . . . for instance an incredible sunset might lose some drama in black & white. But then again, sometimes color can be distracting. Black & white simplifies so that a narrative speaks more clearly, the story is succinct.

Here, I am including two samples of the same picture. The subject is a woman at a train platform in Bangkok, Thailand. A train is rushing past and is blurred by motion. In the black & white, the absence of color gives longing to the story. The color picture is flashier. 

Click for more artistic photography

Sunday, March 30, 2014

Tango Embrace


THE DREAM speaks . . . sings, flows, is air, is water, flux. I am in it and witness, play along as an actor on it’s stage. I am audience to my performance as well—yet I only long for the place of unfolding—not the witnessing, but the unfolding. What is it then to unfold and witness at the same time?
Can moments be slowed? Slowed into singularity so that only one time exists? Cessation of separation, to realize that sleep, waking, work, rest, play, happiness, sadness, success, failure, male-female, God, human, animal, plant,—all are unified in the borderless regions of oneness. -Written from Buenos Aires, Argentina, March 2010

"Tango Passion"
What is Buenos Aires without tango? The night I visited Cafe Tortoni, I went for tango. The Cafe is a classic Parisian style affair, with high ceilings, chandeliers, glistening tile floors, lacquered wooden tables and chairs, and artwork covering the walls. I went right by all this and straight downstairs, into a small dark cavern with tables and a stage. My eyes adjusted to the dark and I could see shadowy silhouettes of people seated, and soon, musicians came to take their positions besides the stage, and begin making the familiar, haunting, chords of tango music. The stage had a backdrop of a cafe, and the dancers arrived, in pairs. The area was small enough to feel intimate, and as if the spectacle was unfolding among friends gathered privately for a night of revelry.

I had my camera, and amid the strident song notes striking the chords of longing and pathos in everyone's hearts, and the stage smoke filtering the colored lights as the dancers strode, strutted, and twirled together, I took pictures.

"Tango Embrace"
Since then, I have sold my images from that evening, as prints and large scale mixed-media pieces. One has appeared on the cover of a french language novel.

The Steven Boone Gallery sold a large mixed-media piece today, called Tango Flair, and this is what inspired my blog today.

"Tango Flair"

Sunday, March 23, 2014

Life Away From The Familiar


The coast of Sicily

 Once you have traveled, the voyage never ends, but is played out over and over again in the quietest chambers. The mind can never break off from the journey.” – Pat Conroy


 “Our battered suitcases were piled on the sidewalk again; we had longer ways to go. But no matter, the road is life.” – Jack Kerouac


The experiences of life away from the familiar that comes from distant travel are not for everyone, but for me, the exciting effects of combining known elements with unknown ones is essential. I need to travel, to experience the freedom of motion that carries the possibility of expanded consciousness. Written upon the tablet of my memory are indelible streams of life that have come from living like the wind carving through space and time without inhibition, even circling the globe. I feel the fire of this passion that burned so bright and joyously unencumbered for the entire year of 2008, and is still alive with burning embers of that lovely flame—ready to leap into intensity again at the slightest opportunity. 
Masai youth, herding cattle . . . Tanzania

Camel at the Great Pyramids, Egypt
The feeling to explore new life is coming these days like an imperative. The flames that died down now long to spring forth once again. It almost hurts me to be settled. The strange apparition of a whirling dervish must challenge most peoples consciousness. Who could possibly care to live without being the occupant of a home? For most, home is where the heart is, but I also observe it is where stuff accumulates and that stuff requires guardianship. I don't care to be watching over stuff. To do so requires maintenance and expenditure. Let loose I say.

Material possessions do not hold more for me than a soft breeze and warm sunlight upon my skin, a bird song in my ears, the sight of new terrain to explore, and the incredible luxury of time, with the only requirement being that of awe and wonder.
At Ipsos, on the island of Corfu, Greece

Halong Bay, Vietnam
Come, Come, Whoever You Are
Wonderer, worshipper, lover of leaving.
 
It doesn't matter.
 Ours is not a caravan of despair.
 
Come, even if you have broken your vow

 a thousand times
.
Come, yet again, come, come. 


Sunday, March 16, 2014

Always Made The Effort

My father said that he never could see the “man in the moon.” The moon's face with it's big crater eyes and opened mouth that seemed to say “Oh,” had always been so obvious to me and a welcome sight, so his confession surprised me—especially since I held my dad to be a supremely thoughtful person.

I never heard the mention of God or Jesus or Moses while growing up. Most of my friends belonged to households with religious affiliations, at least nominally claiming to be of a particular spiritual persuasion. Not in my home. Yet, there were strong ethics involving morals and responsibility.

In my nineteenth year, while away at University, I found myself searching for meaning beyond the practical, and embarked on a spiritual pursuit, joining the Baha'i Faith. Perhaps my parents were surprised, especially when through the years my faith deepened. 

Throughout every religion are teachings on how to act in accordance with spiritual wisdom. Most religious people try and live righteously, with various degrees of success. Some are outwardly religious but inwardly lazy so as to make no effort toward benevolence or virtue.

Father always made the effort and could not tolerate liars or usurpers. As a young adult, after I found religion, we talked and he admitted that he regarded religion somewhat like Karl Marx (German, 5 May 1818 – 14 March 1883) did—as the “opiate of the masses.” The context of the Marx phrase appears in this sentence: "Religion is the sigh of the oppressed creature, the heart of a heartless world, just as it is the spirit of a spiritless situation. It is the opium of the people." Father was determined not to accept unjust conditions in society. He felt that religion made people accept what they should not. When so much was being made of Mother Theresa caring for the destitute in India, taking a vow of poverty, he scoffed, and insisted her energies would be better used to change the sick nation so that systemic corruption and oppression were expunged and a new society with a more wholesome foundation was created to lift up the masses. Why accept the poverty and not change the conditions that created it?

Father left this world never having spoken the word “God,” but in his actions and beliefs living spiritually. I imagine his delight, when he “met his Maker,” and before Him, he stood clean, and they looked back at all those he unselfishly helped along the way.

Read here a very good article about my father, written in the Chronicle of Philanthropy:
Richard Boone: a Tireless but Humble Advocate for the Poor

Sunday, March 09, 2014

I Always Loved Him


Dad, second from left at top
My father, who died only two weeks ago, was an enigma to me. I always loved him, and he represented a good human being and my parent, but he was mysterious and indecipherable almost from beginning to end. He had a fabulous life as an activist for social justice, reaching into the highest echelons of government and philanthropy, working behind the scenes to bring about better conditions for disadvantaged and oppressed people. A consummate strategist, his ideas were not about giving handouts, but rather bringing about social change so people could rise out of poverty and become contributing members of society. (See New York Times article.)

Richard Boone's trajectory from the time he finished study at the University of Chicago was that of social work, and he immediately rose to leadership in any work he found himself. For most of his life, he was at the top of his field—always the executive director.

For a man who worked so hard, he also had five children and a wife. I am the oldest son, and all the other siblings followed within eight years. Our circumstances were poor to begin, but improved to stable middle-class and upper middle-class. My father was never about getting rich—it was not in his perspective. He was a devoted father, but not the ideal family man. His work took precedence. I do have fond memories, especially the days we lived in Washington DC—of vacations, wrestling matches with him on the living room floor, and visits with him on weekends in his bedroom, where he sat me down and asked about how my life was going, lending all his attention to me for a wonderful hour. He also informed my life with the fascinating people he brought home. People of all races who he championed and chose as allies—people who would never have appeared in the homes adjacent to us. One summer, when I was a youngster and our family lived on Long Island, we welcomed into our home two inner city kids, brother and sister, from a gang riddled neighborhood in Spanish Harlem, New York City. I do not know how my father found them. They spent the summer as part of our family. The boy told me about the zip guns his friends made to shoot, and I was very impressed. I don't know how my mother handled seven kids then . . . my father was always surprising her and sometimes she complained loudly.
My father's folder he kept for me . . .

Dad was mysterious to me in that he did not share his inner feelings and was impassive. He studied and thought, and could be incredibly attentive, but also inaccessible. He never said, “I love you.” Yet, I knew he did in a deep way.
I never saw his body after he died, but arrived to the family home a couple days after he was taken away. Nothing much remained, since he was not a great collector of things and mementos. But he had folders for all his children, and I found letters and correspondence between him and I that he had kept.
I also found some hand-written notes he had made and considered important enough to stash away. Since he had no religion, he developed his own philosophy and reason for living. His notes indicate his primary beliefs were in:
  1. The energy of love
  2. Recognition of the world being bigger than “self.”
  3. Live life so as to hurt others as little as possible.
  4. Know that the individual is not the center of everything.
  5. The imperative to build something of enduring value.
  6. The dynamic process of becoming.
  7. “Truth” can be found at any level; physical, emotional, rational, and spiritual.

I am feeling tides of emotion in the aftermath of father's passing. Death is final and draws a close to life.

Monday, March 03, 2014

A Symphony Plays





It is odd, returning to my father's home in the wake of his death. The house that he loved is intact and outwardly at least, stands as it has for years. My mother is home, and the yard, garden, and inside are all neat and tidy. Yet, it is as if a symphony plays—missing an important instrument, and it is strange.









Click here to visit the memorial site for:
Richard Wolf Boone, March 29, 1927 - February 26, 2014

Death of Father

To laugh often and much;
to win the respect of intelligent people
and the affection of children;
to earn the appreciation of honest critics
and endure the betrayal of false friends;
to appreciate beauty;
to find the best in others;
to leave the world a bit better
whether by a healthy child,
a garden patch, or a redeemed social condition;
to know that one life has breathed easier
because you lived here.
This is to have succeeded.
attributed to Ralph Waldo Emerson

Sunday, February 23, 2014

Taking Risks


Sometimes, in olden days when ships were powered by sails and breeze, it happened that during a journey, the wind stopped. The ship and its crew could then only drift at sea, forced to wait for a current of air.

My artistic work life requires a steady breeze of inspiration, but occasionally the wind unexpectedly stops, and then I am in doldrums. I am not sure if every artist feels this. The common advise for artists to become successful is to find your style, and stay on that path without deviation. I think my career has been unusual in that I get restless for change, and do not like repeating myself and so go off on tangents frequently. Sometimes it is a dead end . . . but by taking risks, discoveries are made.

I have volumes of old work that is experimental, and most is in storage . . . awaiting further inspiration, or simply to be painted over and begun anew. This artwork of the woman stepping forward with a flowing gown is something from years ago, and just such an experiment. It has been in storage, and I will work more on it sometime. The circle around her head could be a halo, or the full moon.
It appears a shadow shaped like a bird is crossing over her. 

Sunday, February 16, 2014

What A Long Strange Trip Its Been

Faithfully writing a weekly blog has brought My Fairytale Life to the number 400. That is four hundred posts; over 1000 photographs, encompassing global travel, musings on life and death, art, philosophy, and occasional random rambles into the unknown.

As the Grateful Dead sang, "What a long strange trip its been."

Monday, February 10, 2014

Oscar Wilde


Death and love seem to walk on either hand as I go through life: they are the only things I think of, their wings shadow me. -Oscar Wilde  (Irish, 16 October 1854 – 30 November 1900)

A couple of weeks ago I began reading, Oscar Wilde by Richard Ellmann. It is over 600 pages in small type, and a thorough and exhaustive look at this famous, complicated being. Over the years I have read elegant, cunning, and electric witticisms by Wilde—enough to make me interested in learning more about him. This biography took almost twenty years to write, and because of his comprehensive detective work, it seems that Ellman knows everything about the public and private figure of Wilde. There are so many biographical facts introduced, and all of Wilde's friendships, both academic, professional and personal, that I find the flow is slow and at times tedious reading, but very accurate. Because of Wilde's indomitable persona, it takes hold and won't let go.

Oscar Wilde's personality hinged upon pleasure and art. He was brilliant in language and could make a great impression upon people simply by his speaking. He thrived upon challenging the status quo, and in the end, this was his downfall. Wilde was homosexual, even though married with two children. His male lover, a younger man both handsome and quixotic, lured him into the dark paths of homo-erotic life, and in the end, Wilde was convicted in London of sodomy and sentenced to two brutally harsh years in jail. He lost everything—family, wealth, and health. The ordeal utterly devastated him and he died soon after his release. I have not yet read to the finish of the book. At this point, I have come to the section where, at the top of his fame and fortune, he has been in court, and is now facing his prison punishment. The downward spiral is violent.

“My ambitions do not stop with the composing of poems. I want to make of my life itself a work of art.”

Sunday, February 02, 2014

Fun Intensity


Winter cold makes life contract—or so it seems. The sun shines for fewer hours of the day, plants go dormant and energy is spent in conservation rather than gleeful expenditure. And so it goes with my art business. The Steven Boone Gallery art sales lapse, as the Santa Fe art market declines to its nadir in January and February. 

It is a good time to take risks creatively. Why not let the modus operandi be that of surprise and exploration? 

I always come back to experimentation as a basis for my art. I am easily restless and never self-satisfied for long. This week, I pulled some large abstract monotypes out of storage and began painting on them. They were made years ago, during another period of exploration, and have been out of sight ever since. I allow my eyes to wander over the surface and like a Rorschach test, let imagination come forth to suggest a narrative. 

I love having archives to draw upon. This blog is an archive of my life for many years . . . and I have been drawing from it to write a memoir. Thirty thousand photos are in my files, and only last night I took delight reworking a photo from a session with two models in my studio that took place several years ago. The pair were young friends, a white woman and black man, roomates who had an easy ambience between them, and who were quite comfortable being naked and interacting joyfully for a few hours with me, as I took hundreds of pictures.
The studio was draped in black cloth, and at one point, the woman, who has marvelous milky-white skin, held a long black cloth that she used to duel with her friend, who had a good physique and cocoa complexion, and battled with a flowing white cloth. The action was wonderful and my camera captured the fun intensity.