Inspiration for painting art is as broad as the universe. Subjects are endless. Some artists choose to have no subject at all, but let colors and line speak and be interpreted entirely subjectively.
For several years I have made paintings that evoke the most difficult symbol: death. It is the subject behind life that nobody wants to look at. The shadow that lingers in the corners of our consciousness, and for most, the unwelcome guest at the banquet of life.
My most recent painting took great effort emotionally, psychically and on canvas. It came in response to the deluge of horrific information that comes on the newscasts every day, especially with various wars raging in the world. In the painting, death is the ultimate victor, while all the combatants and other actors are decimated.
I usually don’t try and describe symbolism in my paintings . . . but in this instance I will:
Two spectral central figures are toasting with goblets of red wine, oblivious to the chaos and destruction raging around them. They are dressed in black, symbolizing the void, absence of light, mystery, mourning and perhaps comfort. Enigmatically they hold goblets of wine. Red wine represents celebration, opulence, strength, passion, love: it is the blood of life. The glass goblets represent the fragility of the vessel which holds life.
In art, a skeleton is often used as a symbol of death and mortality. The Latin phrase "Memento Mori" translates to "Remember that you will die," and it's a reminder of the inevitability of death. One skeleton wears a crown of roses representing the fleeting nature of beauty and life. Here, death is happily taking life that disappears forever.
In the background are burning cities. Mankind is at war and masses of people are caught in the conflagrations of violence and destruction. They flail helplessly against fate. On the left, a terrorist holding an automatic weapon stands beside death. Bewildered people crowd together, not knowing if they live or die. Fists with swords sweep through the air, while other arms and hands reach toward the sky in anguish. A stunned man gazes next to a death figure on the right. There is no place of safety.
In the midst of death, between the two skeletal figures is a child, looking up in bewilderment. Even children are being swept into the void of death.
The painting came as a response to current events. Our current world is in travail with countless threats to the fabric of existence.
As an artist, I pictured it. For now, and forever as testimony.