Photos from The Grand Canyon

Here are some photos from the Grand Canyon, taken between October 15-18.


To see all 25 photos, go to: Steven Boone's Grand Canyon





This photo was taken along the Kaibab Trail, off the South Rim .

The Kaibab Trail offers incredible views and steep drop-offs.

The ever changing light brings different moods . . .

To see all 25 photos, go to: Steven Boone's Grand Canyon

Grand Canyon

 The last time I visited the Grand Canyon I was a brash and eager young man, footloose and on the road with a friend. We arrived and were struck with the magnitude of what lie before us,  then promptly set off to hike the famous Bright Angel trail that winds like a snake from the rim down the steep canyon walls to the river below. It was summer and although we were young and healthy, we were also naïve to think we could easily face off against nature at its grandest and swagger away. The temperature rose above 100 degrees Fahrenheit and our exertion eventually tired us so that we had to pull up short of the river and turn around. When we arrived back at the rim, we had met our limit and were bent-over exhausted.

In fact, many hikers overestimate their fitness level, become dehydrated and confused, and must be rescued. The Park Service, in an attempt to discourage hikers from feats which are beyond their abilities, now posts a picture at several trailheads of an attractive and fit young man with the caption, "Every year we rescue hundreds of people from the Canyon; most of them look like him".

Now, forty years later, I have arrived at the Grand Canyon once again; and appreciate it more. Such beauty and grandeur! It is 280 miles long, and the average width is 10 miles. Standing at the rim you see a spectacular panorama of sky and earth, with the canyon walls dropping a mile to the Colorado River below. And the colors make artists drool. Changing weather and light adds to the drama.

I hiked the Kaibab trail yesterday. It drops from the rim and winds down the steep canyon walls, eventually to end at the river. That would be a nine mile round trip so I only went part way, for six miles, stopping frequently to photograph. Perhaps because it is cooler in the fall and I am more prepared with snacks and power drinks, I endured the rigors better than when I was young. Sure, I am sore today, but will be back again and again. After traveling around the world, I can say this place, practically in my backyard, is one of the most grand and beautiful places on earth.

Look for photographs soon.

Every Leaf Speaks Bliss

"Every leaf speaks bliss to me, fluttering from the autumn tree."
Emily Bronte (30 July 1818 – 19 December 1848)

The changing of season is nature in its most visible period of transition. Especially Autumn. Amid  colder temperatures and shorter days, leaves change colors while the bloom of summer withers and fades to rust. It is a time of departure and animals know that they must prepare for harsher days of winter, so they bulk up and gather nuts and seeds to hibernate under the snow.
There are many theories of how weather affects human emotions. (To learn more go to: Theories on How Weather Affects Human Emotions.)

This fall I have been particularly moody with temperatures dropping and sunshine dwindling. There is much to love about cool, brisk days with fantastic leaf displays, and I have made gorgeous hikes with Heidi of the Mountains, both in Colorado and here in the mountains of Santa Fe. That said, today is the beginning of 20 days of homelessness for me. The casita I have been renting is part of a larger estate that is being sold, so I have to go. I found another place but cannot move until November 1.

Flux, creativity and wandering are all part of the THE DREAM that is my life. Possessions do not burden me. I plan to live in my studio a few days. It has a bathroom but no kitchen or shower, and not much living space. I bought a rocking chair so I can sit and read at night. In a few days I will drive my van to California, stopping to hike and paint at the Grand Canyon along the way. Adagio Gallery in Palm Desert California represents my artwork and I need to deliver new pieces and pick up items that have not sold.  From there I will drive three hours north to Santa Barbara where my parents live. Eventually the road will bring me back here to Santa Fe, and a new home.

As promised, I have posted some photos from Kashmir.

I continue to work on a small website to show the handmade goods . . . that will come soon.

Kashmir

During my ‘round the world odyssey, I stumbled into Kashmir, India by chance, or rather, as I prefer to look at fate; THE DREAM took me there. Kashmir is located in the northwest region of the Indian subcontinent. It is in a valley at the foot of the Great Himalayas and its civilization hearkens back millennium. In succession, the official religions have been Hinduism, Buddhism, and eventually Islam.  Most often, people have coexisted peacefully. Various nations have prized it and in recent history, Pakistan, India, and the People’s Republic of China have all claimed administration rights. Most of the people in Kashmir would like to have their own country and be autonomous. Now, India is the primary ruler and have troops stationed as occupying “peacekeepers”. It is a tense peace, and lately trouble has been brewing with frequent protests and killings of civilians by soldiers. That said, it remains one of the most beautiful places on earth.

I had not been in India more than two days when a man I met in New Delhi took me into his office and said emphatically that New Delhi was not a nice place to be and I should go to Kashmir. “I can arrange your travel and you can live on a houseboat with your own servant on a beautiful lake at the foot of the Himalayan Mountains. It is quiet, the nature is beautiful and you can do many things, like trek and visit the towns.” Then he told me the price, which was quite cheap. I had only had time to see the Baha’i temple in New Delhi and now my new friend was adamant that I leave immediately. It felt like a whirlwind had settled upon me, but I sensed something extraordinary so let THE DREAM do the talking. That afternoon I was flying to the city Srinagar in Kashmir. When I arrived, the man’s brother, Ash, packed me into his car and drove me to Dal Lake, where we were then rowed to my houseboat and I was introduced to my servant, Monsoor.

From the first, Dal Lake enchanted me. It is pristine and sparsely populated. Water lilies drift casually on its surface, amid reflections of snow capped mountains. The longer I stayed, the more local people I met, and especially vendors who paddled up to my dock and showed me their wares. A fellow called Mr. Wonderful The Flowerman arrived regularly, selling huge bouquets of chrysanthemum’s, dahlia’s and other brightly colored flowers.

As I bought things, I was also invited to special occasions, and at a wedding became the de-facto photographer, even gaining privileged entrance into the bride’s quarter to photograph her amid her retinue. October-November is the wedding time in that area, so sometimes weddings occur twice or three times a day during those weekends.

I have so much to tell about my experiences at Dal Lake and hope to go back to see my friends, but must wait for the right time. Meanwhile, I have been doing business with a dear man named Gul who sends me handmade embroidered leather and suede purses, leather and sheepskin gloves and hats, and embroidered sheepskin coats and jackets. The business I give him helps entire families survive. In the next few days, I will post a special look at his goods, and more photos from Kashmir, so watch for it.

Read about my journey to Kashmir: My Astonished Eyes.
More Kashmir: Surprises
See more artistic photography from Africa and India.

The Dharma Bums

Yesterday, I paid a visit to Santa Fe’s most famous used bookstore. Since I am not one to turn on the television except to watch the news, I need to read. Nikolas Potter Bookseller sits quietly off the quaint downtown plaza. It is in an old home, with a small garden in front and along the front walkway a sign warns you to be aware that bees are buzzing about. Yesterday I arrived in the late afternoon and was gratified to see the front door open, so climbed the few short stairs and went inside.

Used bookstores all have an aura of intellectual refinement and usually a musty air of old paper and used items. In this store, the books are crammed along every possible surface, from top to bottom. The walking spaces are narrow and the place feels tight and intimate. Labels mark sections of the shelves; poetry, art, technical, mystery, etc. I sort of knew what I wanted and so browsed to the literature section to look for a novel or maybe a memoir. Eventually I found The Complete Short Stories of Mark Twain, and pulled it off the shelf. After browsing some more, I came to a Jack Kerouac book, The Dharma Bums and after glancing through the pages knew the book was resonating with me, so I had to decide which to keep. Both authors are famous individualists and known for breaking ground as authors. This day, Kerouac won out and I left Twain for another time.

I like Kerouac’s free, direct style of prose. He wrote in a manner that has been described as poetic jazz, blowing the words onto a sheet of paper like a sax player blowing into the night. I feel a kinship to him because he had little care for possessions and traveled freely across the land collecting experience and deepening his soul in the process. His most famous book is On The Road. He had an uncanny ability to transform seemingly everyday events into sacred moments of beauty. Kerouac took the risk of writing with little censorship and believed ‘first thought, best thought.’

Here are some Jack Kerouac quotes:
"The best teacher is experience and not through someone's distorted point of view". On the Road

"Down on the lake, rosy reflections of celestial vapor appeared, and I said, "God, I love you" and looked to the sky and really meant it. "I have fallen in love with you, God. Take care of us all, one way or the other." To the children and the innocent it's all the same. The Dharma Bums

"Houses are full of things that gather dust"

"Life must be rich and full of loving--it's no good otherwise, no good at all, for anyone."
Kerouac: Selected Letters: Volume 1 1940-1956

"I have lots of things to teach you now, in case we ever meet,
concerning the message that was transmitted to me under a pine tree
In North Carolina on a cold winter moonlit night. It said that
Nothing Ever Happened, so don't worry. It's all like a dream.
Everything is ecstasy, inside. We just don't know it because of our thinking-minds.
But in our true blissful essence of mind is known that everything is alright
forever and forever and forever. Close your eyes, let your hands
and nerve-ends drop, stop breathing for 3 seconds, listen to the silence
inside the illusion of the world, and you will remember the lesson
you forgot, which was taught in immense milky way soft cloud innumerable worlds
long ago and not even at all. It is all one vast awakened thing. I call it the golden eternity.
It is perfect. We were never really born, we will never really die. It has nothing to do
with the imaginary idea of a personal self, other selves, many selves everywhere:
Self is only an idea, a mortal idea. That which passes into everything is one thing.
It's a dream already ended. There's nothing to be afraid of and nothing to be glad about.
I know this from staring at mountains months on end. They never show any expression,
they are like empty space. Do you think the emptiness of space will ever crumble away?
Mountains will crumble, but the emptiness of space, which is the one universal essence
of mind, the vast awakenerhood, empty and awake, will never crumble away because
it was never born."
Selected Letters 1957-1969 and is a letter he wrote to his first wife, Edie in 1957.
The Portable Jack Kerouac

"Don't use the phone. People are never ready to answer it. Use poetry."

See some of my recent photographs posted to Facebook: Colorado Sojourn

Witnessing The Sudden Change

The adventure to Colorado began in earnest when my partner, Heidi of the Mountains, and I pulled off the road between Albuquerque and Durango to rest a moment and pee. A spectacular profusion of chamisa bush bloomed bright yellow in the late afternoon light, and as I exclaimed aloud in delight and dropped my zipper behind a tall bush, a distinct warning sounded. I looked to my side and barely a couple steps away a rattlesnake stood coiled, rattling its tail and staring at me. I remained relaxed, then after finishing my routine, I thanked the creature for the heads-up alert and left.

From past experience, I judged that the fantastic changing of the color of aspen tree leaves would begin the second week of September. Here in Santa Fe, because we are further south, the change is usually first week of October. The “quaking” aspen is Colorado’s state tree and the name is ubiquitous and used for towns, hotels, restaurants and more. Aspen leaves turn golden yellow when conditions are right—shorter days and cooler temperatures—and can be seen en-masse on mountain sides since they grow in clusters, sharing their root systems. The display is only one week long, and it is difficult to pinpoint start and finish times. I felt crestfallen discovering that most of the trees were green when Heidi of the Mountains and I arrived in Ouray, sometimes called the “Switzerland of America”. I kept wondering how I could have misjudged the seasonal change, but determined to enjoy the moments anyway and said to myself “what you see is what you get!” I produced a painting in the countryside and made the aspen trees golden rather than the green that I saw.

The day I painted, we hiked and took a trip to Telluride where a blues festival was happening for several days. The town is in a fantastic setting and has good shopping and easy access to fun outdoors activities.

On Saturday, Heidi of the Mountains and I rented a jeep and headed to stark and unforgiving territory, on roads only accessible by all-terrain vehicles. Surprise! As we left town, whole hillsides had turned golden; seemingly overnight. In the morning light, it seemed as if nature had flipped a switch and turned on the color. The natural performance dazzled the senses and confounded the mind. Witnessing the sudden change turned my disappointment into joy and came as a gift: to be amidst the change as it occurred. Our jeep took us to dramatic places above 12,000 feet altitude, and along the way, the aspens blazed upward until they reached the end of their climatic comfort zone and where only fir trees grew. Higher up, in tundra regions, only small plants existed among the rock.

At times, the roads were so rocky and broken that the jeep rolled wildly from side to side as we inched our way along. Drop-offs were steep and perilously close to the narrow trails. Heidi of the Mountains insisted several times that I stop to let her walk rather than be in the jeep. We became lost a couple times but the views were so fantastic, I hardly cared. At the end of the day, we chose a route home that proved to be perilous and although I tried to assure Heidi of the Mountains that I would not let anything happen to her, she broke down crying. When we made it to the smooth highway, she was mad at me, but I could only say, “Look, Stevie has brought you back safe and sound! He won't let anything bad happen to Heidi of the Mountains.”

Our last day was spent hiking near Silverton. I returned to the same trail I had been on three weeks earlier with my ex-wife Jean and daughter Sarah. It is a hard hike from 9000 feet up to a lake basin area over 12,000 feet. Now, the aspen trees blazed gold colors along our mountain trek and when Heidi of the Mountains and I at last, with sore and trembling legs, gasping and out of breath, reached the top of our climb, an exquisite pristine and incredibly blue lake in a lovely basin surrounded by peaks dazzled our eyes. That evening we finally reached home at 11:30 PM exhausted but satisfied that we had experienced the fantastic.

I took many photos on this trip, and will share them after I have sorted and processed the best.

The Burning Of Old Man Gloom

In Santa Fe every year at the beginning of Fiesta, people converge to an open field to watch the burning of Zozobra, also known as “Old Man Gloom”.

Zozobra is a hideous but harmless fifty-foot bogeyman marionette. He is a toothless, empty-headed facade. He has no guts and doesn't have a leg to stand on. He is full of sound and fury, signifying nothing. He never wins. He moans and groans, rolls his eyes and twists his head. His mouth gapes and chomps. His arms flail about in frustration. Every year we do him in. We string him up and burn him down in ablaze of fireworks. At last, he is gone, taking with him all our troubles for another whole year. Santa Fe celebrates another victory. Viva la Fiesta! - A.W. Denninger

It is a tradition that is both a family event and a raucous frenzy. To gain entry into the field, people must pay a small admission that goes to charity, and have their bags checked for contraband, like guns or alcohol. Zozobra can be seen standing on a hill above the field. He is dressed the same every year, stands fifty feet high and stuffed with paper. His eyes are big and green, he has fat lips, his head swivels and his arms move, and he looks dapper and grotesque.

I had not been to a Zozobra burning in years. As night fell, live music rolled out over the crowd and when the field lights turned off, the big puppet began slowly moving—as if drowsily awaking from a long time of dreaming. Cries of “burn him!” arose, and an official announcer arrived to say Zozobra, Old Man Gloom, is sentenced to death so that Santa Fe can officially begin the Fiesta festival, and therefore, the time of his burning is to commence immediately. The crowd erupts as a fire dancer dressed in a flowing red gown appears at the base of the effigy and begins her hypnotic dance. Rhythmic music plays and more dancers appear, some twirling flaming rods. Fireworks go off and Zozobra begins flailing his arms, rolling his eyes, wagging his head and groaning. Some people in the crowd scream as if they are in primal scream therapy . . . especially piercing are the screams of teen-aged girls. The groaning of Zozobra is actually a carefully orchestrated and traditional performance by a “groaner” who, like the Wizard Of Oz, is backstage, behind a curtain, but his voice is amplified through rock concert speakers so that the ground shakes. More fireworks go off, perilously close to Zozobra who moans with each conflagration. The fire dancer prances at his feet and the crowd anticipation and frenzy grows. Parents lift their children to their shoulders so that they can see. All of a sudden it seems Old Man Gloom is lighting up from inside. His big, green eyes roll, his arms flail and his head bursts into flames. He wails loudly as the crowd cheers, and then the rest of his body catches fire. Fireworks blaze all around him and then suddenly, he disappears in smoke and flame. The last of the fireworks go off and Zozobra has been reduced to a smoldering bonfire where once a fifty foot tall structure stood. It is fantastic, and the crowd disperses into the night.

Zozobra has burned 86 times now . . . but he will be back next year.

The burning marks the end of gloom and the beginning of Santa Fe Fiesta, the oldest continual community celebration in America. During the next three days are festivities and parades, dance and music, plenty of food and drink, and an art fair.

To see more pictures, click here: Zozobra Burning

Places Unimagined

“What difference does it make how much you have? What you do not have amounts to much more.” Seneca, (5 BC - 65 AD) Roman dramatist, philosopher, & politician

When death comes, it is most important to have loved well, experienced much and gained wisdom. Possessions, no matter how great, will account for nothing, except as they are given away to others. Our bodies will return to dust and be gathered into mother earth again. So why do people obsess over things?

I have found that in the last few years of my life, especially as I have become a vagabond world traveler, I do not care to be in relationship with physical ownership. Rather, what I crave is freedom of movement. If the wind calls me, I must move with it and go where it blows. For some, this might be reason to say Steven Boone is irresponsible. He does not want to take charge of things and be “responsible”. But that is not entirely true, for it is because of philosophy that I am this way. I think that everything material is ephemeral and transient—only Spirit is eternal and breaks every barrier, including death.

These days, when I need to be in one place for any length of time, I find a furnished dwelling that I can inhabit and then easily leave. I wonder, will there come a time when I will want ownership and have a house with a garden, and collect things? Then I will make my surroundings my own. For now, I do not want title because it requires caretaking. In short, to be like the wind is to travel without care over the wide terrain and go places unimagined.

“The wind bloweth where it listeth, and thou hearest the sound thereof, but canst not tell whence it cometh, and whither it goeth: so is every one that is born of the Spirit.”
The Bible, John (ch. III, v. 8)

Soon my six month lease at my casita in Santa Fe will be finished. I can either stay or move, and because I am an artist, I can move anywhere I want and continue working. I feel a surprise is close at hand, and might take me somewhere remote. For now, the next few weeks will be the most colorful of the year and this artist has plenty of inspiration close at hand to keep him busy.

Nature's Peace

"Climb the mountains and get their good tidings. Nature's peace will flow into you as sunshine flows into trees. The winds will blow their own freshness into you, and the storms their energy, while cares will drop off like autumn leaves.”  John Muir

“May your trails be crooked, winding, lonesome, dangerous, leading to the most amazing view. May your mountains rise into and above the clouds.” Edward Abbey

My daughter Sarah, my ex-wife Jean, and I went for a four-day excursion to Silverton Colorado. Silverton only has about 500 residents, but swells with visitors in the summer because of its spectacular surroundings. It has been called “A gritty little mining town with Victorian pretensions.” The elevation, 9305 feet, makes it one of the highest towns in the United States. Originally it was founded during a gold rush, when silver and gold was being mined in the late nineteenth century.

The first day, we drove up to Animus Fork, to the ruins of old mines and miners structures. While Jean and Sarah hiked, I made a painting of an abandoned house with the mountains in the background. In the evening, we went to a restaurant, then came home and played cards. The next day, we hiked a rigorous trail up into the mountains to Ice Lake, a climb of about 3.5 miles from an elevation of about 9,900 feet to 12,000. We started late, and about half way up, hikers were already descending to return to town. Some people are hard-core hikers and even ultra-fit enthusiasts—and its always amusing to find that we are huffing and puffing and stopping to get our breath, when one of these people casually jogs past us. Our efforts were rewarded by late summer colors, wildflowers, mushroom varieties and astonishing mountains, but we were quite sore when we got back.

The other highlight of our trip was a jeep trip high in the mountains on roads only passable in all-terrain vehicles. The day went like this:
Sarah is the last one up in the morning, and when we arrive at the Jeep rental the time is 10:30.  Jim, the owner,  is a rough-cut mountain man who begins gruff but warms up as we go along. He tells us we have to wait until 1 PM to contract a half-day rental and have to return at 5. We look a little disappointed and he says okay, he can give us a new jeep that seats four, with a hardtop (good for rain) and he doesn’t care if we get back late. He plots out a course for us that includes going over mountaintops, visiting Lake City and Colorado’s 2nd largest lake, and then looping back over Engineers Pass and back into Silverton. Clouds are gathering and I ask him if he thinks it will rain, and he looks out the window and says, “Yes, I am pretty good at guessing the weather.” In fact, it did not rain that day. Jim gives me a lesson operating the four-wheel drive gears, and the most difficult part is that I have to have the jeep in neutral and rolling slowly to get into 4 wheel drive low-gear for steep terrain. Well, how am I supposed to be in neutral and rolling up hill when I shift in the mountains? He seems satisfied I will figure it out and then we say good-bye.

We take off driving the Alpine Loop and arrive at our first steep ascent, called Cinnamon Pass. I manage to jam the gears into 4 wheel low and begin the slow treacherous crawl upward over boulders and ravines. For those of us used to driving on smooth roadways, off-road mountain climbing in a vehicle on old mule paths is an extreme adventure. At times, you find your heart in your throat. Jean kept both her hands grasped firmly on the handle jutting from the dashboard . . . a well-placed jeep accoutrement. Occasionally vehicles could be seen coming the other way, but the right-of-way belonged to the vehicle climbing. It could be difficult passing because few places are wide enough to allow it.

At the top of Cinnamon Pass we are astonished at the view from near 13,000 feet in the tundra setting. I get excited and sprint a short ways to a rocky knoll to take pictures but immediately become out of breath and gasp for air. Soon, as we continue the course, Sarah asks to drive . . .  I agree and let her take the wheel—unless we come to extreme driving conditions. She does fine, and I am proud when other toughened drivers pass and notice a beautiful young woman at the wheel of the jeep on the hard mountain roads.

We are continually amazed at the settings we are in. Late summer wildflowers are in bloom and we see marmots, a furry mammal that looks like a prairie dog but is more related to squirrels.

After driving about 3 ½ hours, we arrive in Lake City and stop to rest and eat. Jean is told of a nearby hiking trail and we find it, then hike to a waterfall in the forest. I imagine that in a few weeks the Aspen trees will be golden and shimmering, and determine to come back then. Sarah and Jean take their shoes off and put their feet in the ice-cold mountain stream, giggling and laughing. We revel in the sound of the gushing, splashing water and pristine mountain surroundings. On the way back, Sarah collects wild raspberries. They taste very tart and fruity.

I am a bit concerned about time, and do not want to drive on off-road trails in the dark, so we forge onward along steep narrow passes that hug the mountain side with steep drop offs to oblivion. Switchbacks can be so severe that the jeep is barely able to make the sharp turn. The late afternoon light makes the mountains even more beautiful and we stop frequently to revel, despite the time. Near Engineers Pass we turn a corner and suddenly come to a big flock of grazing sheep. The scene is almost incongruous in such a harsh setting, but about 800 sheep are meandering over the mountain, grazing on the rich fauna. No shepherd is in sight, only two big Great Pyrenees dogs and their pup. The sound of “baaah, baaah” is everywhere.



When we come to Engineers Pass, at 12,800 feet the panorama is breathtaking. We can see mountains and valleys in almost every direction. The light seems to hang in the fresh, summit air. I feel like I am in heaven.

Eventually, we arrive back in Silverton at about 6:30. The owner’s wife checks in the vehicle and I tell her we had a great time.

“Come Fairies, take me out of this dull world, for I would ride with you upon the wind and dance upon the mountains like a flame!” William Butler Yeats

A Marvel

During my years of University study I took a course in philosophy, and I remember a day in class when the professor became quite animated during a treatise on whether God exists or not. He held up a diagram of the human eye and explained that such a complex invention begged certainty that only God could create such a marvel. I agree.

The human eye is enormously complicated and efficient in receiving raw data. About 40 components make up the system, including retina, pupil, iris, cornea, lens and optic nerve. The retina for instance, has approximately 137 million special cells that respond to light and send messages to the brain. The light impressions are translated into electric impulses and sent to the brain via the optic nerve. Then, the visual cortex interprets the pulses to color, contrast, depth, etc., which allows us to see “pictures” of our world. The eye captures so much information that the brain can interpret up to 1.5 million pulse messages a milli-second. No computer even comes close.

If anything were to go even slightly wrong in the creation of eyes, they would fail. Yet time and again, since the beginning of human life, mankind has been given the incredible gift of sight. It does not happen by accident, but rather by plan. If we think fairly about this one aspect of the human creation, we must admit that a Creator devised and implements it. Furthermore, all the best minds of humanity could not replace a single eye . . . the most we have been able to do in an empty eye socket is put in a glass orb that has no power of sight whatsoever. No, only God can create eyes. It cannot be “accidental” or by “chance”.

“To suppose that the eye, with all its inimitable contrivances for adjusting the focus to different distances, for admitting different amounts of light, and for the correction of spherical and chromatic aberration, could have formed by natural selection, seems, I freely confess, absurd in the highest degree possible.” Charles Darwin, Origin of Species

Worth A Thousand Words

It is said that a picture is worth a thousand words, and a Native American proverb says, “It takes a thousand voices to tell a single story”. Every painting contains stories, and that is the beauty of art—that we can look, and if the artist has been masterful and we are awake to the moment of observance and communion, stories can unfold.
There is a story behind my recent piece, called The Gypsy. It begins when I was visiting my friend Carol, who lives in a tiny mountain village, Darrical, in the region of Spain called Andalusia. Carol is Scottish by birth, but has lived in Spain for years with her German, accordion playing husband, Rolf. They lived a vagabond existence on a boat for years before finding their place in the almost deserted village of Darrical. While I was staying with Carol and Rolf, I met Pepa, a young woman artist who spoke English. Immediately I was struck with her “Spanish” looks—dark hair that flowed in wild rivulets around her broad face, olive skin, sparkling eyes, and an almost fierce proud beauty to her.
Soon we were friends and I wanted her to model for me, for photography, which she gladly agreed to. I told her I wanted her to dress in traditional Spanish garb and she found some dresses that worked, and we took her guitar for additional flavor.

Darrical has many homes that have been abandoned and are in various states of ruin. At one time the government planned to create a dam in the valley and made people move out of their homes before the water rose and flooded them . . . but the dam was never built and the homes remained abandoned. I wandered in and around these places, letting them tell me their stories and feeling the passage of time. Pepa and I spent hours exploring the village ruins and I took hundreds of pictures of her.
Now the pictures are available in my archives and I have begun using them in my artwork. I have developed a method of making mixed-media art that combines digital photography and painting. First I begin with an image I like, and then work on it in Photoshop, sometimes adding layers of abstract nuance. Next it is printed on canvas and stretched onto stretcher bars, like a painting. Then I coat it and paint on it as my imagination inspires me. In the end, a final finish unites all the layers and the art goes to my gallery. The new works are not the landscape painting I am known for, yet, I believe in the old Chinese saying “Perseverance furthers” and by nature I am an adventurer and like to experiment in my art.
Click to see more Steven Boone artwork